Elliot Page



Many of the political attacks on trans people—whether it is a mandate that bathroom use be determined by birth sex, a blanket ban on medical interventions for trans kids or the suggestion that trans men are simply wayward women beguiled by male privilege—carry the same subtext: that trans people are mistaken about who they are. “We know who we are,” Page says. “People cling to these firm ideas [about gender] because it makes people feel safe. But if we could just celebrate all the wonderful complexities of people, the world would be such a better place.”
Page was attracted to the role of Vanya in The Umbrella Academy because—in the first season, released in 2019—Vanya is crushed by self-loathing, believing herself to be the only ordinary sibling in an extraordinary family. The character can barely summon the courage to move through the world. “I related to how much Vanya was closed off,” Page says. Now on set filming the third season, co-workers have seen a change in the actor. “It seems like there’s a tremendous weight off his shoulders, a feeling of comfort,” says showrunner Steve Blackman. “There’s a lightness, a lot more smiling.” For Page, returning to set has been validating, if awkward at times. Yes, people accidentally use the wrong pronouns—“It’s going to be an adjustment,” Page says—but co-workers also see and acknowledge him.
Whatever challenges might lie ahead, Page seems exuberant about playing a new spectrum of roles. “I’m really excited to act, now that I’m fully who I am, in this body,” Page says. “No matter the challenges and difficult moments of this, nothing amounts to getting to feel how I feel now.” This includes having short hair again. During the interview, Page keeps rearranging strands on his forehead. It took a long time for him to return to the barber’s chair and ask to cut it short, but he got there. And how did that haircut feel?
Page tears up again, then smiles. “I just could not have enjoyed it more,” he says.
ELLIOT PAGE for TIME Magazine › 2021 interview by Katy Steinmetz, photography by Wynne Neilly via Tumblr
I LOVE LUCY (1954) — 3.28 “Tennessee Ernie Visits”






Desi Arnaz with Lucille Ball in 1958.
Craig Ferguson on why he refused to make fun of Britney Spears in 2007
‘I thought it was my Jerry Maguire moment’
serpentinesheldonserpentine: Always punch up, gang.
via via Tumblr
Diana Rigg

Diana Rigg / publicity photo for The Avengers, 1965.
More photos from this shoot are here. via Tumblr
M*A*S*H

Charles: Radar, that’s my old toboggan cap!
Radar: Yes, sir. I knew you weren’t happy here, so I wrote your mother and asked her to send something that would make you feel more at home here. via Tumblr
AMERICAN GODS ⇢ 3x03 | ASHES AND DEMONS

What the fuck were they thinking with that haircut? via Tumblr
Barbara Eden and Larry Hagman, 1969
Barbara Eden and Larry Hagman in a promotional photo for the I Dream of Jeannie episode entitled The Wedding, originally broadcast by NBC on December 2nd, 1969. This episode is infamous for being when I Dream of Jeannie “jumped the shark”, with Barbara and Larry both stating that marrying the characters was a mistake (the “naughtiness” of the characters living together, with Jeannie in love with Tony but sleeping alone in her bottle, was an appealing aspect of the plotline that audiences liked). Though they protested at the time, the producers and writers didn’t listen and the ratings of the show immediately declined after this episode aired. I Dream of Jeannie was cancelled on May 26th, 1970 following a five year run on NBC. via Tumblr
“there’s a series of mini catastrophes out there…”
Elizabeth Montgomery on the set of Bewitched, 1970.
20th-century-man:
Elizabeth Montgomery / on the set of Bewitched, 1970 via Tumblr
Happy Birthday Gillian Anderson!
I want my MTV


