Many of the political attacks on trans people—whether it is a mandate that bathroom use be determined by birth sex, a blanket ban on medical interventions for trans kids or the suggestion that trans men are simply wayward women beguiled by male privilege—carry the same subtext: that trans people are mistaken about who they are. “We know who we are,” Page says. “People cling to these firm ideas [about gender] because it makes people feel safe. But if we could just celebrate all the wonderful complexities of people, the world would be such a better place.”
\n
Page was attracted to the role of Vanya in The Umbrella Academy because—in the first season, released in 2019—Vanya is crushed by self-loathing, believing herself to be the only ordinary sibling in an extraordinary family. The character can barely summon the courage to move through the world. “I related to how much Vanya was closed off,” Page says. Now on set filming the third season, co-workers have seen a change in the actor. “It seems like there’s a tremendous weight off his shoulders, a feeling of comfort,” says showrunner Steve Blackman. “There’s a lightness, a lot more smiling.” For Page, returning to set has been validating, if awkward at times. Yes, people accidentally use the wrong pronouns—“It’s going to be an adjustment,” Page says—but co-workers also see and acknowledge him.
\n
Whatever challenges might lie ahead, Page seems exuberant about playing a new spectrum of roles. “I’m really excited to act, now that I’m fully who I am, in this body,” Page says. “No matter the challenges and difficult moments of this, nothing amounts to getting to feel how I feel now.” This includes having short hair again. During the interview, Page keeps rearranging strands on his forehead. It took a long time for him to return to the barber’s chair and ask to cut it short, but he got there. And how did that haircut feel?
\n
Page tears up again, then smiles. “I just could not have enjoyed it more,” he says.
\n
ELLIOT PAGE\nfor TIME Magazine › 2021\ninterview by Katy Steinmetz, photography by Wynne Neilly\n via Tumblr
Believing “human experience is the proper subject matter of art,” Martha Mayer Erlebacher employed her meticulous technique to paintings of people. Trained as an abstract painter, she studied the history of art and eventually was drawn to the more precise figurative style of Italian Renaissance artists. In this self-portrait, she focuses her direct gaze on herself, rendering her torso in a shallow space defined by a fabric-draped wall with her head framed by sky.
\n
See this work and more in our newest exhibition “Painting Identity.”
\n
“Self-Portrait,” 1975, by Martha Mayer Erlebacher\n via Tumblr
“The sensitive treatment Kate gave our give-and-take on that song was gratifying, because it’s not just a song about a woman supporting a man in a demanding relationship. The chief thing dragging them down is unemployment, which is presently tearing the social fabric of Thatcher’s England apart. The catalyst for ‘Don’t Give Up’ was a photograph I saw by Dorothea Lange, inscribed ‘In This Proud Land,’ which showed the dust-bowl conditions during the Great Depression in America. Without a climate of self-esteem, it’s impossible to function.” — Peter Gabriel weaves generations together in SPIN magazine, September 1986.\n via Tumblr
\n",
"date_published": "2021-03-03T14:11:19-04:00",
"url": "https://genegualtieri.com/2021/03/03/dont-give-up.html",
"tags": ["Tumblr","Politics","Music","Photography","Photo","Musicians"]
},
{
"id": "http://genegualtieri.micro.blog/2021/03/03/joan-baez-and.html",
"title": "Joan Baez and Linda Ronstadt",
"content_html": "
soundsof71:\n
Joan Baez and Linda Ronstadt on the beach at Monterey, 1970, via prince.org\n via Tumblr
A woman is drying incense sticks, a process in making incense. Vietnamese believe that incense is a tool to connect the living with the spirits. When people burn incense, they can talk to spirits and pray.
\n",
"date_published": "2021-02-28T20:54:10-04:00",
"url": "https://genegualtieri.com/2021/02/28/marjane-satrapi.html",
"tags": ["Tumblr","Politics","Comics","Photo"]
},
{
"id": "http://genegualtieri.micro.blog/2021/02/28/i-am-not.html",
"title": "I am not a robot ... or a cat",
"content_html": "
Choose Life. Choose a job. Choose a career. Choose a family. Choose a fucking big television, choose washing machines, cars, compact disc players and electrical tin openers. Choose good health, low cholesterol, and dental insurance. Choose fixed interest mortgage repayments. Choose a starter home. Choose your friends. Choose leisurewear and matching luggage. Choose a three-piece suit on hire purchase in a range of fucking fabrics. Choose DIY and wondering who the fuck you are on Sunday morning. Choose sitting on that couch watching mind-numbing, spirit-crushing game shows, stuffing fucking junk food into your mouth. Choose rotting away at the end of it all, pissing your last in a miserable home, nothing more than an embarrassment to the selfish, fucked up brats you spawned to replace yourselves. Choose your future. Choose life… But why would I want to do a thing like that? I chose not to choose life. I chose somethin’ else. And the reasons? There are no reasons. Who needs reasons when you’ve got heroin?
\n
TRAINSPOTTING dir. Danny Boyle released 25 years ago today\n via Tumblr
A line cook isn’t a slacker or synonymous for someone who gave up. It’s incredibly skilled labor that is hard on your body and mind and a lot of us struggle with addiction and mental illness. Your food doesn’t just magically appear at your table. It takes long hours of training and discipline. Peoples hands made your food, from the raw ingredients to the fry cook who just moved out of the dish pit and have their eyes on sauté. Have some respect for your food and the people who make it possible. \nvia Tumblr
Friends, do you want to be more successful? Of course you do! Sign up for a free trial of The Kornpett Disclaimer Eliminator.™️\n-You’ll never say “this may be crazy, but” again. \n-Banish “someone probably already said this” from your vocabulary. \n-Give “I’m no expert” the bum’s rush.
\n
I might need some negative reinforcement to achieve this. Do you include a service where you stand behind someone and kick them in the ass when they slip up? @serpentinesheldonserpentine \nvia Tumblr
I don’t really think about doing something kind, I think there’s just a way to conduct your daily life with compassion to other people. – Kat Dennings\n via Tumblr
ndiecity: Quarantine feels like that episode of the twilight zone where the last man alive finally has all the time in the world to read but breaks his glasses but instead of glasses it’s just my whole brain \nvia Tumblr
\n",
"date_published": "2021-02-16T12:49:34-04:00",
"url": "https://genegualtieri.com/2021/02/16/annie-lennox-strange.html",
"tags": ["Tumblr","Video"]
},
{
"id": "http://genegualtieri.micro.blog/2021/02/15/craig-ferguson-on.html",
"title": "Craig Ferguson on why he refused to make fun of Britney Spears in 2007",
"content_html": "
I’ve seen the Ursula K LeGuin quote about capitalism going around, but to really appreciate it you have to know the context.
\n
The year is 2014. She has been given a lifetime achievement award from the National Book Awards. Neil Gaiman puts it on her neck in front of a crowd of booksellers who bankrolled the event, and it’s time to make a standard “thank you for this award, insert story here, something about diversity, blah blah blah” speech. She starts off doing just that, thanking her friends and fellow authors. All is well.
\n
Then this old lady from Oregon looks her audience of executives dead in the eye, and says “Developing written material to suit sales strategies in order to maximize corporate profit and advertising revenue is not the same thing as responsible book publishing or authorship.”
\n
She rails against the reduction of her art to a commodity produced only for profit. She denounces publishers who overcharge libraries for their products and censor writers in favor of something “more profitable”. She specifically denounces Amazon and its business practices, knowing full well that her audience is filled with Amazon employees. And to cap it off, she warns them: “We live in capitalism. Its power seems inescapable. So did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art. Very often in our art, the art of words.”
\n
Ursula K LeGuin got up in front of an audience of some of the most powerful people in publishing, was expected to give a trite and politically safe argument about literature, and instead told them directly “Your empire will fall. And I will help it along.” \nvia Tumblr
saintophelia: i wish i was alive in the 70s. no cellphones. just vibing off the lead in the air from the gasoline in my muscle car that does not have seatbelts
\n
genegualtieri: My little sister and I rode standing in the foot wells in the rear of my family’s Pontiac Catalina, chins resting on the window ledges. \nvia Tumblr
Get in, George Eliot. I packed PB&Js. I’m bringing\nthat rainbow parachute we held hands under\nas eight year olds. Get in, right beside Autumn, beside\nevery manic pixie dream girl screenplay written by\na man, beside “bad weather,” beside Allegra’s pomegranate\nsplit into five uneven offerings, beside Allegra herself,\nshe’s a mother now, as I write this. Get in, television\nand all the extinct hardware of the nineties. Montel,\nJerry, Ricki, get in. I’m driving. Get in, exes. Tell me\nabout life without me, pick the music, thread a threat\nthrough my dumb brown hair, something like you were\nalways so then let the rain finish your sentence. Get in\nrain, but don’t hog the air. I’m running away. I’m tired\nof not being a monk. Get in, “You’re So Vain,” and five o’clock\nshadows and how hard it is to not talk to my brother.\nWe went a whole year and a half. Get in, year and a half.\nGet in, therapist with the good haircut and bad advice.\nYou too, Michael Jackson. I’m so sorry you had to be\nMichael Jackson. The kind of snow that only fell\nwhen I was young, get in. Or maybe it’s just how\nI saw it, get in. I’m trying desperately not to sound cute,\nwhich is, of course, adorable. But, please. Eleven siblings\nkilled in the camps, get in, next to my grandfather.\nPillheadedness, get in. Pema Chodron’s forehead\nand everything behind it, get in. I’m not going to say it\nagain: buckle up, put a daffodil behind my ear, touch\nmy shoulder from the backseat, write my will for me,\ntell Mary Ann Evans I can hear her humming, it’s fine\nexcept it’s driving me nuts. I’m aware that I’m crying,\nget in, sit next to K. The baffling intelligence\nof starling and uteri—front seat. I’m only five feet tall,\ntoo many strangers pick me up as a gag, my recurring dream\nis that I choose this life again—keep your hands inside\nthe vehicle. The mandolin I inherited because of genocide,\nkeep me awake all night. Morgan, I just want to watch your hands\nprotect a flame. Everybody, I’m sorry, I’m doing my best\nnot to lean so hard on metaphor I avoid\nwhere I am. This road invented itself. Even though\nI get the facial expressions right, I’m a poor listener, get in.\nGreasy haired, bucktoothed, gets distracted easily, deodorant\nstains, secret crush on Kathryn, come on in, throw your book bag\nout the window and tell me your favorite color. Turquoise, get in.\nThe locker they shoved Gabby into and I didn’t do it, but I didn’t\nstop them, get in. The line between where you almost went\nand where you’re going: they call that a fork. Funny. Every time\nI let the moon roof slide open, but there was no moon, get\nin, hurry slowly, slow up, slur your worlds, say you’re sor-\nrow, admit you loved the uglier twin while arm-in-arm with\nthe one older by a second. Oh, cherishing, get in, it’s not too\nlate, get in, the diner never closes, get in, put your feet\non the dash, I’m stopping at a—I can’t believe they call it\nthis, two commands: Rest! Stop! The game is we rush\ninto the gas station, you buy me a souvenir I most certainly\ndon’t need, and I, you. I found this keychain, it blinks\nyour name, they never have mine, get in. Get in, world,\ndeath, time. I swear I’ll turn this car around if you don’t\nhot box us vapid. The day the stars come down and start\nwalking around like they own the place, God said, I’m quitting,\nget in. The game is I spy, the game is who can be quiet the longest,\nthe game is hold your breath there’s a cemetery. Order me fries.\nOrder me lungs. Order me around. Order my manuscript.\nHere’s a handful of pennies, of ketchup packets, of sky.\nI know you’re exhausted, get in, I’m driving you home. Roll down\nyour window, the forecast is alive. The dog’s kicking in his sleep\nwhich means a brain the size of a lemon can squeeze a whole\ndream. Poor poet, get in, you never could say goodbye with grace.\nLucille, get in. Dead family, get in. I want to show you something:\nI had no map when I started and now here I am, somewhere real\ncalled loving you, get in.
Radar: Yes, sir. I knew you weren’t happy here, so I wrote your mother and asked her to send something that would make you feel more at home here.\n via Tumblr
\n",
"date_published": "2021-02-04T18:09:20-04:00",
"url": "https://genegualtieri.com/2021/02/04/john-entwistle.html",
"tags": ["Tumblr","Music","Photo","Musicians","1960s","the who","Rock \u0026 Roll"]
},
{
"id": "http://genegualtieri.micro.blog/2021/02/04/candice-bergen-new.html",
"title": "Candice Bergen, New York, July 1964",
"content_html": "
gatabella:\n
Candice Bergen by Mark Shaw, New York, July 1964\n via Tumblr
\n",
"date_published": "2021-02-04T14:19:05-04:00",
"url": "https://genegualtieri.com/2021/02/04/candice-bergen-new.html",
"tags": ["Tumblr","Photography","Actors","Photo","1960s"]
},
{
"id": "http://genegualtieri.micro.blog/2021/02/04/peter-gabriel-accepting.html",
"title": " Peter Gabriel accepting his second Brit Award, 1987.",
"content_html": "
\n
\nallmyinstincts:\n
Peter Gabriel accepting his second Brit Award, 1987.\n via Tumblr
\n",
"date_published": "2021-02-04T13:04:19-04:00",
"url": "https://genegualtieri.com/2021/02/04/peter-gabriel-accepting.html",
"tags": ["Tumblr","1980s","Photo","Musicians","music video"]
},
{
"id": "http://genegualtieri.micro.blog/2021/02/04/happy-birthday-to.html",
"title": " Happy birthday to artist Nick Cave",
"content_html": "
philamuseum:\n
Happy birthday to artist Nick Cave, who was born on this day in 1959 in Fulton, Missouri. Throughout his career, Cave has used the body—or fragments of the body—to address issues related to identity politics and social justice. In this sculpture, “Cutter and Braid,” the use of synthetic hair alludes to an absent body. Haunting and poetic, this work is currently on view alongside a number of other sculptures by the artist in “Ghosts and Fragments.“
\n",
"date_published": "2021-02-04T11:24:32-04:00",
"url": "https://genegualtieri.com/2021/02/04/center-city-philly.html",
"tags": ["Tumblr","Photography","Photo","philadelphia","live from philly"]
},
{
"id": "http://genegualtieri.micro.blog/2021/02/04/exile-on-main.html",
"title": "Exile on Main Street, Nele Van Canneyt",
"content_html": "
nevver:\n
Exile on Main Street, Nele Van Canneyt\n via Tumblr
\n",
"date_published": "2021-02-04T10:49:36-04:00",
"url": "https://genegualtieri.com/2021/02/04/exile-on-main.html",
"tags": ["Tumblr","Photography","Photo"]
},
{
"id": "http://genegualtieri.micro.blog/2021/02/04/the-human-league.html",
"title": "The Human League (1981) ",
"content_html": "
\n
Got this as a trivia question once:
\n
sowhatifiliveinkyushu:\n“Ware suggested [the name] “The Human League”, after a group in the science-fiction board game Starforce: Alpha Centauri. In the game, the Human League arose in 2415 A.D. and were a frontier-oriented society that desired more independence from Earth. Oakey, Wright, and Marsh agreed with the new name, and in early 1978 The Future became The Human League.”
Jane Fonda is helped into her costume whilst getting her hair fixed for the film Barbarella, Rome, Italy. 1967 - Ph. David hurn
\n
I love this pic. Who’s that Italian lady on the right.\n via Tumblr
\n",
"date_published": "2021-02-03T15:59:06-04:00",
"url": "https://genegualtieri.com/2021/02/03/jane-fonda-rome.html",
"tags": ["Tumblr","Movies","Film","Actors","Photo","1960s"]
},
{
"id": "http://genegualtieri.micro.blog/2021/02/03/hydrangeas-spring-song.html",
"title": "“Hydrangeas Spring Song,” 1976, by Alma Thomas",
"content_html": "
philamuseum:\n
Alma Thomas was an abstract painter and educator who began painting professionally at age seventy-one, after retiring from teaching. She was inspired by nature, particularly as encountered during her childhood in the Deep South and created works with a focus “based on a juxtaposition and interaction of colors.”
\n
Don’t miss your chance to see this work in person, on view in “Expanded Painting in the 1960s and 1970s” through Feb 16 when it leaves for loan.
\n
“Hydrangeas Spring Song,” 1976, by Alma Thomas\n via Tumblr
\n",
"date_published": "2021-01-31T21:44:15-04:00",
"url": "https://genegualtieri.com/2021/01/31/kate-bush.html",
"tags": ["Tumblr","Music","Photography","Photo","Musicians"]
},
{
"id": "http://genegualtieri.micro.blog/2021/01/31/the-crow-dir.html",
"title": "THE CROW (1994) dir. Alex Proyas",
"content_html": "
baptistalba:\n
People once believed that when someone dies, a crow carries their soul to the land of the dead. But sometimes, something so bad happens that a terrible sadness is carried with it and the soul can’t rest. Then sometimes, just sometimes, the crow can bring that soul back to put the wrong things right.\u2028
Bruce Springsteen with Clarence Clemons and Miami Steve, August 1976 by James Shive, an astounding shot from a run of New Jersey shows tucked between the end of the Chicken Scratch Tour (May ‘76) and the beginning of the Lawsuit Tour (September ‘76).\n via Tumblr
\n",
"date_published": "2021-01-28T19:44:16-04:00",
"url": "https://genegualtieri.com/2021/01/28/springsteen.html",
"tags": ["Tumblr","Music","Rock\u0026amp;Roll","Photography","1970s","Photo","Musicians","70s","Rock \u0026 Roll"]
},
{
"id": "http://genegualtieri.micro.blog/2021/01/28/god-i-miss.html",
"title": "God I miss bars.",
"content_html": "
\n",
"date_published": "2021-01-25T11:04:04-04:00",
"url": "https://genegualtieri.com/2021/01/25/south-philadelphia.html",
"tags": ["Tumblr","Photography","Photo","photographer"]
},
{
"id": "http://genegualtieri.micro.blog/2021/01/24/joni-mitchell-and.html",
"title": "Joni Mitchell and Neil Young at The Last Waltz",
"content_html": "
soundsof71:\n
Joni Mitchell and Neil Young at The Last Waltz, San Francisco’s Winterland Ballroom, Thanksgiving 1976 by Chester Simpson\n via Tumblr
\n",
"date_published": "2021-01-24T21:39:24-04:00",
"url": "https://genegualtieri.com/2021/01/24/nick-nora-and.html",
"tags": ["Tumblr","Film","Actors","Cocktails","Photo"]
},
{
"id": "http://genegualtieri.micro.blog/2021/01/23/pg-making-the.html",
"title": "PG making the best of a towel, 1986",
"content_html": "
\n",
"date_published": "2021-01-23T21:19:23-04:00",
"url": "https://genegualtieri.com/2021/01/23/station-to-station.html",
"tags": ["Tumblr","Music","Bowie","Photo","Musicians"]
},
{
"id": "http://genegualtieri.micro.blog/2021/01/23/francis-ford-coppola.html",
"title": "Francis Ford Coppola and Sofia Coppola on the set of The Godfather II.",
"content_html": "
histoire-d-elle:\n
Francis Ford Coppola and Sofia Coppola on the set of The Godfather II.\n via Tumblr
\n",
"date_published": "2021-01-23T21:19:16-04:00",
"url": "https://genegualtieri.com/2021/01/23/francis-ford-coppola.html",
"tags": ["Tumblr","Photography","Photo","Directors"]
},
{
"id": "http://genegualtieri.micro.blog/2021/01/23/boy-with-a.html",
"title": "Boy with a Tire on a Plank, Photo by Richard Kalvar, 1969",
"content_html": "
joeinct:\n
Boy with a Tire on a Plank, Photo by Richard Kalvar, 1969\n via Tumblr
\n",
"date_published": "2021-01-19T10:19:05-04:00",
"url": "https://genegualtieri.com/2021/01/19/janis-joplin-january.html",
"tags": ["Tumblr","Music","Photo","Musicians","classic rock","1960s"]
},
{
"id": "http://genegualtieri.micro.blog/2021/01/18/the-last-days.html",
"title": "The last days of disco, Larry Fink",
"content_html": "
samaraweaving:“Even as an actor, I think like a storyteller. My parents raised us to look at the script.”\n
— Happy Birthday, Jake Gyllenhaal! (December 19, 1980)\n via Tumblr
\n
\n
\n",
"date_published": "2021-01-17T12:51:56-04:00",
"url": "https://genegualtieri.com/2021/01/17/jake-gyllenhaal-donnie.html",
"tags": ["Tumblr","Actors","Photo","jake gyllenhaal"]
},
{
"id": "http://genegualtieri.micro.blog/2021/01/17/dolly-parton-and.html",
"title": "Dolly Parton and Cher, 1978.",
"content_html": "
Dolly would go on to save the world from COVID-19\n
\n
sparklejamesysparkle:Dolly Parton and Cher in a publicity portrait by Harry Langdon for the one-off variety show entitled Cher…Special, originally broadcast by ABC on April 3rd, 1978.\n via Tumblr
\n",
"date_published": "2021-01-17T12:46:55-04:00",
"url": "https://genegualtieri.com/2021/01/17/south-philly.html",
"tags": ["Tumblr","Photography","Photo","live from philly","south philadelphia"]
},
{
"id": "http://genegualtieri.micro.blog/2021/01/17/barbara-eden-and.html",
"title": "Barbara Eden and Larry Hagman, 1969",
"content_html": "
\n
sparklejamesysparkle:\n
Barbara Eden and Larry Hagman in a promotional photo for the I Dream of Jeannie episode entitled The Wedding, originally broadcast by NBC on December 2nd, 1969. This episode is infamous for being when I Dream of Jeannie “jumped the shark”, with Barbara and Larry both stating that marrying the characters was a mistake (the “naughtiness” of the characters living together, with Jeannie in love with Tony but sleeping alone in her bottle, was an appealing aspect of the plotline that audiences liked). Though they protested at the time, the producers and writers didn’t listen and the ratings of the show immediately declined after this episode aired. I Dream of Jeannie was cancelled on May 26th, 1970 following a five year run on NBC.\n via Tumblr
\n",
"date_published": "2021-01-17T09:59:30-04:00",
"url": "https://genegualtieri.com/2021/01/17/happy-th-michelle.html",
"tags": ["Tumblr","Photo","presidents"]
},
{
"id": "http://genegualtieri.micro.blog/2021/01/17/happy-th-betty.html",
"title": "Happy 99th, Betty White. Hosting the Macy’s Thanksgiving Day parade with Lorne Greene in 1965.",
"content_html": "
davidhudson:\n
Happy 99th, Betty White.
\n
Hosting the Macy’s Thanksgiving Day parade with Lorne Greene in 1965.\n via Tumblr
\n",
"date_published": "2021-01-17T09:54:06-04:00",
"url": "https://genegualtieri.com/2021/01/17/happy-th-betty.html",
"tags": ["Tumblr","Actors","Photo"]
},
{
"id": "http://genegualtieri.micro.blog/2021/01/17/theres-a-series.html",
"title": "“there’s a series of mini catastrophes out there…”",
"content_html": "
popculty:\n
“there’s a series of mini catastrophes out there…”\n via Tumblr
\n",
"date_published": "2021-01-17T00:00:00-04:00",
"url": "https://genegualtieri.com/2021/01/17/theres-a-series.html",
"tags": ["Tumblr","Television","Actors","Photo"]
},
{
"id": "http://genegualtieri.micro.blog/2021/01/16/devon-aoki-as.html",
"title": "DEVON AOKI as Miho Sin City (2005, dir. Frank Miller)",
"content_html": "
neocitys:\n
DEVON AOKI as Miho\nSin City (2005, dir. Frank Miller)\n via Tumblr
\n",
"date_published": "2021-01-13T01:49:23-04:00",
"url": "https://genegualtieri.com/2021/01/13/live-from-philly.html",
"tags": ["Tumblr","Photo"]
},
{
"id": "http://genegualtieri.micro.blog/2021/01/12/julian-wasser-actor.html",
"title": "Julian Wasser Actor Dean Stockwell, Dancer Toni Basil, and Artist Wallace Berman, Los Angeles 1964",
"content_html": "
kvetchlandia:\n
Julian Wasser Actor Dean Stockwell, Dancer Toni Basil, and Artist Wallace Berman, Los Angeles 1964\n via Tumblr
A man struck by a car and killed here in 2014. Since then I’ve always seen wreaths, flowers, and other items placed at this spot. Grief doesn’t ever really go away.\n via Tumblr
\n",
"date_published": "2021-01-03T16:54:04-04:00",
"url": "https://genegualtieri.com/2021/01/03/live-from-philly.html",
"tags": ["Tumblr","Photography","Photo","live from philly","photographer"]
},
{
"id": "http://genegualtieri.micro.blog/2021/01/03/happy-th-florence.html",
"title": "Happy 25th, Florence Pugh. Photo by Wilson Webb.",
"content_html": "
\n",
"date_published": "2021-01-03T16:44:14-04:00",
"url": "https://genegualtieri.com/2021/01/03/happy-th-florence.html",
"tags": ["Tumblr","Photography","Actors","Photo"]
},
{
"id": "http://genegualtieri.micro.blog/2021/01/03/humans-of-new.html",
"title": "Humans of New York",
"content_html": "
humansofnewyork:\n
“I have two sons with the same condition. But Connolly had the toughest road, because he’s the oldest. And he had to figure everything out himself. I think it was around 4th grade when kids started calling him ‘Baldy’ on the playground. Some days he’d come home crying and say things like: ‘‘I miss my hair.’ That’s when the mama bear would come out. I wanted to fix the problem so badly. I knew a couple of the kids who were responsible, so I wanted to go to his school and speak to them. Never in a punitive way, but just to give them some information. But every time I offered, Connolly would tell me that it wasn’t necessary. He’s always been so self-assured, so he’d promise me that he was OK. His mind changed on the day when he wasn’t picked for a team at recess. He’s one of the most athletic kids in his class, so he knew it was for other reasons. And on the way home from school, he told me: ‘I’m ready for you to come in now.’ We worked together to make a presentation. There were four different classes in his fourth grade, and we gave a speech to each of them. We stood up there together. I spoke first because I wanted to get out a few key pieces of information: ‘Alopecia is an autoimmune disease where your body rejects your hair. It’s not cancer. And it’s not contagious.’ But after that we’d open it up to questions, and that’s when Connolly took over. He’s such an outgoing kid. He started calling on all his friends. And wouldn’t you know—the kids who had picked on him were the ones raising their hands the highest. After that day, all the negative comments stopped. He finished elementary school without an issue, and he’s moving on to middle school with a strong group of advocates. My main worry now is his younger brother Damon, who just started kindergarten. He’s a bit more reserved than Connolly. He’s so sensitive and tender in that little boy way. And one day he came home crying because one of the kids had called him ‘Baldy.’ Connolly walked over, put his arm around Damon, and said: ‘Don’t worry, you’re just dealing with people who don’t understand.’ Then he turned to me and said: ‘I think it’s time we all gave an alopecia talk to Damon’s class.’”\n via Tumblr
davidhudson: Happy 66th, Annie Lennox. via Tumblr \n
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"date_published": "2020-12-25T11:17:00-04:00",
"url": "https://genegualtieri.com/2020/12/25/happy-th-annie.html",
"tags": ["Tumblr","Music","Photography","Photo","annie lennox"]
},
{
"id": "http://genegualtieri.micro.blog/2020/12/20/cuddle-up-my.html",
"title": "Cuddle up, my little dove!",
"content_html": "
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soundsof71:Cuddle up, my little dove! Patti Scialfa and Bruce Springsteen, 1988, Tunnel of Love Express, by Andreas Schoelzel, via nydailynews\n via Tumblr
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"date_published": "2020-12-20T22:19:47-04:00",
"url": "https://genegualtieri.com/2020/12/20/cuddle-up-my.html",
"tags": ["Tumblr","Photo","bruce springsteen tunnel of love patti scialfa classic rock rock and roll"]
},
{
"id": "http://genegualtieri.micro.blog/2020/12/20/olds-cutlass.html",
"title": "Olds Cutlass 442",
"content_html": "
soundsof71:Bruce Springsteen, 1988, by Aaron Rapoport, my edit of original via revu. Blue jean jacket with the sleeves ripped off OVER a leather jacket, one bandana around his head AND ANOTHER tucked in his jean jacket pocket – this image is the living embodiment of the old adage, “Too much is almost enough.”\n via Tumblr
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"date_published": "2020-12-20T22:13:34-04:00",
"url": "https://genegualtieri.com/2020/12/20/west-philly.html",
"tags": ["Tumblr","Photography","Photo","west philadelphia","live from philly","snow"]
},
{
"id": "http://genegualtieri.micro.blog/2020/12/20/a-hard-days.html",
"title": "A HARD DAY’S NIGHT (1965)",
"content_html": "\n
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soundsof71:\n
ourladylennon:
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“Why aren’t you at school?” “I’m a deserter.” “Why aren’t you at work?” “I’m a deserter, too.”
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A HARD DAY’S NIGHT (1965) This is it. This scene is the whole reason the movie exists. A Hard Day’s Night is not just about The Beatles and Beatlemania. It’s about the near-impossibility of retaining your sanity when living in the gap between who you are and who people expect you to be.
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This scene was also prophetic. Ringo was in fact a deserter, the first to quit The Beatles, in 1968, during sessions for the White Album. He spent two weeks in Sardinia with his family on a yacht borrowed from his friend Peter Sellers, during which he wrote Octopus’s Garden about these very same pressures.
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Sometimes the only way to save yourself is to become a deserter.
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(Special props to the editor for illuminating the parallels between Ginger and John, Eddy and George, and Dingdong and Paul!) via Tumblr
le-tourbillion:This picture of Kate Bush is probably the greatest picture of all time\n via Tumblr \n
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"date_published": "2020-12-20T21:17:16-04:00",
"url": "https://genegualtieri.com/2020/12/20/kate-bush.html",
"tags": ["Tumblr","Music","Photo","kate bush","women in rock","the line the cross and the curve"]
},
{
"id": "http://genegualtieri.micro.blog/2020/12/20/john-le-carr.html",
"title": "John le Carré, 1931-2020",
"content_html": "
they make the best aliens because little girls are fucking bizarre, nobody else can match that energy
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In an interview he said that the boys always ended up breaking their costumes bc they would fight each other, but the girls Got. Into. Character. and were amazing creepy little aliens.\n via Tumblr
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"date_published": "2020-11-28T09:59:19-04:00",
"url": "https://genegualtieri.com/2020/11/28/happy-th-ed.html",
"tags": ["Tumblr","Movies","Film","Actors","Photo","cinema","ed harris"]
},
{
"id": "http://genegualtieri.micro.blog/2020/11/28/willam-powell-and.html",
"title": "Willam Powell and Myrna Loy as Nick and Nora Charles",
"content_html": "
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kvetchlandia: Willam Powell and Myrna Loy as Nick and Nora Charles, Drinking Martinis, Screenshot from W. S. Van Dyke’s “The Thin Man” 1934
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I know it’s early, but I can’t tell you how much I’d like to be sitting in a dark bar right now, sipping a good martini (stirred, not shaken). Fuck COVID.
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"date_published": "2020-11-22T09:04:16-04:00",
"url": "https://genegualtieri.com/2020/11/22/happy-st-marjane.html",
"tags": ["Tumblr","Comics","Books","Photo","marjane satrapi"]
},
{
"id": "http://genegualtieri.micro.blog/2020/11/21/legends-of-the.html",
"title": "Legends of the Superheroes",
"content_html": "
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vintagegeekculture:
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This one was essentially a DC version of the Star Wars Christmas Special: a late 70s phenomenon most who saw it spent decades wondering if it was even real.
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"date_published": "2020-11-17T00:09:32-04:00",
"url": "https://genegualtieri.com/2020/11/17/hunk-meets-funk.html",
"tags": ["Tumblr","1980s","Photo"]
},
{
"id": "http://genegualtieri.micro.blog/2020/11/16/debbie-harry-and.html",
"title": "Debbie Harry and Chris Stein in an Andy Warhol Polaroid",
"content_html": "
\n",
"date_published": "2020-10-07T09:50:43-04:00",
"url": "https://genegualtieri.com/2020/10/07/center-city-philadelphia.html",
"tags": ["Tumblr","Photo","philadelphia","live from philly","center city"]
},
{
"id": "http://genegualtieri.micro.blog/2020/10/05/a-pennsylvania-farm.html",
"title": "“A Pennsylvania Farm”, by William Langson Lathrop",
"content_html": "
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philamuseum:
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William Lathrop was one of the first Pennsylvania Pennsylvania Impressionists, although his intimate, poetic compositions were less influential among younger artists than the monumental paintings of Daniel Garber or Edward Redfield. Often called the “dean” of the New Hope art colony, Lathrop regularly welcomed students into his home at Phillips Mill. His preference for working in the studio, rather than outdoors, distinguished him from other artists in the group. Known primarily as a tonalist, Lathrop created rustic, simplified landscapes with a muted palette.
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“A Pennsylvania Farm,” date unknown, by William Langson Lathrop\n via Tumblr
\n",
"date_published": "2020-10-02T22:43:45-04:00",
"url": "https://genegualtieri.com/2020/10/02/hellboy-by-mike.html",
"tags": ["Tumblr","Comics","Photo","hellboy","mike mignola"]
},
{
"id": "http://genegualtieri.micro.blog/2020/10/02/requiem-for-a.html",
"title": "Requiem for a Dream (2000)",
"content_html": "\n
I’m somebody now, Harry. Everybody likes me. Soon, millions of people will see me and they’ll all like me. I’ll tell them about you, and your father, how good he was to us. Remember? It’s a reason to get up in the morning. It’s a reason to lose weight, to fit in the red dress. It’s a reason to smile. It makes tomorrow all right.
\n",
"date_published": "2020-10-02T22:40:53-04:00",
"url": "https://genegualtieri.com/2020/10/02/bella-turka-philly.html",
"tags": ["Tumblr","Photo","graffiti","philadelphia","live from philly","center city","Bella Turka"]
},
{
"id": "http://genegualtieri.micro.blog/2020/10/02/la-casa-sul.html",
"title": "La casa sul lago del tempo",
"content_html": "
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scrittoapenna:“È un libro…sull’attesa. Due persone che si incontrano e si innamorano, ma al momento sbagliato e si devono separare. Ad anni di distanza si rivedono e hanno un’altra occasione, solo che non sanno se è passato troppo tempo. La lunga attesa,sai, potrebbe aver cambiato le cose…”\n
Film: La casa sul lago del tempo (2006)
\nSounds better in Italian.\n
One night at pub trivia, I was the only person in the bar that knew this movie.\n via Tumblr
\n",
"date_published": "2020-10-02T22:27:58-04:00",
"url": "https://genegualtieri.com/2020/10/02/222758.html",
"tags": ["Tumblr","Photography","Photo","west philadelphia","live from philly"]
},
{
"id": "http://genegualtieri.micro.blog/2020/10/02/breonna-taylor-memorialized.html",
"title": "Breonna Taylor Memorialized On I-76 in Philly",
"content_html": "\n
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There’s no peace in the U.S. without justice. There is no peace in the U.S. when a person’s job is allowed to protect them if they murder someone.\n via Tumblr
New Installation by Artists Amberella and Lace In The Moon, “This Still Works”\n via Tumblr
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\n",
"date_published": "2020-10-02T22:12:16-04:00",
"url": "https://genegualtieri.com/2020/10/02/this-still-works.html",
"tags": ["Tumblr","Philly","Art","Photo","streetsdept"]
},
{
"id": "http://genegualtieri.micro.blog/2020/10/02/bobby-darin-in.html",
"title": "Bobby Darin in the wings again.",
"content_html": "
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"date_published": "2020-10-02T22:08:35-04:00",
"url": "https://genegualtieri.com/2020/10/02/bobby-darin-in.html",
"tags": ["Tumblr","Video","Movies","Film","1961","come september","gina lollobrigida","rock hudson"]
},
{
"id": "http://genegualtieri.micro.blog/2020/10/02/diner-darin.html",
"title": "Diner / Darin",
"content_html": "\nThey’re talking about Sinatra and Mathis in this scene, but Bobby Darin’s Dream Lover is playing in the background. Beyond the Sea is on the jukebox later on.\n\n
\n",
"date_published": "2020-10-02T21:43:24-04:00",
"url": "https://genegualtieri.com/2020/10/02/214324.html",
"tags": ["Tumblr","Photo","kate bush","women in rock","70s"]
},
{
"id": "http://genegualtieri.micro.blog/2020/10/02/i-like-dogs.html",
"title": "I like dogs",
"content_html": "\n
I like dogs. You always know what a dog is thinking. It has four moods. Happy, sad, cross, and concentrating. Also, dogs are faithful and they do not tell lies because they cannot talk.\n– Mark Haddon\n
Uncredited Publicity Shot Diana Rigg as Emma Peel on the Avengers c.1966\n“Becoming a sex symbol overnight shocked me. I didn’t know how to handle it and I kept all the unopened fan mail in the boot of my car because I didn’t know how to respond and thought it was rude to throw it away. Then my mother became my secretary and replied to the really inappropriate ones saying: ‘My daughter’s far too old for you. Go take a cold shower!’” – Diana Rigg\n
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"date_published": "2020-10-02T14:15:13-04:00",
"url": "https://genegualtieri.com/2020/10/02/pink.html",
"tags": ["Tumblr","Photography","Photo"]
},
{
"id": "http://genegualtieri.micro.blog/2020/10/02/the-inevitable-whitelash.html",
"title": "The Inevitable Whitelash Against Racial Justice Has Started | The Nation",
"content_html": "
The Inevitable Whitelash Against Racial Justice Has Started | The Nation
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As Black people fight for our lives, white supremacists reach for their guns—and white allies go soft.
Faig Ahmed is an Azerbaijani contemporary visual artist who is best known for his surrealist weavings which integrate visual distortions into traditional oriental rugs. Ahmed graduated from the sculpture program at the Azerbaijan State Academy of Fine Arts in Baku in 2004.\n blondebrainpower: via Tumblr \n
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"date_published": "2020-08-31T00:02:32-04:00",
"url": "https://genegualtieri.com/2020/08/31/000232.html",
"tags": ["Tumblr","Photo","philadelphia","live from philly","callowhill","film photography"]
},
{
"id": "http://genegualtieri.micro.blog/2020/08/31/deborah-harry-and.html",
"title": "Deborah Harry and Robert Fripp",
"content_html": "
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elvisomar:Deborah Harry and Robert Fripp\nphotography by Chris Stein\n via Tumblr
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"date_published": "2020-08-31T00:01:39-04:00",
"url": "https://genegualtieri.com/2020/08/31/deborah-harry-and.html",
"tags": ["Tumblr","Music","Photography","Photo","Musicians"]
},
{
"id": "http://genegualtieri.micro.blog/2020/08/31/ellen-page-photographed.html",
"title": "Ellen Page photographed by Taylor Miller for Gay Times (2019)",
"content_html": "
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flawlessbeautyqueens:Ellen Page photographed by Taylor Miller for Gay Times (2019)\n via Tumblr
soundsof71:Jane Birkin, Ringo, and George Harrison at the Cannes Film Festival premiere of Wonderwall, May 17, 1968.\n
Jane starred, and George’s soundtrack was both the first Beatle solo album, and the first album released on Apple Records. via George’s official facebook\n via Tumblr
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"date_published": "2020-08-30T23:59:52-04:00",
"url": "https://genegualtieri.com/2020/08/30/jane-birkin-ringo.html",
"tags": ["Tumblr","Photo","Musicians","cannes","cannes film festival","george harrison","jane birkin","ringo starr","the beatles"]
},
{
"id": "http://genegualtieri.micro.blog/2020/08/30/red-and-orange.html",
"title": "“Red and Orange Streak,” 1919, by Georgia O'Keeffe",
"content_html": "
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philamuseum:“I found that I could say things with color and shapes that I couldn’t say in any other way.” —Georgia O’Keeffe\n
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"date_published": "2020-08-30T23:55:03-04:00",
"url": "https://genegualtieri.com/2020/08/30/daily-mirror-march.html",
"tags": ["Tumblr","Comics","history","Photo","Vintage","newspapers","1930s"]
},
{
"id": "http://genegualtieri.micro.blog/2020/08/22/cannes-film-festival.html",
"title": "Cannes Film Festival premiere of Wonderwall, May 17, 1968.",
"content_html": "
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soundsof71:
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Jane Birkin, Ringo, and George Harrison at the Cannes Film Festival premiere of Wonderwall, May 17, 1968.
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Jane starred, and George’s soundtrack was both the first Beatle solo album, and the first album released on Apple Records. via George’s official facebook\n via Tumblr
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"date_published": "2020-08-22T10:04:20-04:00",
"url": "https://genegualtieri.com/2020/08/22/cannes-film-festival.html",
"tags": ["Tumblr","Photo","Musicians","cannes","cannes film festival","george harrison","jane birkin","ringo starr","the beatles"]
},
{
"id": "http://genegualtieri.micro.blog/2020/08/22/james-dean-and.html",
"title": "James Dean and Marlon Brando, 1954",
"content_html": "
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vintageeveryday:
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James Dean and Marlon Brando at Twentieth Century Fox studios, Los Angeles, California, 1954.\nvia Tumblr
“I started working quilts when I was a child. My mother would have me sit with her, and I was watching her and putting scraps together, doing like she was doing. She’d drop those scraps at her feet, and I’d be picking them up. My mama looked at that thing and told me I did good. I felt good, like I had done a big job.” —Nettie Young, Gee’s Bend quilter
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"date_published": "2020-08-18T20:26:35-04:00",
"url": "https://genegualtieri.com/2020/08/18/jackie-brown.html",
"tags": ["Tumblr","Movies","Film","Photo","bridget fonda","jackie brown","quentin tarantino","robert de niro","samuel jackson"]
},
{
"id": "http://genegualtieri.micro.blog/2020/08/18/god-i-miss.html",
"title": "God, I miss Paul Newman.",
"content_html": "
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amospoe:
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\"God, I miss Paul Newman.” – Robert Redford\nvia Tumblr
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"date_published": "2020-08-18T20:04:12-04:00",
"url": "https://genegualtieri.com/2020/08/18/god-i-miss.html",
"tags": ["Tumblr","Movies","Photo","Vintage","paul newman","robert redford","sundance"]
},
{
"id": "http://genegualtieri.micro.blog/2020/08/18/this-billboard-is.html",
"title": "This billboard is what an American roadtrip looks like",
"content_html": "
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baking-bisexual-bitch:
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eren-jaeger-is-fucking-awesome:
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This billboard is what an American roadtrip looks like
kvetchlandia: Leonetto Cappiello Advertisement for Cinzano Vermouth 1920via Tumblr \n
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"date_published": "2020-08-15T20:59:09-04:00",
"url": "https://genegualtieri.com/2020/08/15/cinzano-vermouth.html",
"tags": ["Tumblr","Drinks","Advertising","Photo"]
},
{
"id": "http://genegualtieri.micro.blog/2020/08/15/i-want-an.html",
"title": "I want an audience like this when I work",
"content_html": "\n
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"date_published": "2020-08-11T15:41:28-04:00",
"url": "https://genegualtieri.com/2020/08/11/154128.html",
"tags": ["Tumblr","Music","Photo","Musicians","kate bush"]
},
{
"id": "http://genegualtieri.micro.blog/2020/08/11/the-heart-is.html",
"title": "The Heart is a Lonely Hunter",
"content_html": "\n
The Heart is a Lonely Hunter. Carson McCullers. Boston, Houghton Mifflin, 1940. Oatmeal linen, original dust jacket. First edition.
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“The Heart is a lonely hunter with only one desire! To find some lasting comfort in the arms of anothers fire…driven by a desperate hunger to the arms of a neon light, the heart is a lonely hunter when there’s no sign of love in sight!” ― Carson McCullers, The Heart is a Lonely Hunter.\n books0977: via Tumblr
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"date_published": "2020-08-11T15:36:23-04:00",
"url": "https://genegualtieri.com/2020/08/11/sweet-setup.html",
"tags": ["Tumblr","tv","1970s","Photo","Video Games"]
},
{
"id": "http://genegualtieri.micro.blog/2020/08/11/humans-of-new.html",
"title": "Humans of New York",
"content_html": "
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“He wasn’t my type. He was nerdy. He was wearing Converse. And he talked like a robot. But it had been over a year since anyone had paid attention to me. And I was enjoying our conversation. I never told him that I had a daughter. I just wanted to be ‘that girl at the brewery.’ For one afternoon, I didn’t want to be the young, single mother. And it was nice. It was nice to feel wanted again. When he asked if we could go out sometime, I didn’t even hesitate. But I started feeling nervous as soon as I got home. Because I started thinking about all the places a date could lead, and I knew I had to tell him. So I sent him a text. It said: ‘You should know I have a daughter. Things aren’t good with her father. I’m not asking you to fill that role, but if you want to cancel the date, we can.’ There were twenty minutes of silence. And then he replied: ‘It is what it is.’ Just like a robot. Then he wrote: ‘If the date sucks, we never have to talk again.’ We made plans to meet at a famous brunch place. They didn’t even serve alcohol, which made everything twice as awkward. We agreed to take it slow. And to just have fun with things. He made it very clear that he wasn’t in a place where he wanted to be a dad. And that remained his official stance for about three months, until he met her. It’s been over two years now. So he’s been there her entire life. They’re obsessed with each other. She constantly wants to talk with him about everything. She wants me to call him when she farts. She wants to be a Wildcat fan because he went to Arizona. And when we find a shell on the beach, she’ll pick it up. But it’s always for him, not me. And he loves that little girl. But that’s not surprising. What’s surprising is that he loves me. Roo is easy to love. She’s so young. She doesn’t withdraw or want space. She doesn’t have scars. She’s never been abandoned. She accepts love without question, and she gives it without question. They love each other so much. So much that it makes me nervous. Sometimes I’ll ask him: ‘Do you just love me because you don’t want to lose her?’ And he’ll say: ‘No. I love her a ton, and I love you a ton.’ He always says it very calmly. Just like a robot.”
Uncredited Photographer T.E. Fitzgerald’s Bar, 44th St and Sixth Avenue, Midtown Manhattan, New York City 1912
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kvetchlandia: I can’t tell you how much I want to go out for a drink. That really isn’t such a wild desire or such an over-the-top fantasy, is it? Then again, in the era of COVID-19 and the extreme incompetence of our elected “leaders” in dealing with this plague, I guess it is. So, I’d invite you all to join me for a Manhattan or a Sazerac, or maybe just a good martini, but that ain’t gonna happen until, well, who knows when?
The grip is made of deer horn grip embellished with a silver ring-nut. The extracting the grip releases a six-barrel pistol (5 mm cal.), with grooves, similar to the pepperbox barrels, also marked “PARIS A J BREVETE” at the base. At the front, among the six barrels, lies the stiletto blade.
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"date_published": "2020-08-11T15:26:50-04:00",
"url": "https://genegualtieri.com/2020/08/11/stilletto-cane.html",
"tags": ["Tumblr","Photo","art of swords","cane","dagger","stiletto","stiletto dagger"]
},
{
"id": "http://genegualtieri.micro.blog/2020/08/11/election-day-comes.html",
"title": "Election Day comes early this year",
"content_html": "
Today’s art vocabulary word is collage. Generally speaking, collage is a two-dimensional technique in which various materials are brought together and attached to a flat surface.\n
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"date_published": "2020-08-04T10:36:03-04:00",
"url": "https://genegualtieri.com/2020/08/04/black-bolt.html",
"tags": ["Tumblr","Comics","1970s","Photo","comic book art","jack kirby"]
},
{
"id": "http://genegualtieri.micro.blog/2020/08/02/the-spirit.html",
"title": "The Spirit",
"content_html": "
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The Spirit #22 (1950), cover by Will Eisner\ngameraboy1: via Tumblr
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"date_published": "2020-08-02T22:04:08-04:00",
"url": "https://genegualtieri.com/2020/08/02/the-spirit.html",
"tags": ["Tumblr","Comics","Photo","Vintage","1950s","comic book","comic book art","the spirit","will eisner"]
},
{
"id": "http://genegualtieri.micro.blog/2020/08/02/the-white-violin.html",
"title": "The White Violin",
"content_html": "
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The White Violin (by Gabriel Ba from The Umbrella Academy #4, 2007)\nthe-spinner-rack: via Tumblr
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"date_published": "2020-08-02T20:04:38-04:00",
"url": "https://genegualtieri.com/2020/08/02/the-white-violin.html",
"tags": ["Tumblr","Photo","gabriel ba","the umbrella academy","white violin"]
},
{
"id": "http://genegualtieri.micro.blog/2020/08/02/come-back-to.html",
"title": "Come back to the five and dime",
"content_html": "
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James Dean, New York City, 1955 Ph. Dennis Stock\nohyeahpop: via Tumblr
Bruce Springsteen and Patti Smith, “Because The Night” at the 25th anniversary concert for the Rock and Roll Hall of Fame, October 30, 2009, by Kevin Mazur, my edit of original via rollingstone.
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I love the history of this song. Bruce started recording it the first day of the Darkness On The Edge of Town sessions, but only had the chorus, plus the music for the verses, with no lyrics. Jimmy Iovine was producing both Darkness and Patti Smith’s Easter, and after Bruce struggled with it for months before giving up, Jimmy suggested that Patti might take a go at it. Bruce replied, “If she can do it, she can have it.” And she did!
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The first public performance in by Patti was on her 31st birthday (December 30, ‘77), with Bruce on guitar and vocals!!! He eventually added his own lyrics for the verses, but sings her version plenty, too.
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"date_published": "2020-08-02T20:04:20-04:00",
"url": "https://genegualtieri.com/2020/08/02/because-the-night.html",
"tags": ["Tumblr","Photo","bruce springsteen","classic rock","women in rock","because the night","patti smith"]
},
{
"id": "http://genegualtieri.micro.blog/2020/08/02/life-should-be.html",
"title": "Life should be a Thin Man movie!",
"content_html": "
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"date_published": "2020-08-02T12:04:24-04:00",
"url": "https://genegualtieri.com/2020/08/02/joni-mitchell.html",
"tags": ["Tumblr","Music","1980s","Photo","Musicians","1988","chalk mark in a rain storm","joni mitchell"]
},
{
"id": "http://genegualtieri.micro.blog/2020/08/01/i-want-my.html",
"title": "I want my MTV",
"content_html": "\n
MTV made it’s debut 38 years ago, August 1st, 1981.\nMy god I’m old.\n
I know. Børns is cancelled. But she's just so happy. Børns, Electric Love blondebrainpower: via Tumblr\n\n",
"date_published": "2020-07-30T13:21:12-04:00",
"url": "https://genegualtieri.com/2020/07/30/electric-love.html",
"tags": ["Tumblr","Video","Music","Psychology"]
},
{
"id": "http://genegualtieri.micro.blog/2020/07/30/happy-birthday-kate.html",
"title": "Happy Birthday, Kate Bush",
"content_html": "\n
Jocelyn Bell Burnell (b. 1943) is an astrophysicist from Northern\nIreland, who was the first to discover radio pulsars. Despite the fact that it\nwas her research that led to the first observation and analysis of the pulsars,\nit was her supervisor, Antony Hewish, who received the 1974 Nobel Prize in\nPhysics for the breakthrough discovery.
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Growing up in Northern Ireland, she was only\nallowed to study science at school after her parents and others protested\nagainst the exclusion of female students from such subjects. She obtained her\nPhD from the University of Cambridge, and went on to become the President of\nthe Royal Astronomical Society and of the Institute of Physics. In 2014 she\nbecame President of the Royal Society of Edinburgh, the first woman to hold the\nposition.
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She was awarded the Special Breakthrough Prize in Fundamental Physics in 2018, and used all of the £2.3 million to help female, minority and refugee students become physics researchers.
\n",
"date_published": "2020-07-27T09:04:16-04:00",
"url": "https://genegualtieri.com/2020/07/27/west-philly.html",
"tags": ["Tumblr","Politics","Philly","BLM","Photo"]
},
{
"id": "http://genegualtieri.micro.blog/2020/07/27/the-beatles-by.html",
"title": "The Beatles by Dezo Hoffman",
"content_html": "
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“Then the idea came to me to somehow portray the vivacity, the life in them. You could portray that every second of their lives because they really loved… to live. So I thought to myself - jumping!
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“You can see from the photograph how well they jumped together. I told them to be careful not to hide each other’s faces with their arms and hands, to smile, and to jump with their legs all at different angles. Then I counted “one-two-three-jump!” and they jumped - all of them with good expressions and positions.”
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Dezo Hoffman, from the introduction to his book ‘John Lennon’
Lynn Goldsmith: The Good Doctor Hunter S. Thompson 1977
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“Richard Nixon has never been one of my favorite people anyway. For years I’ve regarded his existence as a monument to all the rancid genes and broken chromosomes that corrupt the possibilities of the American Dream; he was a foul caricature of himself, a man with no soul, no inner convictions, with the integrity of a hyena and the style of a poison toad. The Nixon I remembered was absolutely humorless; I couldn’t imagine him laughing at anything except maybe a paraplegic who wanted to vote Democratic but couldn’t quite reach the lever on the voting machine.” – Hunter S. Thompson, in “Pageant” Magazine, 1968
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‘Just replace “Nixon” with “Trump” and absolutely zero has changed in over 50 years. Today would have been Hunter S. Thompson’s 83rd birthday. We miss your voice, Doc.’
So early it’s still almost dark out.\nI’m near the window with coffee,\nand the usual early morning stuff\nthat passes for thought.\nWhen I see the boy and his friend\nwalking up the road\nto deliver the newspaper.\nThey wear caps and sweaters,\nand one boy has a bag over his shoulder.\nThey are so happy\nthey aren’t saying anything, these boys.\nI think if they could, they would take\neach other’s arm.\nIt’s early in the morning,\nand they are doing this thing together.\nThey come on, slowly.\nThe sky is taking on light,\nthough the moon still hangs pale over the water.\nSuch beauty that for a minute\ndeath and ambition, even love,\ndoesn’t enter into this.\nHappiness. It comes on\nunexpectedly. And goes beyond, really,\nany early morning talk about it.
I think the saddest people always try their hardest to make people happy. Because they know what it feels like to feel absolutely worthless and they don’t want anybody else to feel like that.
The first automats — restaurants serving food primarily through vending machines — were established in Germany at the end of the 19th century, where vending machines for everything were in vogue.
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They quickly spread across Europe and the U.S. The first American automat was opened in Philadelphia in 1902 by the Horn & Hardart food services company, which later opened hundreds of locations there and in New York.
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The setup was innovative — customers would exchange cash for nickels or tokens, then peruse walls of glass cases featuring hot and cold sandwiches, soups, pies and other treats. Customers would insert coins in a slot next to their desired food, and the case would unlock. After they took the food, the case would be restocked by a staff member in the kitchen behind the cases.
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Automats were beloved for their cheap prices, consistent quality and egalitarian atmosphere — one could come in for a cup of coffee or settle in for a full meal. They became a favorite haunt for starving artists and actors.
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Ultimately they fell out of favor with the rise of fast food restaurants in the 1970s. Most of the Horn & Hardart New York locations were turned into Burger Kings.
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The last automat in the United States closed in 1991.\nvia Tumblr ift.tt/2WDHfXc
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"date_published": "2020-07-19T01:09:31-04:00",
"url": "https://genegualtieri.com/2020/07/19/from-tumblr-httpsiftttjhmzjgvia.html",
"tags": ["Tumblr","Politics","IFTTT","BLM"]
},
{
"id": "http://genegualtieri.micro.blog/2020/07/19/living-statues-mocking.html",
"title": "Living Statues Mocking Trump Appeared Near the White House Today, and They Look Amazing",
"content_html": "
“The best thing for being sad,“ replied Merlin, beginning to puff and blow, “is to learn something. That’s the only thing that never fails. You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honor trampled in the sewers of baser minds. There is only one thing for it then — to learn. Learn why the world wags and what wags it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting. Learning is the only thing for you. Look what a lot of things there are to learn.”
\n",
"date_published": "2020-07-19T00:36:41-04:00",
"url": "https://genegualtieri.com/2020/07/19/bowie-amp-jennifer.html",
"tags": ["Tumblr","IFTTT","Film"]
},
{
"id": "http://genegualtieri.micro.blog/2020/07/19/the-man-in.html",
"title": "The man in black, Johnny Cash",
"content_html": "\n
“It was my friend’s birthday, and everyone else was twenty-one except for me. So we went to a bar that wouldn’t check ID. It was called ‘The Clif Tavern,’ and it was a total dive. The cash register was from 1948. The owner was an old, weathered guy named Skip. He seemed very excited to have customers. He told us stories all night long. He talked about meditation, and racing cars, and being a black belt. I remember he was really proud that his brother’s dog had been in a movie with Cameron Diaz. By the time we left, all of us were in love with the place. We started coming back every weekend. And I was hanging around so much that Skip offered me a job as a bartender. He didn’t teach me much. He knew very little about business. He kept all his documents in an empty Budweiser box. But he was the spirit of the place. He gave great hugs. He called everyone his ‘kids.’ And he was a total hippie. Whenever he posted on social media, he’d sign it ‘Peace and Love.’ We worked together for ten years. Skip was with me when I met my husband. He witnessed our first kiss. He became like a father figure to me. And his bar became a huge part of my life as well. Skip used to always say that the bar was ‘killing him,’ and he kept threatening to move to Costa Rica. But he could never stay away for long. There were maybe six days in ten years that he didn’t come to the bar. So when he didn’t show up one evening, everyone knew that something was wrong. The police went to his apartment and found him unresponsive. He’d died of a heart attack. None of us knew what to do. I gave the eulogy at his funeral, and then left to go open the bar. All of us assumed it was the end of everything. But one month after the funeral, I got a call from Skip’s brother. He said he couldn’t sell Skip’s legacy to a stranger, so he offered the bar to me and my husband. Over the past few months we’ve renovated everything. We have a new tap system now. We’ve added a modern register. We’ve made a lot of changes, because we know that it needs to be an actual business if it’s going to survive. But we’ve also covered an entire wall with Skip’s photos and notes. Because we always want the place to feel like Skip.”
\n",
"date_published": "2020-07-19T00:10:34-04:00",
"url": "https://genegualtieri.com/2020/07/19/west-hollywood-ca.html",
"tags": ["Tumblr","IFTTT","Photography","California"]
},
{
"id": "http://genegualtieri.micro.blog/2020/07/19/if-you-arent.html",
"title": "If you aren’t filled with rage at Trump, you aren’t paying attention",
"content_html": "
“Let me take you for a moment to a fantasy land. In this place, the coronavirus pandemic was bad for a couple of months but now it is largely under control. If you lived there you’d still be a little uncertain about going to a concert or a movie, but your life would have largely returned to normal. You wouldn’t have lost your job; the government would have had a comprehensive support program that kept unemployment low. You’d be able to see your family and friends without fear. Your children would be returning to school in September. There would be some precautions to take for a while longer, but there would be no doubt that the pandemic was on its way to being defeated. To us here in the United States, this picture seems magical, like a dispatch from the far future. But it isn’t. It’s the situation that exists right now in many of our peer countries around the world. And the fact that our situation is so different? That shouldn’t just make you feel disappointed, or anxious, or upset. It should make you enraged. That is the proper response to where we find ourselves today.”
\nMeet 63-year-old Lyn Slater, who has, until recently, been an ordinary professor at Fordham University. One day she went to meet a friend for lunch outside the Lincoln Center during New York Fashion Week. Foreign journalists suddenly surrounded her, mistaking her for a fashion icon and attracting spectatorsIt was a defining moment that turned Lyn into an ‘Accidental Icon’. Her blog of the same name, inspired by the experience, soon began making international waves. She is now a public voice against ageism in the fashion industry and the world.\n
“Fashion and my style help me struggle against that invisibility that comes with age.“
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She was once asked about the old notion of ‘dressing for one’s age,’ and her response was clear:
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“We use language to control people’s behavior. This phrase is a way of putting older women in their place. I’m certain that if you feel comfortable in your own clothes, it’s completely irrelevant how old you are.”
\nNo one confused her for nothing. She is a fashion icon.
\n\nThe number of covid cases in the US is spiking but the death count isn’t. This mystery has spawned many explanations, most of them optimistic (“it’s young people who are recovering,” “our therapies are better,” etc). But the real explanation is simpler, and it’s sad.\n
As epidemiologist Ellie Murray explains, it’s almost certainly just “lead time bias.”
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That’s when you test more people, including presymptomatic people, and thus discover the disease earlier than before.
That means we learn people are sick earlier, which means that the time between detection and death gets longer - not because people are surviving longer from the onset of symptoms, but because we’re detecting sick people before they exhibit symptoms.
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Lead-time bias emerges whenever we ramp up testing: routine mammograms and colonoscopies appeared to change the course of related cancers, but what was really going on was earlier, presymptomatic identification of cancers.
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And while it’s true that we measured earlier cases from the first symptoms, we didn’t know what some symptoms were (loss of smell, for example) and we relied on self-reporting by gravely ill people, which isn’t as good as actual tests.
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That’s called “recall bias.” Sometimes we’d ask family members, who only knew about the symptoms that were severe enough to warrant mentioning (“proxy respondent bias”).
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Bottom line: “When you start identifying people at earlier stages of a disease, it looks like they survive longer (or have the disease longer) compared to when you identify based on severe symptoms.” -Ellie Murray
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"date_published": "2020-07-18T23:35:35-04:00",
"url": "https://genegualtieri.com/2020/07/18/alexander-calder.html",
"tags": ["Tumblr","IFTTT","Art"]
},
{
"id": "http://genegualtieri.micro.blog/2020/07/18/i-need-to.html",
"title": "I need to be walking. It hurts my self-esteem to be flying and falling",
"content_html": "\n\n\n\n\n\n
Charles Sheeler, who was born on this day in 1883, was a painter, photographer, and Philadelphia native who became widely regarded as an important American modernist. He was among the artists who developed a style known as Precisionism, which was characterized by sharp pictorial definitions and contrasts, extreme Realism or Cubist-derived abstraction, and a focus on American regional landscapes or cityscapes.\n
Has Made Too Free With John Barleycorn: also A date with John Barleycorn; Loaded with John Barleycorn: Barleycorn is the long-established personification of beer, whiskey, and other intoxicating drinkds made from Malted barley. Dating to at least 1620, it owes its popularity to Robert Burns, who used the expression freely throughout the body of his poetry. In the poem “John Barleycorn,” Burns uses the processing of the grain to produce whiskey as a symbol of man’s life, death, and rebirth. The personified “john barleycorn” is reaped, ground, roasted, and distilled; his life’s blood is drunk by the men of Scotland bringing them happiness and boldness; finally:
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But the cheerful spring came kindly on\nAnd show’rs began to fall;\nJohn Barleycorn got up again,\nAnd sore surprised them all.
I’m goin’ up the country, baby don’t you want to go?
I’m goin’ up the country, baby don’t you want to go?
I’m goin’ to some place, I’ve never been before
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"date_published": "2020-07-10T13:19:23-04:00",
"url": "https://genegualtieri.com/2020/07/10/serpentinesheldonserpentine-country-life.html",
"tags": ["Tumblr","3-bar-blues"]
},
{
"id": "http://genegualtieri.micro.blog/2020/07/10/trump-the-victim.html",
"title": "Trump the victim: President complains in private about the pandemic hurting himself",
"content_html": "
Cherry-vanilla ice cream didn’t work either. It’s serious.
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Other top White House advisers […] have also sought to buttress Trump’s mood with events they thought he would enjoy, such as celebrating truckers by bringing 18-wheelers onto the White House South Lawn in mid-April or creating social media videos that feature throngs of his adoring fans …
Trump the victim: President complains in private about the pandemic hurting himself\n",
"date_published": "2020-07-10T13:12:54-04:00",
"url": "https://genegualtieri.com/2020/07/10/trump-the-victim.html",
"tags": ["Tumblr","Link","his favorite"]
},
{
"id": "http://genegualtieri.micro.blog/2020/07/10/audreyandmarilyn-audrey-hepburn.html",
"content_html": "
July 1 was the anniversary of Google’s shutting down Google Reader, its tool for organizing RSS feeds. On Google’s scale of operations, Reader was a fringe product, but among a certain generation of 2000s era bloggers and writers, it was the public sphere, whose loss is now much nostalgized.
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Reader was a means to share links to posts and articles that were worth discussing, and a means to disseminate one’s own bloggy writing without having to optimize it for social media’s algorithms or hype it incessantly for a merely theoretical audience who might have missed it.
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The thriving RSS-driven social network assured people that their work would find its way to the people who had shown an interest in it. This generally encouraged (for better or worse) longer pieces of writing, often in response to other people’s posts, and a greater flexibility in subjects and arguments. There were no blue checks or euphemistic metrics (likes and favorites) foregrounded, and bad-faith engagement was typically remanded to comment sections that many bloggers took care to try to moderate.
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Some people managed to make money from this mode of discourse, but it was only haphazardly organized as an economic venture. Mainly it was characterized by its opposition to mainstream media; it consisted of writers who had not yet broken into conventional journalism or established themselves in academia, or were not interested in professionalized opinion-making but wanted to participate in a conversation that hashed together mainstream media’s failures, under-discussed social concerns and political perspectives, random pieces of popular culture, and personal narratives of everyday discovery or ennui.
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Even before Reader was discontinued, you could see this culture was falling apart. The pressure to professionalize became stronger, more evident in the writing, in the hedging of analysis, in the pretenses to specific forms of authority and the flows of subservience to certain locations of power. After vilifying and ridiculing bloggers, mainstream media outlets began to appropriate their style and co-opt some of the writers. The “blogosphere” started to take on the quality of a protracted audition. It was seemingly paralleling how “indie” culture became “alternative” in the 1990s.
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But the main thing that destroyed blog culture was of course social media. It wasn’t a matter of an independent subculture selling out; it was more a vast expansion of the space of countenanced cultural production. Social media generalized the idea of ordinary non-media people broadcasting their thoughts and feelings and details from their lives on an all-day everyday sort of rhythm. Social media brought more people “online” — that is, into the everyday exchange of “content” as a mode of socializing. It brought scale to bear on a kind of communication that had been ad hoc, somewhat serendipitous. Everyone suddenly needed a profile and a rhythm of posting and consuming; everyone would eventually have a personalized feed.
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Blogging presumed the idea of people being online, on a computer all day long, probably in an office. Social media seized on the commercial possibilities of generalizing that posture as a lifestyle, anticipating the integration of mobile technologies into people’s lives. From that position, one doesn’t “consume information” but is instead immersed in its continual flow. The product tech and media companies can then sell is not the content itself but the modulation of that flow — the route it takes and the advertising that can be festooned along its way.
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This raised the stakes for bloggers who were already doing this form of writing and posting — gave them a potentially larger audience and a possible means of making a living by monetizing that audience. (They would be supplemented and then supplanted by influencers.) It also shifted the tenor of concerns in the “discourse” toward putting out attention-gathering opinions (”takes”), whose impact could be measured not through coherent comments but reflexive gestures (follows, likes, retweeets, and eventually the “ratio”).
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People began to track the much expanded everyday conversation through social media, which was popular enough to begin to collapse contexts — it was not a community of people who shared interests, politics, or writing styles; it was just a mishmash of everybody you ever knew. This changed what people said and how they said it and why.
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The platforms themselves were invested in organizing people’s attention to “the discourse” around compulsion rather than curiosity. This meant creating a sense of FOMO around the friends and family and glamorous-seeming strangers who personal lives were now more visible and accessible for consumption, and a sense of urgency around information and conversation in general, investing it with a sense of competition, a scoreboard (foregrounded metrics), the possibility of “winning.” Being informed didn’t matter so much as being appropriately positioned in the flow. The substance of any conversation or debate was insignificant relative to how that debate was organizing people, lining them up into factions, gathering metrics, goading their quantifiable participation.
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The main tool for this reorganization was the algorithmic feed. Google Reader operated on an algorithm so simple it didn’t require the word. It was just a chronological feed of everything you chose to see. It could sometimes become hard to keep up with, but you never wondered if you were missing anything, and you also knew exactly what sort of time commitment it would require to “get to the end.” Social media reorganized media consumption so that there could be no end, only continual information triage, which it would insist on helping you perform.
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Algorithmic feeds are usually described as being what people “really” want because they drive up time on platforms. This mistakenly conflates consumption and control with desire. It may be better understood as a bait and switch. Algorithmic feeds changed what people were actually consuming on platforms, but not by shifting the mix of content. People started to consume the experience of being catered to, of being nurtured (or force-fed). This is the opposite of being in a public sphere; it’s enjoying the process of seeing the public sphere transcended, subordinated to the individual self.
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What people get from social media is no longer about the information itself or the quality of what the algorithms choose but the process of having recommendations made to you; you consumed your own passivity in the face of torrents of information as a form of convenience. You got to enjoy the extinguishing of your own self-directed curiosity as a kind of luxury, as though it were a psychic massage working out the kinks and knots in your executive function until it was smoothed into nothing.
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The platforms themselves were invested in organizing people’s attention to “the discourse” around compulsion rather than curiosity. This meant creating a sense of FOMO around the friends and family and glamorous-seeming strangers […] and a sense of urgency around information and conversation in general, investing it with a sense of competition…
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Painfully true.
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"date_published": "2020-07-10T12:01:49-04:00",
"url": "https://genegualtieri.com/2020/07/10/what-was-google.html",
"tags": ["Tumblr"]
},
{
"id": "http://genegualtieri.micro.blog/2020/07/10/bloom-county-by.html",
"title": "Bloom County by Berkeley Breathed for December 01, 2012 | GoComics.com",
"content_html": "
One of my favorite Bloom County Comics from back in hte day.
Bloom County by Berkeley Breathed for December 01, 2012 | GoComics.com\n",
"date_published": "2020-07-10T11:34:18-04:00",
"url": "https://genegualtieri.com/2020/07/10/bloom-county-by.html",
"tags": ["Tumblr","Link"]
},
{
"id": "http://genegualtieri.micro.blog/2020/07/10/loving-this-rainy.html",
"content_html": "
Loving this rainy Friday. Maybe because I don’t have any meetings today.
one of my fave pieces of trivia about Alien (1979) is that nobody actually told the cast that the “chestburster goes a-chestbursting” thing was going to happen - so every single Shocked Reaction in this shot was unscripted:
So much of managing your mental health is just…learning to parent yourself like you’re a toddler
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Like, “Honey, it’s 10 pm and you’ve been up since four in the morning, no wonder you’re emotional. Plus all you’ve had to eat today was three chocolate truffles and a half a protein drink. Make yourself some scrambled eggs and peas, you can even put them in separate bowls so they don’t touch. Then go to bed. You can do more fun things tomorrow, but first you need to sleep. Okay?”
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In the old days we didn’t call this managing mental health, we called this managing being an adult.
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Interesting, that.
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See, I’m five years into adulthood. I have a college degree (a few in fact), a car, insurance payments, a job, yada yada. I ostensibly joined the Grown Up Club a few years back.
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But, having grown up with a number of undiagnosed disorders and mental illnesses, I never learned a healthy style of self-talk.
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If I’m honest, between depression and anxiety, the way I grew up talking to myself was abusive. I’m not kidding; if the things I thought to and about myself were said aloud to someone else, it would be considered verbal and emotional abuse.
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So this idea of treating myself like a small child? With the same loving firmness and compassion?
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This is a radical idea for me.
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This is me learning to stop those abusive thought patterns, and talk to myself in a kinder, healthier way.
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And it doesn’t have much to do with adulthood. I know adults who have treated themselves unkindly this way for many years. A healthy relationship with yourself doesn’t just sprout once you’re an adult; you have to develop it.
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Those are my thoughts anyway. I hope they make sense.
Marc Chagall, who was born on this day in 1887, was best known for his dreamlike and folk art-inspired paintings. Shortly after marrying Bella Rosenfeld in July 1915, Chagall embarked on a series of wedding portraits that continued until his wife’s premature death in 1944. “In the Night” depicts the newlyweds embracing in a nocturnal scene of Vitebsk. Chagall’s depiction of his hometown also includes a whimsical floating cow, barely outlined in the black night sky, and a hanging lamp. The conflation of these interior and exterior elements allows the couple to inhabit their own world, where their experience of each other brings back their shared memories of their years together.
Happy 70th birthday to John Byrne. If you read superhero comics in the late ‘70s and ‘80s, Byrne was everywhere — X-Men, Fantastic Four, Alpha Flight, The Hulk, Superman, She-Hulk, Namor. As writer/artist Byrne was never afraid to kill off, change or replace a beloved character, which didn’t always please readers, but he kept it interesting and created some of the great story arcs in the stagnation-prone superhero genre. (Chris Claremont should be mentioned as Byrne’s X-Men scripter and Terry Austin as Byrne’s classic inker.) Here’s a full-page image of the title character from “The Last Galactus Story,” Byrne’s serial that ran in Epic Illustrated in the mid-‘80s. Epic folded before the story’s conclusion, and it remains unfinished. \n. \n#johnbyrne #galactus #marvelcomics #fantasticfour #xmen #terryaustin #chrisclaremont #alphaflight #shehulk \n.
“Tracey did all the things a big sister would do. She always called me ‘Nut.’ She helped me wash my hands, and brush my teeth. We rode bikes and played in the sandbox. Maybe our parents didn’t punish her as much. But other than that, nothing seemed different. I didn’t have a clue. Then one day a boy in our neighborhood called her ‘a retard.’ I remember running home and asking my dad what that meant. He stared at me for a moment, like he didn’t know where to start. And from that day on life was different. It’s not right to say that we weren’t equal anymore. But I went from innocent and not knowing, to feeling like I needed to protect her. Whenever I got invited to slumber parties, she didn’t. Unless I insisted. And she wasn’t invited to prom, but we got her a dress and brought her anyway. When Tracey got out of school at 21, there wasn’t much else for her to do. We didn’t have many programs in our town. So she stayed at home with Mom and Dad while I moved on with my life. Big changes were hard for her. She’d always say, ‘Why does God make us different? It’s not fair, Nut.’ She cried when I went to college. And I think my wedding was hard for her, even though she was the maid of honor. It’s not jealousy. It’s just that she wants to live a normal life too. When I had my two children, I was thrilled to watch her become their best friend, the same way she’d been mine. I always say that we raised them together. She loved my children more fiercely than a mama ever could. But once again, I watched them outgrow her and graduate through life. But Tracey taught them things I never could. My children never blink when people are different. She’s taught us all so much. She just loves everyone. And she rolls with things better than we give her credit for sometimes. Dad passed away in 2018. It was hard on all of us, but I know it was especially tough on her. I watched her during the entire funeral. She was greeting everyone and shaking their hands. And I remember thinking: ‘Wow, this must be so much for her.’ When the last person had left, I walked over and put my arm around her. And told her how proud I was. She just gave me a hug, and said: ‘Love you Nut.’”
A truly classic cocktail, the Americano was first served in the 1860s at Gaspare Campari’s bar in Milan, Italy. It was originally named “Milano-Torino” because of the origins of its two primary ingredients: Campari calls Milan home and sweet vermouth is also known as ‘Vermouth di Torino’ or Italian vermouth.
The cocktail was later renamed because of its popularity among American tourists around the turn of the 20th century and prior to Prohibition.
It’s also fascinating to note that the Americano spurred the creation another famous Campari cocktail in the 20s. The Negroni, it’s said, was invented because one Count Camillo Negroni ordered “an Americano with gin” while at a cafe in Florence, Italy.
“Rather, very, little, pretty – these are the leeches that infest the \npond of prose, sucking the blood of words. The constant use of the \nadjective little (except to indicate size) is particularly debilitating;\n we should all try to do a little better, we should all be very watchful\n of this rule, for it is a rather important one, and we are pretty sure \nto violate it now and then.” - William Strunk, Jr.
Lev Tolstòj, in What Is to Be Done? (or What Then Must We Do?) (1886), from Allen M. Hornblum, Acres of Skin. Human Experiments at Holmesburg Prison, Routledge, New York, NY, and London, 1998
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«I sit on a man’s back, choking him and making him carry me. And yet assure myself and others that I am very sorry for him and wish to ease his lot by all possible means. Except, by getting off his back.» – Lev Tolstòj, in What Is to Be Done? \n(or What Then Must We Do?) (1886)\n
June 29th marks the 100th anniversary of the birth of the late, great Ray Harryhausen. A master technician and visionary, Harryhausen transported audiences into worlds of fantasy and mythology through his stop-animation. What now takes a team, Harryhausen did mostly on his own. He was autonomous, preferring to have control over his work and his vision, and he became heavily involved in many aspects of filmmaking including writing, storyboarding, producing and in many cases co-directing.
Harryhausen fully immersed himself in the process by analyzing the skeletal structure of ancient beasts, studying animals in motion, sketching models and building them by hand and then finding the most creative and dynamic ways to bring his fantastical creatures to life on screen. He poured so much of his time and energy into his models that he’d often develop emotional attachments to them. Harryhausen’s unique gifts as a visual effects artist improved on the work that came before him and would pave the way for future filmmakers to come. Among those who credit Harryhausen for inspiring their work include directors Tim Burton, James Cameron, Guillermo del Toro and Peter Jackson.
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Harryhausen’s own source of inspiration came from the work of stop-animation artist Willis H. O’Brien who worked on the monster adventure classic KING KONG (’33). Watching KING KONG for the first time made an indelible mark on teenage Harryhausen. Inquisitive by nature, he set out to learn about how the film was made. Once he learned about stop-animation, he contacted O’Brien at MGM and made his acquaintance. O’Brien took Harryhausen under his wing and the mentorship would help him launch his future career. His parents were extraordinarily supportive of their teenage son. His father built a small studio in the corner of their garage and his mother would give him scraps of fabric and fur for modeling. Harryhausen’s father was particularly good at creating armament, the metal structure that helps the models move with manipulation, and would work with his adult son on many films.
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What was unique about Harryhausen was his singular vision and ingenuity. It can be seen with the innovations he brought to many of his projects. Harryhausen worked with O’Brien on the film MIGHTY JOE YOUNG (’49), another monster adventure film that was born out of the continued success of KING KONG. Harryhausen worked for two years on the film, and while O’Brien was busy solving production problems, Harryhausen got to work on the animation. He studied footage of large gorillas from the Chicago Zoo and according to Harryhausen the film proved to be “most useful for studying the pace and stride of his walk as well as detailed idiosyncrasies.” The armature was based off the skeleton of a gorilla and Harryhausen used his skills to manipulate the model to give Joe Young more nuanced movement than Kong had before him.
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MIGHTY JOE YOUNG led to work on other monster films like THE BEAST FROM 20,000 FATHOMS (’53), where Harryhausen used front-projection technique as a cost-saving measure, and IT CAME FROM BENEATH THE SEA (’55). The latter film included a giant killer octopus that Harryhausen gave six tentacles instead of eight. Time meant money in Hollywood, something Harryhausen was keenly aware of, and it made sense to spend time animating fewer legs. Especially when the audience didn’t need to see all eight to get the full effect.
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With UFOs being all the rage in the 1950s, Harryhausen used his unique brand of innovation to animate flying saucers for the science fiction film EARTH VS. THE FLYING SAUCERS (’56). He used an aerial brace that connected the saucer to metal wires. The brace allowed Harryhausen to tilt the saucers so they appeared to fly at an angle when necessary. The most difficult part of this project was depicting the saucers destroying buildings. In his book Film Fantasy Scrapbook Harryhausen wrote, “they had to be photographed in the process of disintegration by a death ray, frame by frame —each falling brick being suspended by invisible wires.”
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Harryhausen found his calling when he transitioned to fantasy stories where mythical creatures are aplenty. Working alongside his longtime collaborator Charles Schneer, to ensure that THE 7TH VOYAGE OF SINBAD (’58) was a success they came up with a new name for Harryhausen’s work: Dynamation. Had the film been promoted as a live action film with animation, adult audiences might turn away thinking that it was for children. Dynamation rebranded the stop-animation to cast the widest net possible. In THE 7TH VOYAGE OF SINBAD Harryhausen animated a skeleton in a thrilling sword battle that would be revisited in just a few years on a bigger scale.
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JASON AND THE ARGONAUTS (’63) was the pinnacle of Harryhausen’s career. He called the film his favorite because it was “the most complete.” The skeleton fight sequence, which has since become the most iconic scenes of Harryhausen’s work, took four months to complete. Harryhausen insisted there be seven skeletons because of the importance the number seven had in mythology. However, this created more work. He created anatomically correct skeletons with movable heads, arms and legs. Stuntmen and actors rehearsed to get the action scenes just right and Harryhausen filmed the skeletons over a rear-projection of that footage matching the skeletons’ movements with that of the actors. The longest animated sequence in the film features Talos, a giant bronze statue that comes to life to seek revenge. Harryhausen was inspired by the myth of Talos and by the Colossus of Rhodes and created a gigantic version of Talos with movements “deliberately stiff and mechanical.”
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Other innovations include the giant crab in MYSTERIOUS ISLAND (’61). Harryhausen bought a live crab from Harrods in London, had it humanely killed and replaced the meat with metal armature and reanimated the dead crab on screen. In CLASH OF THE TITANS (’81), he finally got his wish to create a more dynamic interpretation of Medusa. He specifically created a reptilian Medusa to avoid having to animate a human one with clothes. Animating Medusa was incredibly difficult as each of the twelve snakes on her head had to constantly be in motion. Harryhausen joked that the process gave him a “Gorgon-sized headache.”
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While Harryhausen’s style of animation has now been replaced by more advanced stop motion techniques as well as CGI, his films continue to awe and inspire audiences. It’s still a thrill to see his many mythical and ancient creatures come to life in his films.
Zofia Posmysz’s mugshot after being arrested for distributing anti-Nazi leaflets. She was sent to Auschwitz but survived 2 concentration camps and today is 94 .
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Here she is currently. Don’t let her name or her face be forgotten.
If she was here I’d probably be just as crazy now as I was then in about 5 minutes. Ain’t that ridiculous?… Naw, it ain’t really. ‘Cause being crazy about a woman like her is always the right thing to do. Being an old decrepit bag of bones, that’s what’s ridiculous. Gettin’ old The Last Picture Show (1971), Director: Peter Bogdanovich.
Born a brunette, Lucille Ball was turned into a platinum blonde by Hattie Carnegie, the New York designer for whom Lucille Ball modeled in the late 1920s and early 1930s. Carnegie thought Lucy resembled (then-blonde) actress Joan Bennett, a Carnegie client. Her hair remained blonde and became gradually darker (brownish) until she arrived at MGM in the 1940s. It was there that famous hair designer Sydney Guilaroff created the flaming red-orange shade with which Lucy became forever identified. Lucy herself said her career was basically blah until she became a redhead, and then things took off.
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In her book, The Encyclopedia of Hair: A Cultural Study, Victoria Sherrow writes that, “Red hair became more popular in the twentieth century both in Europe and the United States. Some historians say that color films and television [i.e, Lucy?] played a key role, since blond and red shades show up well in those media. Other analysts point out that red hair was often associated with a passionate personality type.” This begs the fascinating question: which came first: Lucy Ricardo’s red hair or her passionate desire to get out of the house and into show business? - Lucy A to Z by Michael Karol (Here shown in Du Barry Was a Lady, 1943)
i love to headcanon steve as this aggressively progressive dude but like, he begged to be part of the us army,,,,,, we can’t just Forget That
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He joined to literally fight Nazis the fuck you on about?
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Minecraft lore is deeper than i remember
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he was also like 20 and the Internet didn’t exist so besides the fact that fighting the Nazis was one of the few good things the military has ever done, just mayhaps Steve wasn’t fully briefed on the sins of US militarism and imperialism
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I love that y’all think tha white people in the army in WWII joined to fight the evils of the Nazi party and not because of nationalism. The US sent minorities back to Germany to be gassed and only got involved after Germany threatened us.
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captain america was created by joe simon and jack kirby, two jewish second generation immigrants. you can argue about what the character has come to represent culturally today but it’s absolutely insensitive to erase what the character was supposed to represent for the creators at the time.
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hell this is the image on jack kirby’s wikipedia page next to the “entry into comics” section
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it was absolutely a political statement, and one that positioned america against fascism, against antisemitism, which is more than we can say for some modern media or even the orange stain running our country
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I would also like to add, he was introduced, like this, while the USA was not in the war, and was selling weapons to Germany -among other things. It was a very dangerous, very unpopular statement to make at the time. People love to do the ‘punch Hitler’ thing now, but when Captain America was first released with this cover, this was an extremely controversial statement.
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Captain America was created in direct response to how the USA was reacting to the war at the time as a direct call to action against injustice specifically. Created by two Jewish men who were very much affected by all of this. They specifically designed him to look like he did because that was the ““Aryan Ideal”“ as part of that statement. That is why they made him blond, blue-eyed, white, tall, and muscular. They also called him ‘Captain America’ to implicitly tie the United States to this statement. This was a metaphor of ‘The USA has to stop letting others be hurt, it’s time to step up and do something’.
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It’s not only insensitive to erase that, it’s Antisemitic to call a Jewish-made character that was a political statement against antisemitism in the 1940′s by people who were fed up with watching their loved ones die while people said they ‘shouldn’t get involved’ in a massive, global genocide attempt a ‘symbol of military industrial complex imperialism and nationalism’ when he was made as a symbol of resistance and a call to fight fascism and antisemitism.
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Has anyone mentioned yet that American fascists were so pissed about Captain America that some American Nazis showed up at the Marvel offices to “show what Real Americans would do to Captain America”. Jack Kirby literally rolled up his sleeves and would have beaten the shit out of them if they hadn’t run off by the time he got to the lobby.
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Like, fuck you if you refuse to accept that JEWISH AMERICANS created a character that is intended to protect Jews and other marginalized groups.
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Ben Hardy, born Benjamin F. Hardy, was an African-American motorcycle engineer and chopper builder, who is best known for creating the customized choppers for the characters ‘Captain America’ and ‘Billy’ which featured in the 1969 Peter Fonda road movie Easy Rider, a movie which influenced more people to take an interest in motorcycles and choppers than any other.
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The Captain America bike, made from a then 20 year old, heavily customized Harley-Davidson panhead is considered one of the most iconic motorcycles ever built, one which captured the zeitgeist of a generation and became an anti-establishment symbol.
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Working with another Black motorcycle builder, coordinator Cliff Vaughs, Hardy built two ‘Billy’ bikes and three ‘Captain Americas’, one of which was destroyed in the making of the movie, the rest of which were stolen. The ‘Billy’ bike was typical of the custom motorcycles Black bikers were riding at the time.
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Hardy and Vaughs remained largely unknown and uncredited for 25 years as they were not accepted as being equal due to their color and, as African-Americans, were not welcomed into the mainstream white motorcycle world in the USA.
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Known locally as “Benny” and “King of Bikes” Ben Hardy’s Motorcycle Service was located at 1168 E. Florence in Los Angeles. He was a mentor to many of the local motorcyclists in South Central, Los Angeles.
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His work was featured in the “Black Chrome” exhibition at the California African American Museum.
\nThis is our world now. The world of the electron and the switch; the \nbeauty of the baud. We exist without nationality, skin color, or \nreligious bias. You wage wars, murder, cheat, lie to us and try to make \nus believe it’s for our own good, yet we’re the criminals.
Frank Sinatra, Peter Lawford, and Robert Kennedy wait for a helicopter to take them to a charity fundraising dinner for a hospital in Los Angeles. July 1961.
cis people: *get plastic surgery to look different*
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cis people: *get surgery to enlarge their breasts*
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cis people: *get surgery to enlarge their ass*
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cis people: *get liposuction to make them skinnier*
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trans people: hey could i get top surgery so i can be comfortable with my body?
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cis people: BUT WHY?! YOU’RE BEAUTIFUL THE WAY YOU ARE, YOU DON’T NEED TO MUTILATE YOURSELF TO BE HAPPY! this is just a waste of money! You could regret this later on and feel like a stranger in your own body!
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Cis people: *don’t like their names and change them sometimes*
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Cis people: *go by their middle name*
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Cis people: *go by a nickname*
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Trans people: hey, could you call me [chosen name] so I can be comfortable?
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Cis people: ???WHY? YPU WERE GIVEN A NAME AT BIRTH! YOU HAVE SUCH A PRETTY NAME!!! WHY WOULD YOU WANT TO CHANGE IT? It will confuse me so much! I’ll never get used to calling you that so I won’t even try. It’ll be a waste of money to change it
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cis people: *misgender dog*
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cis people: *corrects each other when they misgender dogs*
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cis people: *immediatly correct themselves when they misgender a dog*
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trans people: hey, could you call me by my preferred pronoun please?
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cis people: YOU CANT EXPECT US TO JUST CHANGE SOMETHING WE’VE BEEN REFFERING TO YOU AS FOR SO LONG, YOU WERE BORN A CERTAIN WAY AND WE WONT APPEAL YOUR LEFTIST AGENDA
Belly-dancer Nai Bonet gives some tips to Shirley MacLaine and other cast members (an uncredited Teri Garr is just behind Miss MacLaine) / during production of J. Lee Thompson’s John Goldfarb, Please Come Home! (1965)
Watching my neighbors across the street having a block party during a literal time of pandemic makes me wonder if several hundred years ago there was another person looking out their window watching their neighbors congregate during the black death like verily forsooth, thou art truly ass-headed knaves.
I taught Pandolf the word “Secoue” (shake) so that on rainy days he will shake himself outside before coming in, rather than doing it in the middle of the kitchen. It’s still a work in progress, some days he gets it and some days he looks utterly stumped as to why I’m not letting him in. He’s like I wiped my dirty paws on the mop and everything, what, is there a password now? And the solution he found —it’s like this trope where a kid is turned away at a movie theatre, and he leaves and comes back as two kids in a trench coat—it’s like this except Pan trots away into the woods where I can’t see him, waits 4 seconds then comes back looking much more optimistic about his odds this time around, like “maybe she’ll think I’m a different dog.” It’s one of my top 10 favourite things this animal does.
I like that English and French have a similar thing going on with the sayings “He isn’t the sharpest tool in the shed” and “Il n’a pas inventé l’eau chaude” (he didn’t invent hot water). In both cases there are many established variants; some are quite normal (not the brightest bulb in the box / “il n’a pas inventé la poudre à canon”, he didn’t invent gunpowder), then you can make it a bit sillier, “he isn’t the crunchiest chip in the bag / quickest bunny in the forest”, “il n’a pas inventé le fil à couper le beurre / la machine à courber les bananes” (he didn’t invent the butter slicer wire / the banana-curving machine), and we also both enjoy making them absurd via crossbreeding (he isn’t the sharpest bunny in the box / il n’a pas inventé le fil à couper l’eau chaude - he didn’t invent the hot water slicer wire) and so on and so forth
Mai Tais on the make. Bunny’s version — the Poison Monkey Paw — floats additional dark rum on top of this. Come summer and we’ll all be sweltering at The Malacca Club 🇮🇴.
So, police officers of America: so long as police officers do things like resign from a special squad because two of their members were suspended after they deliberately knocked an elderly man down and walked by him as he bled in the street, it’s going to be really, really hard to convince Americans that it’s just about bad cops. You’re going to have to tear down the blue wall if you want to change the conversation.
She bathes me in sweetness I cannot reveal For sharing dreams I need my woman This humble expression meagerly dressed My eyes so mean it has no meaning
Christo (American, born Bulgaria, 1935-2020), The Gates (Project for Central Park, New York City), 1982. Pencil, fabric, pastel, charcoal, wax crayon, enamel paint and map on card, in two parts, (i) 11 x 28 in. (ii) 22 x 28 in.
“For those of you who are tired of reading about racism, I’m tired of black and brown bodies being killed by it. I’m tired of watching some white people be more upset by those who are protesting racism as opposed to the racism itself. Being numb is characterizing what happened to Floyd, Cooper, Ahmaud Arbery (who was hunted, shot and killed by two white men while jogging), as unfortunate, disconnected anomalies. Feeling is understanding they are not disconnected at all but, rather, the reason why James Baldwin once said “to be a Negro in this country and to be relatively conscious is to be in a rage almost all the time.””
Diane Arbus’s candid portraits of marginalized or overlooked people have drawn reverence and scrutiny. By comparison, this subject seems rather unremarkable. Yet in Arbus’s world, the ordinary starts to look dark and strange. The sitter is cast in shadow even as a large window and lamp light the rest of the room. The loneliness of the space is amplified by a vacant armchair. This deceptively plain image holds all the empathy for the human condition of Arbus’s best-known pictures.
““I would really love to see in North Dakota that we could just skip this thing that other parts of the nation are going through where they’re creating a divide — either it’s ideological or political or something — around masks versus no mask,” Burgum said. “This is a, I would say, senseless dividing line, and I would ask people to try to dial up your empathy and your understanding.” The subtext of the remarks was pretty clear: This is a needless culture war.”
What lingered after them was not life, but the most trivial list of mundane facts. A clock ticking on the wall, a room dim at noon, the outrageousness of a human.
Katharine Hepburn in costume for her stage role as Tracy Lord in the Broadway production of The Philadelphia Story (which ran from March 28, 1939 to March 30, 1940, closing with a total of 417 performances). Photographed by Alfred Eisenstaedt.
“I was born as the Soviet Union was falling apart. It says ‘Russia’ on my birth certificate. But my sister is only two years older, and her birth certificate says: ‘The Soviet Union.’ It was a dark time in the country. There were no jobs. The currency became worthless, and everyone’s savings were destroyed. Even the educated were suffering. My parents were university professors, but my mother would sell food and handicrafts on the street. The four of us shared two rooms. We slept on fold-out couches. We ate lots of porridge and lots of soup. Our special treat was Coca Cola. We got one bottle of Coca Cola for our birthday, and one on New Years. But I never remember being poor. My sister and I were surrounded with love and attention. I look back at old pictures, and I see my parents smiling so big. That’s exactly how I remember them: always smiling, always happy about life. Our prized possession was a bright red Lada, an old Soviet car that was a gift from my grandfather. It could only be driven in warm weather. It sometimes needed a running start, and the driver’s seat was stuck in recline. But every summer we’d take it out of the garage and pray for one more year. We’d drive it to Lake Baikal. And there was one big hill where the Lada would always overheat. If we could make it over that, we knew we’d be OK. It would be huffing and puffing. My dad would be flooring the gas, his seat stuck in recline. We’d all be begging the Lada to give us one more vacation. During these trips I’d tell my father not to worry. I’d joke that one day I’d buy us a fancy new foreign car. And he’d always just laugh. At the age of fifteen I left our house. I qualified for a program to study in America. I cried so hard, but it was a huge opportunity. I was able to enter college at the age of sixteen. I graduated with two degrees, and now I’m working as a financial analyst. Last year we took my parents on their first vacation. A real vacation. To Thailand. But that wasn’t the only gift I bought them. During my first year of working, I saved all the money I could. And bought them a brand new car. But luckily we didn’t have to pay full price. There was a $200 discount, for trading in the Lada.”
Many designers were influenced by developments in the fine arts. This textile pattern evokes the formal language of Cubism, which was a response to the pace and technologies of modern life. These abstracted seashells in this design illuminate a lighter side of modernity: the luxury of holiday travel and a view of the natural world as a place of recreation.
An ad from around 1900 for Fragrant Sozodont, an early mouthwash/tooth cleaning product. Its mixture of soap, calcium carbonate, alcohol, and spices could be sprayed into the mouth or applied with a toothbrush for “perfect teeth, hard gums, and sweet breath.” The product, which was quite popular in the late 19th century, declined in sales once it became clear that frequent users ended up with very little tooth enamel and dark yellow teeth.
It’s funny. You know. No matter how rich you get, shit goes wrong. You can’t insulate yourself from it. I used to think it was death and taxes you couldn’t avoid, but it’s actually death and shit.
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Oscar Isaac as Nathan in EX MACHINA (2014) dir. Alex Garland
“I was just a neighborhood kid. There was no running water in our house. Or electricity. So in the evenings, when I came home from school, I’d sit out near the road. Across the street there was a hotel where foreigners stayed. I’d watch them play Frisbee. I’d watch them buy African souvenirs from the street vendors. Occasionally one of them would come speak to me. I was an inquisitive child. I liked to ask questions. So I think they found me entertaining. One evening an American girl came up to me and started asking me questions. Just small talk: ‘What’s your name?’, and things like that. But then she asked my birthday, and I told her: ‘November 19th.’ ‘No way.’ she replied. ‘That’s my birthday too!’ And after that we became friends. Her name was Talia. She’d come visit me every evening, and bring me chocolate chip cookies. She’d let me play her Game Boy. She’d ask about my family. She’d ask about school. I was the best student in my third grade class, so I’d show her my report cards, and she’d get so excited. She was the first person to take me to the beach. I’d never even seen the ocean before. We had so much fun together. But one evening she told me that she was going back to America. And I began to cry. She bought us matching necklaces from a street vendor, took one final picture, and promised that she’d write me letters. It was a promise that she kept. The first letter arrived a few weeks after she left. And there were many letters after that. She told her parents all about me. They invited me to America to stay with them for a month. They took me to baseball games, and amusement parks, and shopping trips. It was the best time of my life. When I returned to Ghana, they paid for all my school fees. They bought my books and clothes. They paid for me to get a degree in engineering. Now I have my own company. The Cassis family turned my life around. I was just some random kid they didn’t know, and they gave me a chance for my dreams to come true. I went back to visit them last year. But this time I didn’t need them to pay my way. I was giving a speech at MIT, because I’d been selected as one of their top innovators under the age of 35.” #quarantinestories
“Mom died on the first day of school. She’d been really sick that entire summer. And she passed away on a Monday. At 7 AM. Almost exactly the time I’d be leaving for school. I don’t think I fully grasped how traumatic it was for me. I was there when she took her last breath. I comforted my little sister while she said goodbye. And the next week I had to start classes at a brand new school. I was a junior at the time. All the teachers knew what happened. And they had told all the students, so everyone was pitying me when I showed up. I met Alex that very first day. We were in choir together. We became friends almost immediately, but we didn’t start dating until we were both cast as leads in Seussical The Musical. We became more serious during college, and we ended up getting married right after graduation. I felt so sad that my mom couldn’t see any of it. Every time a big event would happen, it would be like, she’s not here. And she’s never going to be here. I was a moody, shitty teenager when she died. And I’m having this whole life where I become the person I’m supposed to be, and she doesn’t get to see any of it. She’s not going to see me graduate. She’s not going to meet my children. And it especially sucks that she’ll never get to meet Alex. We lit a lantern at our wedding to signify that my mom was still with us. It was a beautiful ceremony, and afterwards we took our honeymoon in Hawaii. A few days into the trip, I received a call from my oldest friend Meredith. She sounded excited. She’d just discovered a picture of our childhood soccer team, and there was a boy who looked just like Alex. When I showed Alex the photo, he confirmed that it was him, he’d played goalie on that team. I just started laughing. It was such a God moment. It was a moment when everything felt connected. Alex and I had known each other as children, back when my mom was still alive. The first thing I did was call my dad. I asked him if he remembered anything about the Swan’s Dermatology Soccer Team. ‘I remember the goalie,’ he replied. ‘During the games he’d always sit down in the net and play with the dirt. And your mother thought it was hilarious.’” #quarantinestories
Camille Pissarro was a versatile and experimental Impressionist artist who, in the mid- 1880s, adopted a new style popularized by Georges Seurat and others of using small dabs of color to create pictures of breathtaking effect. The Pointillist technique enabled Pissarro to render this foggy view of factories and barges on a river in Rouen, France, with subtle beauty in a delicate range of colors. The artist’s shift in style was accompanied by a change in working methods; Pissarro painted this labor-intensive picture in his studio from drawings and etchings rather than en plein air.
People who are in self quarantine really have no idea how weird it is to be a base level essential worker through this whole thing. I don’t mean a doctor or a nurse or someone else working round the clock to put a stop to it or find a cure. I mean a truck driver or a gas station attendant or a retail clerk. Because everything is basically normal, only a little bit off, and then again not as off as it should be.
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Every day I get up. I go to work. I sell people things. There are fewer people coming through and they’re buying more because they’re stocking up or they haven’t been shopping in a month, but there are still lines, like always. There’s plexiglass between the cashiers and the customers, and no dividers, and we have to continually yell at people not to put their items on the belt until we’ve finished the previous transaction, and they ignore us or argue with us, same as always. The more rules we have, the more rules there are for people to ignore. And the longer it goes on, the more normal it gets. Pretty much no one thanks us for coming in to work anymore. People are starting to act like we should never, ever run out of an item. It’s just blanket assumed that we will have hand sanitizer and soap and toilet paper and people are shocked when we say we’re out. But there are still ads on the TV in the break room telling us all to stay home and the more the customers ignore social distancing, the more management puts pressure on us to set a good example, until we’re expected to follow standards that are physically impossible.
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The longer this goes on, the less ‘essential’ I feel.
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And then I come home and get online as always and there are all of these people asking what you’re doing while you’re stuck in quarantine and coming up with fun things to do when you’re in quarantine and talking about what you’re going to do when this whole thing is over and you can finally, finally leave your house. Everyone just seems to assume that you, the person reading their words, are in quarantine, because everyone’s in quarantine. It’s like this big, international, universal experience that you’re not a part of.
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It feels like fifteen years from now everyone in the world will be looking at each other and asking “Remember what it was like to be cooped up in the house? Wasn’t it awful?” and I’ll just be sitting there going “…….no, I don’t. I didn’t do that.” And people will look at me and wonder how I could not know.
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This absolutely so much. My daily routine has not changed. My commute on a bus full of other essential workers has not changed. Social distancing and masks are impossible at my job so personal interactions have not changed. It looks and feels so normal save the thick layer of tension and anxiety and how silent the bus is.
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And I absolutely do feel so cut off and unable to relate to everyone I know in quarantine, to all the jokes and memes and frustrations and shared experiences. It’s really hard.
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I’ve mentioned a few times it’s like being in a parallel universe. It really, really is.
another day, another Amazon Prime Video deep dive. i’d never heard of this film before but apparently it caused quite the controversy back in 1975 and only received a limited release. Rod Steiger plays an Irish father who seeks revenge on Queen Elizabeth and Parliament after his wife and daughter are accidentally shot by a British soldier during a Belfast riot. given the subject matter, i’m actually surprised the film was made at all during the height of the Troubles, but it’s a surprisingly even handed. take away the odd “Irish” accents of Steiger and Remick and you have a pretty decent 70′s UK political thriller, cultural subtext and all. also fun to see a young Patrick Stewart in a small part as an IRA thug
LOS ANGELES NOIR: Sunset Boulevard (1950) dir. Billy Wilder Double Indemnity (1944) dir. Billy Wilder This Gun for Hire (1942) dir. Frank Tuttle In a Lonely Place (1950) dir. Nicholas Ray Somewhere in the Night (1946) dir. Joseph L. Mankiewicz The Big Sleep (1946) dir. Howard Hawks Mildred Pierce (1945) dir. Michael Curtiz Murder, My Sweet (1945) dir. Edward Dmytryk
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Too Late for Tears
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(1949) dir. Byron Haskin
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The Postman Always Rings Twice (1946) dir. Tay Garnett
● First of all, I wear a mask in public, not for me, but for YOU.
● I want you to know that I am educated enough to know that I could be asymptomatic and still give you the virus.
● No, I don’t “live in fear” of the virus; I just want to be a part of the solution, not the problem.
● I don’t feel like the “government is controlling me;” I feel like I’m being a contributing adult to society and I want to teach others the same.
● The world doesn’t revolve around me. It’s not all about me and my comfort.
● If we all could live with other people’s consideration in mind, this whole world would be a much better place.
● Wearing a mask doesn’t make me weak, scared, stupid, or even “controlled.” It makes me considerate.
● When you think about how you look, how uncomfortable it is, or what others think of you, just imagine someone close to you - a father, a mother, grandparent, aunt, or uncle - choking on a respirator.
● Ask yourself if you could have sucked it up a little for them.
“When you’re part of a gang, you soon find the parts of you that don’t fit. These apparent defects can become assets, they’re the things about you that make you interesting and useful.”
One of the worst innovations in communication technology is the “read” status feature on messengers. It intensifies the already unhealthy and unreasonable expectation of constant availability that smartphones have created by putting pressure on recipients to respond immediately to messages and instilling hurt feelings or paranoia in senders. It makes it that much easier for controlling or smothering behavior between family members, lovers or even friends. If any technology fosters an erosion of personal boundaries and personal time, it’s this absurd feature. Just turn it off.
Wendy Padbury, actress aged 20 years old, she stars as Zoe Heriot, a companion to Patrick Troughton’s Doctor in Doctor Who, pictured at home in Holland Park, London, Tuesday 16th April 1968. Photo by Maurice Kaye (Daily Express)🌸
If future generations want to appreciate how April 2020 was a weird time for everyone I will direct them towards this passionately nihilistic Longreads article about how there is no point in making bread anymore because the only certainty we have in this world is death
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Hopefully the author’s friends are checking in on her regularly.
The conservative movement is built on mocking real victims and denying their humanity, then whining they are the true victims on non-existent injustices.
Awwww yeaaaaaaaah. Got my sweet @friday.saturday.sunday merch today! Would prefer their food, cocktails, and hospitality, but this will have to do for now. (at Philadelphia, Pennsylvania) \nhttps://www.instagram.com/p/B_k3w3ij7Hv/?igshid=on2fe8hifns9
Mrs. Chippy, the ship’s cat on Ernest Shackleton’s ship Endurance, with crew member Perce Blackborow. The cat, which was actually male, got its name because it followed crew member Harry “Chippy” McNish around very attentively; it became a beloved member of the group. When the expedition met with disaster (the Endurance was crushed by Antarctic pack ice in 1915), Shackleton ordered Mrs. Chippy and the dogs on board to be shot.
20 GREAT FILMS FOR A CINEMATIC CITY BREAK (PART #2)
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Given that in-person trips are not an option right now, these are our chance to take a cinematic urban holiday. The films below are those that missed out on PART #1 of this list, in many cases because they offer a slightly darker urban experience.
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1. ROME: THE TALENTED MR RIPLEY (1999)This film steeps us in the atmosphere of 1950′s Italy - or rather, the version of it that our wealthy ex-pat characters enjoy. Despite his personal demons, the Rome we see as Tom Ripley explores it is the elegant, sun-drenched, city of his dreams.
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2.JAKARTA:THE YEAR OF LIVING DANGEROUSLY (1982) Peter Wier brings his customary lyricism to this atmospheric portrait of the Indonesian city on the cusp of a communist uprising.
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3. NEW YORK:THE WARRIORS (1979)A gang are forced to travel, mostly on foot, from the Bronx to Coney Island, through the territories of militant rivals. The city they traverse is rendered as a dystopian extension of the real-life problems of violence and urban decay in 1970′s New York City.
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4. LOS ANGELES: NIGHTCRAWLER (2014)As in fellow neo-noir DRIVE (2011), nocturnal LA is a character in its own right, with ruthless cameraman Lou Bloom (Jake Gyllenhaal) prowling the streets in search of lucratively grisly footage.
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5. LONDON:BLOWUP (1967)MichelangeloAntonioni’s first film in English is a meditation on voyeurism and perception, and also an iconic portrait of Mod 1960′s London. Like his globetrotting THE PASSENGER (1975), it makes for an unusual city film, due to its pervasive sense of solitude and emptiness.
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6. SHANGHAI:LUST CAUTION (2008)Ang Lee’s espionage thriller is set against a backdrop of colonial architecture within 1940′s Shanghai, as the city struggles against its Japanese occupiers.
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7.CITY OF GOD,RIO:CITY OF GOD (2002)A visceral journey into the 1970’s slums of Rio de Janeiro, with a predominantly amateur cast that included residents of the City of God Favela itself.
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8.SAIGON:THREE SEASONS (1999). A lyrical exploration of the past, present, and future of the Vietnamese capital, as characters struggle with the aftermath of war, and the onslaught of Westernisation and capitalism.
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9. PRAGUE:THE UNBEARABLE LIGHTNESS OF BEING (1988) A sexual, moral and political drama connects three individuals in this adaptation of Milan Kundera’s novel, set against the backdrop of socialist liberalisation in 1960′s Prague.
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10. LOS ANGELES: CHINATOWN (1974) Roman Polanski paints a sun-drenched and beautiful (if conceptually bleak) picture of Municipal corruption in 1930′s LA.
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11.NEW YORK:TAXI DRIVER (1976) Scorcese shot this film in New York City during a heatwave and a garbage strike. He has said that he sought to create an on-screen world that felt like a dream or a drug-induced reverie.
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12.PARIS: BREATHLESS (1960)The French capital stars alongside Jean Seberg and Jean Paul Belmondo in this heavily improvised New-Wave classic.
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13. LOS ANGELES:LA CONFIDENTIAL (1997). Like Chinatown, this is a beautiful and visually pristine, but seedy, incarnation of retro-Los Angeles.
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14.SAIGON: THE LOVER (1992) Although it’s an underwhelming adaptation of the novel, this film makes the list because it does create an evocative and deeply atmospheric rendering of 1920’s Saigon.
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15. ISTANBUL: CLIMATES (2006)Sombre but beautifully filmed depiction of the end of a relationship, set against the vivid backdrops of summer in Kas and winter in Istanbul.
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16.MEXICO CITY: Y TU MAMA TAMBIEN (2001) Although it’s primarily a road movie, the opening and closing sections of this film take place in a socially restive Mexico City, and set the scene for many of the cultural and political themes explored throughout.
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17. LOS ANGELES:HEAT (1995)Amongst the countless movies filmed in LA, this is one of a handful in which the city itself it is a central character. Al Pacino plays cat and mouse with Robert De Niro through a series of iconic urban locations.
19.HAVANA:BEFORE NIGHT FALLS (2000)Julian Schnabel ’s portrait of the exiled Cuban writer unfolds in an atmospheric incarnation of 1950′s Havana, during the Cuban Revolution.
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20.\n
COPENHAGEN: COPENHAGEN (2014)Despite the (intentionally) unlikeable protagonist, and the uncomfortable romantic pairing, this ultimately makes for a sweet and life-affirming visit to the title city.
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‘Bonus:MIAMI’: SCARFACE (1983)Few films have a more iconic association with this city, which itself becomes a central character, but after objections from Florida officials, who feared the antics of Tony Montana might be seen as typical of the population as a whole (!), the majority of the movie ended up being shot in LA. (Photo: vanityfair via Pinterest)
1. (i) It shall be lawful everywhere for citizens to walk on air, to hang their hats upon the trees and wander hatless if they please […].
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(ii) All citizens who choose to ride on taxi-tops and not inside and those who do not use their votes because they’re busy painting boats and any miscreant who hums instead of doing dismal sums whoever does a silly thing need only answer “‘Tis the Spring” and this shall be a good defence in any court with any sense. […]
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4. (i) There shall be banks of maidenhair arranged about the Speaker’s chair and roses white and roses red shall hang above the Speaker’s head like some tremendous window-box the Galleries be gay with phlox and goldfish, lovely but aloof, shall swim above the glassy roof.
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Penalties for Certain Expressions
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(ii) The penalty for each offence shall be elastic but immense.
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(iii) A pension shall reward the man who modestly does all he can. »
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— Extract from a bill drafted in 1936 by Sir Alan Herbert, sitting in Parliament as an Independent Member; from his Parliamentary memoirs Independent Member
Last night I found a book from 1655 on Open Library called Kunstrichtige Schreibart / The Proper Art of Writing, that seems to be the slow descent into madness of a bored 17th-century German guy who wrote the alphabet in increasingly demented ways until he ran out of room on the page.
A 16-year-old Italian boy named Antonio Pasin was one of the millions who immigrated to America from Europe at the start of the 20th century. A skilled carpenter, Pasin headed to Chicago and began building little red wagons out of stamped metal. By 1923, he had saved enough money to create the Liberty Coaster Company, and he began mass-producing the wagon for just under $3. He named it the Radio Flyer in homage to two of his favorite inventions of the time: the radio and the airplane.
George (14), John (16), and Paul (15) of The Quarrymen (soon to be The Beatles) in 1958
Apparently this was taken March 8th at a wedding reception in a back room parlor at Paul’s Auntie Gin’s home in Huyton, Liverpool. It was the wedding of Ian Harris, son of Auntie Gin. The photo was taken by Paul’s brother Mike McCartney. This is likely George’s first public appearance with John and Paul, and is the earliest known color photo of the three of them.
Antonello da Messina transformed the Renaissance portrait in paintings like this one, in which the face emerges from the dark background and the sitter’s steady gaze confronts the viewer. Messina was one of the first Italian artists to adopt the Netherlandish use of oil, which gave his paint surfaces a luminosity that egg tempera, then the primary painting medium in Italy, could not achieve. This method served him particularly well in his portraits, which were considered the greatest in fifteenth-century Italy.
As shown in this painting, Francis Criss favored the vivid hues and flat, two-dimensional planes of Cubism to depict New York City, especially its buildings, elevated subways, and billboards.
To be truly elegant, one should not be noticed,“ said the dandiest dandy of all, Beau Brummell. Once the best friend of the future King George IV, Beau would spend 5 hours a day getting dressed, and he suggested boots should be polished with champagne. For a spiffing dandy day out in London,
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"title": "\"She will take it back some day.\" -Pink Floyd",
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This might be one of my favorite posts because it blows my mind how well we keep nature off of man made things when in reality it can grow over like we were never here
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"date_published": "2020-04-18T15:36:05-04:00",
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"title": "oh my GOD is that an actual conversation French-speaking people have with one another??? one day y’all just look at each other and say, “hey, we’ve been pals for x amount of days, please address me with the informal tu henceforth”???? if you have a f",
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I mean, yes, it’s just a fact of life that you will need to have a Pronoun Moment with everyone you meet. If you are the younger person you will one day be told it’s okay to drop the formal pronouns; if you’re the older one and started off using ‘vous’ with a younger person you usually ‘ask’ to switch to informal pronouns in a way that is more like, granting yourself permission (“I’ll say tu, if you don’t mind”) If there’s no clear age or hierarchy difference people still usually start with vous until they are more comfortable with each other and there comes a moment of mutual agreement, like “On se tutoie peut-être ?”
“Use ‘vous’ with everyone older, ‘tu’ with everyone else” is a risky rule—among strangers it’s a safer bet to start prudently with vous, except to address kids and teenagers, and even then there are exceptions… At university you typically say “tu” to all the other students even if they are older, but if you are an adult and ask a question to an 18-yo employee in a shop you’ll say vous in that context. When I was tutoring high school students I wouldn’t tell them to switch to tu although we were just a few years apart, because I wanted these home lessons to have more of a formal, school feeling. Many teachers also call their students ‘vous’ starting in middle or high school.
There’s a bit in my diary from when I was 10, in which I ponder the fact that in primary school we could call our teacher ‘tu’ but now we can’t anymore:
“Another difference in middle school is that we’ve now got to say vous to our teachers. It’s going to take some getting used to, we all forget all the time, a boy even swore yesterday after he got it wrong. The teacher told him “If I must choose, I would rather hear a ‘tu’ than a ‘merde’.” Personally I’m happy to switch to formal pronouns; it allows for polite criticism. Telling your teacher “Tu as tort” [‘You’re wrong,’ with informal pronouns] sounds brutal, like a whiplash, whereas “Vous avez tort” is softer and more respectful, almost obsequious. I shared this theory with Mum, but she laughed and told me that alternatively, I might consider not telling my teachers they are wrong, formally or informally.”
I love the quote from the teacher in the diary excerpt.
“Tact, like empathy, is based on a certain form of mutual understanding. But while empathy implies the idea of entering someone else’s mind inasmuch as it is linked to the presumption that ‘I know how you feel’, tact exists to create a form of bonding between individuals that is not based on the idea of intrusion but, conversely, on the respect for existing boundaries, and on a willingness not always to assume that one knows. While empathy requires resonance and proximity, tact is there to restore distance, and to accept the difference between the individuals involved in order to protect and preserve their dignity. Tact is based on an attention towards otherness.”
— Katja Haustein, “How to Be Alone with Others: Plessner, Adorno, and Barthes on Tact” (via mehreenkasana)
As a Judge, I understand the individual liberty vs. common good arguments currently taking place. The Courts are going to have to resolve these issues. For me, it’s this simple— you have the right to infect and kill yourself with an incurable disease— you don’t have the right to infect me and everybody else. Your religion, and your guns, and your rallies take a back seat to the health and welfare of this nation.. MS
“Conventionality is not morality. Self-righteousness is not religion. To attack the first is not to assail the last. To pluck the mask from the face of the Pharisee, is not to lift an impious hand to the Crown of Thorns.”
Excerpt from the preface to “Jane Eyre” by Charlotte Bronte – December 21st, 1847
Restored film of San Francisco’s Market Street version of a film shot on April 14, 1906, four days before the Great Earthquake, and the attempt to colorize and sharpen the video-converted film.
“I grew up near Harvard. I used to skateboard in Harvard Square as a teenager, but I never felt like I belonged there. Education was never really valued in my house. Neither of my parents went to college. Our family life was in shambles because they were getting a divorce. And I guess my coping mechanism was having fun. I got in a lot of trouble. I almost flunked out of high school. Afterwards I bounced around in community college, until I happened to strike up a conversation with a guy in the union. And that’s how I ended up as a carpenter. Over the past several years I’ve worked a lot of jobs on the Harvard campus. It’s an old campus so there’s always work being done. And it’s hard sometimes, seeing all those students going to school. When you’re wearing your uniform, and covered in dirt, and on your knees, it’s hard not to feel a bit of inferiority. There always seems to be this barrier between labor and academia. Like if you turn a wrench, you don’t deserve an advanced degree. So three years ago I made up my mind. I’d just finished reading ‘Zen and The Art of Motorcycle Maintenance,’ and I decided: ‘That’s it. I’m not going to drink. Or smoke. Or do anything else, until I get into Harvard.’ I didn’t tell any of the guys. None of them knew that I was taking classes on weekends to get my bachelors. Or that I was studying for the GRE all summer. Or that I’d applied to The Kennedy School of Government. It’s been three long years, and the decision finally arrived a couple weeks ago. I thought: ‘I’ve been tortured by this for long enough. At least now I’ll have closure.’ So I popped open the computer, signed into the system, and burst out laughing. It didn’t seem real. I’d been chasing this car for so long now, and I finally caught it. Now I’m determined to do something with this opportunity. I want to give back. I want to help working people have a seat at the table.” #quarantinestories
Who is the gaucho, amigo? Why is he standing in your spangled leather poncho With the studs that match your eyes? Bodacious cowboys Such as your friend will never be welcome here High in the Custerdome
Chekhov’s gun (Russian: Чеховское ружьё) is a dramatic principle that states that every element in a story must be necessary, and irrelevant elements should be removed.
“If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off. If it’s not going to be fired, it shouldn’t be hanging there.”
“One must never place a loaded rifle on the stage if it isn’t going to go off. It’s wrong to make promises you don’t mean to keep.“ - Chekhov, letter to Aleksandr Semenovich Lazarev, 1 November 1889.
Credo che a volte desideriamo così tanto che funzioni con una persona che, quando lei parla, invece di ascoltare quello che racconta di sé ci lasciamo distrarre da quello che vogliamo che sia, e alla fine ci confondiamo. (Fabio Volo)
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In foto: Jane Birkin e Romy Schneider ne “La Piscina”, film del 1969, diretto da Jacques Deray, e interpretato anche da Alain Delon.
A lady with strings of pearls around her neck and a chiffon scarf around her nose and mouth during the Great Smog in London, 1952, which ended up killing 12,000 people during its 5 days long stay.
It’s kind of astonishing how often rocker Rick Springfield showed up as a guest-star on 70s scifi shows. He shows up with Forrest Gump-like frequency in the background of these.
The episode of the 6 Million Dollar Man is especially interesting as it is set around 70s roller derby. Not everyone gets to save the life of the Incredible Hulk.
RIP Honor Blackman. Best known as Pussy Galore in Goldfinger, I know her best as Hera, the effortlessly regal Queen of the Gods in Harryhausen’s Jason and the Argonauts. She portrayed Hera as queenly, dignified, but also the most humanlike and compassionate of the otherwise aloof and detached Greek gods, the one most like human beings.
Choose a life. Choose a job. Choose a career. Choose a family. Choose a fucking big television. Choose washing machines, cars, compact disc players and electrical tin openers… Choose DIY and wondering who the fuck you are on a Sunday morning. Choose sitting on that couch watching mind-numbing, spirit crushing game shows, sticking junk food into your mouth. Choose rotting away in the end of it all, pishing your last in a miserable home, nothing more than an embarrassment to the selfish, fucked up brats you spawned to replace yourself, choose your future. Choose life… But why would I want to do a thing like that? ― Irvine Welsh, Trainspotting
‘Obsolete scientific theories that would make good heavy metal band names’ (plus some preparatory doodles). From my new book, Department of Mind-Blowing Theories.
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"date_published": "2020-04-03T20:27:31-04:00",
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"title": "Still on the fence with a pair of Birks. On one hand, I like em. On the other, many wear them ironically and often paired with man buns.",
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As often as I think about clothes, most of the time I don’t think there’s much to them. In these parts we often lament the death of uniforms, of pomp and circumstance, of cultural signifiers. There was a time when getting dressed meant something, dammit! Put on a tie so I can quietly laugh at how bad your tie looks! We spend so much time worrying that the good old days are gone that we don’t appreciate how much freedom and nuance contemporary norms of dress allow.
Are you wearing clothes sincerely? Are you wearing them ironically? Are you rich but dressing like a slob? Are you down on your luck but still spit shining your shoes? Frankly, these days, it’s impossible to say. And that means it’s impossible to put any weight behind our assessments of the people we pass on the street. Sure, it’s easier to think someone’s more important because they’re wearing a nice suit, but anyone can hit a thrift store on the right day.
To discover personal style is to revel in nuance. Most people will never be able to put their finger on what makes someone stylish; what leaves an impression. And while that may seem bothersome to those desperate to shore up status and signal belonging, the abstractions are where freedom lives. If you let your intentions, your presence, your impulse do the talking, then the clothes will always feel right.
You should never let the outside chance of judgement impact your decisions. The only way to cultivate a sense of taste is to make mistakes and learn. When I get dressed in the morning I’m not expecting to defend myself, and neither should you.
\n",
"date_published": "2020-04-02T13:10:21-04:00",
"url": "https://genegualtieri.com/2020/04/02/fravery-the-ideal.html",
"tags": ["Image","Tumblr"]
},
{
"id": "http://genegualtieri.micro.blog/2020/04/01/the-longer-these.html",
"title": "“The longer these measures persist, the greater the risk of atrophy setting in for small business across the country, making them less able to reopen in the future.”",
"content_html": "
My little cousins made paper fish and were grumpy that they didn’t get to tape them to their teachers’ backs at school as per April 1st law, so I asked them to send me a picture of one of their fish and made Pandolf do a photoshoot where he played the part of the unsuspecting teacher. They said it was EVEN BETTER, and I’m assuming that’s because primary school teachers just don’t go all the way and angrily eat the April fish in frustration over having been pranked.
We’ve got an itinerant cheese-selling woman who comes into town every Friday morning to sell the cheeses she purchases from local farms, and I like this old-fashioned way of buying cheese (other people, like the mayor, find it mortifying that our village is too small to support its own cheese shop). She stations herself in the plaza and likes to share news about the farms and villages she’s visited this week (at the moment we get a lot of baby animal news, like new calf announcements.) She has the unfortunate habit of denigrating her own cheeses without meaning to because she is a cheese perfectionist. You ask for a bleu, she grimaces hesitantly and says “Ah, poor choice, it doesn’t look quite right to me today”; or you tell her “I really liked the brie I picked last time, so creamy!” and she shakes her head and goes “Ah, you got lucky, often that farmer gives me such shitty brie with a chaulky texture—” then she suddenly looks frustrated with herself, you can tell she’s thinking “why am I giving this information to a client?? I’m the worst cheese saleswoman ever.” It’s very endearing.
\n
She also sells eggs, and always writes the name of the farmer she got it from on each carton so you can make sure to buy your friends’ eggs and avoid your enemies’ eggs. You’ve got to be like “Six Gilbert eggs please” and publicly announce where your loyalty lies, it’s a whole Thing. If one day you decide to go rogue and ask for Agnès eggs instead you can be sure people will notice, and they will talk. Getting my own chickens is the only way I have found to avoid pledging egg allegiance.
Domino’s Pizza was founded by an eccentric Catholic who used the money to create Ave Maria, a Disney-like all catholic planned community. For a time, their mascot was the claymation Noid, however, this was phased out after an actual mentally disturbed man with the last name Noid held a Domino’s at gunpoint in a hostage situation, believing the Noid was designed to personally insult him. After the backlash from the incident, the Noid was faded out from their advertising.
It’s a case extremely similar to the retiring of the mascot Erin Esurance in the early 2010s, who Esurance felt was no longer “under control” thanks to the oceans of porn that existed about her.
Gene Day’s cover art for the 1979 fantasy flight game, “Space Opera.” It was a broad ruleset that could cover space marines, bug aliens, robots, Lensmen, science officers, and doctors. There were tons of references to the two best frames of reference for space opera at the time: the Lensmen novels, and a movie that came out a year before, Star Wars.
Note that the look of the product is clearly inspired by the “new look” Batman from 1964. Note the presence of the Blockbuster Bandit, one of Infantino’s better creations, and the new look Batmobile. One supporting cast member from this era, Aunt Harriet, was brought into the television series (yes, Aunt Harriet was in the comics, but not for long).
\n",
"date_published": "2020-03-28T13:50:56-04:00",
"url": "https://genegualtieri.com/2020/03/28/vintagegeekculture.html",
"tags": ["Tumblr"]
},
{
"id": "http://genegualtieri.micro.blog/2020/03/28/a-list-of.html",
"title": "A List Of The Songs Named In Bob Dylan's 'Murder Most Foul'",
"content_html": "
A List Of The Songs Named In Bob Dylan's 'Murder Most Foul'\n",
"date_published": "2020-03-28T09:41:05-04:00",
"url": "https://genegualtieri.com/2020/03/28/a-list-of.html",
"tags": ["Tumblr","Link"]
},
{
"id": "http://genegualtieri.micro.blog/2020/03/28/gameraboy-the-former.html",
"content_html": "
“It was just the three of us. And dad was a truck driver so he was gone most of the time. It could be a lot of stress. My mom was almost like a single mother. On my third birthday we moved to a small house outside of Denver. Next door there lived an older couple named Arlene and Bill, and they started talking to me through the fence. My first memory is Arlene handing me strawberries from her garden. It was a wonderful connection. After a few months, I knocked on their door, sat down in their living room, and said: ‘Will you guys be my grandparents?’ It was so silly. They could have laughed it off. But instead they started crying. They printed out an adoption certificate and hung it on their living room wall. That certificate remained until I left for college. They became so important to me. Their house was a refuge. Bill was the kind of grandfather that always smelled like oil. He taught me to drive everything. He was always fixing stuff. But he’d stop anything to sit down with me and have a glass of tea. Arlene was the type of grandmother that loved crafts, which was perfect for a kid. We were always putting tiny sequins on things. Both of them supported me in all my dreams. Through all my phases. They encouraged me to apply for college, even though I didn’t have the money to go. And when I got accepted, they presented me with a fund. They told me they’d been putting away money since the day I adopted them. Since I’ve become an adult, I’ve learned more about my grandparents. They both grew up poor. Arlene struggled with alcoholism when she was young, and that’s why they never had children. Their lives weren’t as perfect as they seemed through the fence. My grandmother passed away in 2013. It was two days before our adoption anniversary. My grandfather gave her eulogy. And at the end, he said: ‘Arlene leaves behind her husband Bill. And the greatest joy of her life her granddaughter Katie.’”
WOW, I have to say this is probably THE MOST IMPORTANT article I’ve ever read. I am more often than not befuddled by Economics. This interview with Bruce Bartlett. Great questions, understandable answers for an economy challenged person like myself. There are several LIGHT BULB MOMENTS in this piece but I’ll just post one below. PLEASE READ THIS ARTICLE.
From the interview: “Libertarians, Austrians and other far-right groups love Trump because he is destroying government before their eyes.“
March 25th is the day believed to be the start of Dante’s journey through the celestial realms of hell, purgatory, and heaven. Here are some pictures of my Divina Commedia with illustrations by Gustave Doré. Happy Dante’s day everyone!
\n",
"date_published": "2020-03-23T04:43:44-04:00",
"url": "https://genegualtieri.com/2020/03/23/leftreminders.html",
"tags": ["Tumblr"]
},
{
"id": "http://genegualtieri.micro.blog/2020/03/23/sir-have-you.html",
"title": "Sir - have you any opinions on the current Berne Convention copyright length?",
"content_html": "
It’s too long. 70 years after death feels wrong. I’m good with 50 years, though.
It should be zero. What good is extended copyright after death of the creator in the 21st century? The right to be asserted as the creator of a work should be separated from the economical value from that point. All it’s doing now is filling the pockets of greedy companies.
\n
And it’s also feeding loved ones and children after the death of the person who made the art has died.
I like the idea of feeding Ash (he’s four and not yet able to work) with my stories after I’m dead. I’m not good with feeding my great grandchildren.
\n
As an author, I don’t agree with this argument at all. Why should your past works support your family anymore than anyone else’s?
A man who works his body day in and day out and pays his taxes every year to support his family gets nothing when he dies. Most he gets is an insurance plan out of pocket.
Why should I get that sort of luxury? How am I better than the working man? How am I better than someone who worked dozens of times harder than me?
Even then, how are you sure the money is actually going to your estate? How would you make sure your family continues your legacy through hardwork, and not through old money?
It’s something I don’t exactly agree with. I think there are more ways to support your family after you’re gone, and I don’t know if extension of copyright is it.
\n
So you’re arguing for a world in which no property of any kind, physical or intellectual lasts longer than the death of the person who bought it or made it? In which houses, stocks, comic book collections, all become part of the commonweal? Because right now, you can leave your property to your children or your loved ones. Touchable property and intellectual property. You can leave them money, too.
Anthony Burgess (who wrote, among other things, A Clockwork Orange) was told (wrongly) he had months to live. He wanted to support his family after he was gone, so he wrote books, fast and well.
He was lucky. It was a misdiagnosis and he didn’t die.
But I’m on the side of Anthony Burgess in this. I’m glad that Douglas Adams’ books took care of his daughter Polly when she was a small child whose father had just died, and more so when, a decade later, her mother died as well.
I’m a writer. What I do is write. I have adult children who are taking care of themselves, and a four year old who can’t. I’m in a couple of Covid risk groups, and could in theory be dead in a couple of weeks. (I hope I’m not.) PWhile there are “more ways to support your family after you’ve gone” that aren’t based around things I’ve made up and written down, I didn’t actually want to stop writing and making things up in order to do them.
I think the current copyright laws (death plus 70 for individuals, 90 years after creation for corporate things) are too long. But I don’t think you should lose your property, physical or intellectual, when you die.
“I had very little direction in life. I was twenty-four. I knew I wanted to be an actress, but I couldn’t see a path. Even though I’d been accepted to a drama school in New York, I didn’t have enough money. I was living on a street in Liverpool where everything had been boarded up. I was so desperate that I decided to put a classified ad in a magazine called ‘The Private Eye.’ Oh God, I was so naïve. The advertisement said: ‘Talented young actress desperately seeks funding to go to drama school. Happy to meet.’ Every pervert in the city called me. One guy offered 30,000 pounds to ‘do whatever he wanted’ for a weekend. Another wanted ‘discipline sessions,’ which I had to Google. When I explained I wasn’t offering sex, people would shout at me on the phone. They told me that nobody would give me something for nothing. I felt stupid for even trying. After a few days the phone went quiet. Then one afternoon I got a call from a man with a very strong Irish accent. I could barely understand him. He told me that he’d never bought that magazine before. And that it all felt very strange– but he wanted to meet me for lunch. And that’s how I met Edmund. He listened to my dreams, and my goals, and at the end of the lunch, he agreed to pay for everything. Edmund has been my biggest supporter ever since. He’s helped me fund a short film. Right now he’s helping me produce a documentary. And he’s never asked for anything. Nothing, ever. He never crossed a single line. Edmund was very successful in life. And he always dreamed of having a big family. But he and his wife were never able to have their own children. So he sees me a bit like his daughter. He’s amazing.” #quarantinestories
“The officials have alerted us to ensure we have a month’s worth of necessities. Zelda and I have stocked up on red wine, whiskey, rum, vermouth, absinthe, white wine, sherry, gin, and lord, if we need it, brandy. Please pray for us.”
—
\n
F. Scott Fitzgerald, from a 1920 letter (written under quarantine in the south of France during the outbreak of Spanish influenza)
\n
\n
Priorities.
\n
I’m a little worried about vermouth levels, but otherwise I’m good.
“My mom didn’t want to be pregnant. She was young. She wasn’t in a serious relationship. And she never even wanted kids, so needless to say, she wasn’t thrilled. I think Mr. Duck was her way of ‘being ok’ with the pregnancy. It was the first gift she ever bought me, and she gave it to me when I was born. I took Mr. Duck everywhere as a child: breakfast, lunch, dinner. I gave him baths. I told him all my stories and all my problems. He was my best friend. At one point we were staying at a hotel, because our living situation was up in the air. And when I came home from school, our room had been cleaned, and Mr. Duck was gone. I tore the room apart. The hotel staff searched everywhere. My mom even tried to go to the landfill, but the city wouldn’t let her. Mr. Duck was gone. Forever. The years went by. I stopped thinking about him. But my Mom remained heartbroken. She couldn’t even watch Toy Story. Then three years ago, I’m sitting in a café, and I get a call from her. She tells me: ‘I think I found Mr. Duck.’ Apparently for years my mom had been googling: ‘Terry Cloth Duck With Overalls.’ And she finally found a match. But there was only one way to know for sure. Mr. Duck had stitches in his head because of a hair dryer injury. That would be our proof. My mom ordered him from the website, and we agreed to meet at a restaurant to open the package. We delayed the moment for as long as possible. We tried to make small talk. I braced myself for disappointment. But finally we opened the package, and pulled him out, and I ran my fingers across his head. Stitches! After all these years, Mr. Duck had come home.” #quarantinestories
Yes, with Vitameatavegamin, you can spoon your way to health. All you do is take a great big tablespoonful after every meal. I Love Lucy 1.30 ‘Lucy Does a TV Commercial’
\n",
"date_published": "2020-03-17T17:05:49-04:00",
"url": "https://genegualtieri.com/2020/03/17/asweetheartbeing-dont-forget.html",
"tags": ["Tumblr"]
},
{
"id": "http://genegualtieri.micro.blog/2020/03/16/we-have-always.html",
"title": "We have always been at war with Eurasia",
"content_html": "\n
“On Fox News, suddenly a very different tune about the coronavirus” [www.washingtonpost.com/lifestyle...](https://www.washingtonpost.com/lifestyle/media/on-fox-news-suddenly-a-very-different-tune-about-the-coronavirus/2020/03/16/7a7637cc-678f-11ea-9923-57073adce27c_story.html)
\n\n",
"date_published": "2020-03-16T20:38:18-04:00",
"url": "https://genegualtieri.com/2020/03/16/we-have-always.html",
"tags": ["Tumblr"]
},
{
"id": "http://genegualtieri.micro.blog/2020/03/16/tea-in-the.html",
"title": "Tea in the Sahara",
"content_html": "
My sisters and I \nHave one wish before we die \nAnd it may sound strange \nAs if our minds are deranged \nPlease don’t ask us why \nBeneath the sheltering sky
We have this strange obsession \nYou have the means in your possession
Tea in the Sahara with you \nTea in the Sahara with you
The young man agreed
He would satisfy their need \nSo they danced for his pleasure \nWith a joy you could not measure \nThey would wait for him here \nThe same place every year \nBeneath the sheltering sky \nAcross the desert he would fly
Tea in the Sahara with you \nTea in the Sahara with you \nTea in the Sahara with you \nTea in the Sahara with you
The sky turned to black \nWould he ever come back? \nThey would climb a high dune \nThey would pray to the moon \nBut he’d never return \nSo the sisters would burn \nAs their eyes searched the land \nWith their cups full of sand
Tea in the Sahara with you \nTea in the Sahara with you \nTea in the Sahara with you \nTea in the Sahara with you
Tea in the Sahara\n",
"date_published": "2020-03-16T16:36:27-04:00",
"url": "https://genegualtieri.com/2020/03/16/tea-in-the.html",
"tags": ["Tumblr","Link"]
},
{
"id": "http://genegualtieri.micro.blog/2020/03/15/wpvideo-bxiquit-tjtevlin.html",
"content_html": "
“It all matters. That someone turns out the lamp, picks up the windblown wrapper, says hello to the invalid, pays at the unattended lot, listens to the repeated tale, folds the abandoned laundry, plays the game fairly, tells the story honestly, acknowledges help, gives credit, says good night, resists temptation, wipes the counter, waits at the yellow, makes the bed, tips the maid, remembers the illness, congratulates the victor, accepts the consequences, takes a stand, steps up, offers a hand, goes first, goes last, chooses the small portion, teaches the child, tends to the dying, comforts the grieving, removes the splinter, wipes the tear, directs the lost, touches the lonely, is the whole thing. What is most beautiful is least acknowledged. What is worth dying for is barely noticed.”
\n
— Laura McBride, We Are Called to Rise
\n
\n
—
\n
Sandra Cisneros, A House of My Own
\n
\n
“I have a memory which I want to share with you. It’s about a secret practice of women, men, old people, children. We become aware of this practice obliquely, it’s not something we’re looking for, and very quickly we take it for granted […] Consider human lives, their every-minute, every-day lives! Their lives depend upon an agreed regularity to which each contributes. Maintaining this regularity is the forgotten practice I’m talking about.
It explains the arrival of the fruit in the market each day, the lights on the street at night, the letters slipped under the front door, the matches in a match box all pointing in the same direction, music heard on the radio, smiles exchanged between strangers. The regularity has a beat, very distant, often inaudible, and at the same time similar to a heartbeat.
No place for illusions here. The beat doesn’t stop solitude, it doesn’t cure pain, you can’t telephone it—it’s simply a reminder that you belong to a shared story.”
\n
\n
—
\n
John Berger, From A to X: A Story in Letters
\n
\n
—
\n
Danusha Leméris, “Small Kindnesses”
\n
“No, somebody always needs to go first. I know this. I go first.”
\n
\n
— Jenny Slate, Little Weirds
\n
“I’ve never told you this,” she said. “But there’s something about taking the cart back instead of leaving it in the parking lot. I don’t know when this came to me; it was a few years ago. There’s a difference between leaving it where you empty it and taking it back to the front of the store. It’s significant.” “Because somebody has to take them in.” “Yes. And if you know that, and you do it for that one guy, you do something else. You join the world…You move out of your isolation and become universal.”
\n
— Andre Dubus, “Out of the Snow”, Dancing After Hours
\n
\n
— Ross Gay, The Book of Delights
\n
“I’ve never managed to get used to seeing people die. That’s all I know. Yet after all—" Rieux fell silent and sat down. He felt his mouth dry. “After all—?” Tarrou prompted softly. “After all,” the doctor repeated, then hesitated again, fixing his eyes on Tarrou, “it’s something that a man of your sort can understand most likely, but, since the order of the world is shaped by death, mightn’t it be better for God if we refuse to believe in Him and struggle with all our might against death, without raising our eyes toward the heaven where He sits in silence.” Tarrou nodded. “Yes. But your victories will never be lasting; that’s all.” Rieux’s face darkened. “Yes, I know that. But it’s no reason for giving up the struggle.”
\n
\n
— Albert Camus,The Plague
\n
\n
— Charles Schulz, Peanuts, May 11, 1956
\n
\n
—
\n
Philip Larkin, “An Arundel Tomb”
\n
\n
I used to be the guy that had to collect the supermarket carts.
Kids these days don’t know how easy they’ve got it. We used to have to get in fist fights, play chicken in our parents’ cars, have unprotected sex, and drink to excess to prove we weren’t afraid to die. They just have to go outside and breathe.
Kids these days don’t know how easy they’ve got it. We used to have to get in fist fights, play chicken in our parents’ cars, have unprotected sex, and drink to excess to prove we weren’t afraid to die. They just have to go outside and breathe.
You can sponsor a rat and you will get adorable personalized emails telling you how well “your” rat is doing! I did this for my sister a few years ago and she’s still getting emails about Martok the HeroRat’s mine-clearing successes and called it the best gift ever.
Saw it written and I saw it say \nPink moon is on its way \nAnd none of you stand so tall \nPink moon gonna get ye all \nAnd it’s a pink moon \nHey it’s a pink moon \nPink, pink, pink, pink, pink moon \nPink, pink, pink, pink, pink moon
I saw it written and I saw it say \nPink moon is on its way \nAnd none of you stand so tall \nPink moon gonna get ye all \nIt’s a pink moon \nYea, it’s a pink moon
The man in one nineteen takes his tea all alone. Mornings we all rise to wireless Verdi cries. I’m hearing opera through the door. The souls of men and women, impassioned all. Their voices climb and fall; battle trumpets call. I fill the bath and climb inside, singing.
He will not touch their pastry But every day they bring him more. Gold from the breakfast tray, I steal them all away And then go and eat them on the shore.
I draw a jackal-headed woman in the sand, Sing of a lover’s fate sealed by jealous hate Then wash my hand in the sea. With just three days more I’d have just about learned the entire score to Aida.
Holidays must end as you know. All is memory taken home with me: The opera, the stolen tea, the sand drawing, the verging sea, all years ago.
”So I feel like this is the perfect time for a film like this. I feel like the film has become more important and more relevant today, which is a sad thing.” \n
It wasn’t until after Marvel Comics: The Untold Story was published that I saw the photographic evidence \nof that cigar. Please print out Photo #7 and insert it between pages 108 and \n109 of the book!
\n
\n
Jack Kirby left Marvel Comics 50 years ago.
From Marvel Comics: The Untold Story:March 6, 1970, was a Friday. The ghosts of the sixties still clung. The Beatles, publicly together but having already broken up behind closed doors, released the single “Let It Be” that morning. In Greenwich Village, a few minutes after 12 noon, members of the radical group the Weathermen accidentally detonated a bomb they were building, razing their town house headquarters. Uptown, in Marvel’s offices, Captain America #128, in which a biker gang named Satan’s Angels provided se- curity for an Altamont-like rock festival, was in production. Shortly after Jack Kirby’s pages for Fantastic Four #102 were delivered into Lee’s hands, the phone rang at 635 Madison Avenue. “Jack’s on line two,” Stan Lee’s receptionist called out.A few minutes later, a stunned Lee called in Sol Brodsky, and then Roy Thomas. The just-delivered Fantastic Four pages sat on Lee’s desk, still carrying the scent of the Roi-Tan Falcon cigars that Kirby smoked at his drawing board.The King was leaving Marvel.As soon as the news reached John Romita, he walked into Lee’s office and asked if they’d be canceling the Fantastic Four. No, said Lee—you’re going to do it. “Are you crazy?” Romita asked, but finally accepted. “I did it under extreme duress because I felt inadequate,” he recalled later. “It was like trying to raise somebody else’s child.” John Buscema had an even stronger reaction. “I thought they were going to close up,” he recalled. “As far as I was concerned, Jack was the backbone of Marvel.”Somebody found one of the cigar butts that Kirby had left behind on his last visit to the Bullpen. “Marie Severin made a very elaborate plaque out of it,” Trimpe later recalled, “labeling it ‘Jack Kirby’s Last Cigar at Marvel,’ with fancy scroll work on it.” She hung the plaque on the wall. It read, “Kirby Was Here.”
“The problem with people who have no vices is that generally you can be pretty sure they’re going to have some pretty annoying virtues.”Elizabeth Taylor , 1964
“Twenty-five years ago I was working as a reporter when I received a tip from a police detective in Belgium. He’d been working to break up a child pornography ring, but suddenly the case was closed by his bosses. The order had come from the mayor. He was so upset that the case had been squashed that he mailed us some of the evidence. We received two black-and-white stills from a surveillance camera. They featured a man. We knew that his name was Robert, he lived in the south of Holland, and he operated by feeding hungry kids in order to abuse and film them. We searched all over for Robert. We showed the photos to all our sources connected with these networks. And after months of searching, we finally discovered him living just a few kilometers from my house. We rang his doorbell, told him some bullshit story, and got inside. There were piles of VHS tapes everywhere. We waited until he went to the bathroom and grabbed as many as we could. They contained all the horrible things you could imagine. We called Robert in to our offices, showed him the tapes, and he started pointing fingers at other people. A giant ring was uncovered. And one of the people that Robert accused was named Mr. Norbert. We discovered him in one of the videos. He was only visible in four or five frames. And do you know who he was? The brother of the Belgian mayor who squashed the original investigation.” (Amsterdam, The Netherlands)
It’s cleaning time again only instead of using just the faucet I decided to try the shower head instead. I left him like this for 20 mins while I cleaned out and scrubbed his cage.
\n",
"date_published": "2019-09-30T21:35:06-04:00",
"url": "https://genegualtieri.com/2019/09/30/gallery-fantastic-my.html",
"tags": ["Tumblr","Gallery"]
},
{
"id": "http://genegualtieri.micro.blog/2019/04/23/heres-how-turbotax.html",
"title": "Here’s How TurboTax Just Tricked You Into Paying to File Your Taxes",
"content_html": "
\n",
"date_published": "2019-01-21T16:12:10-04:00",
"url": "https://genegualtieri.com/2019/01/21/why-doctors-hate.html",
"tags": ["Tumblr","Computers","Software"]
},
{
"id": "http://genegualtieri.micro.blog/2019/01/21/the-synchronized-vibrations.html",
"title": "The synchronized vibrations of matter could provide an answer to the mystery of consciousness",
"content_html": "
\n",
"date_published": "2019-01-21T16:10:47-04:00",
"url": "https://genegualtieri.com/2019/01/21/the-synchronized-vibrations.html",
"tags": ["Tumblr","Science"]
},
{
"id": "http://genegualtieri.micro.blog/2019/01/21/setting-a-maximum.html",
"title": "Setting a maximum wage for CEOs would be good for everyone",
"content_html": "
\n",
"date_published": "2019-01-21T16:08:47-04:00",
"url": "https://genegualtieri.com/2019/01/21/how-the-western.html",
"tags": ["Tumblr","Food"]
},
{
"id": "http://genegualtieri.micro.blog/2019/01/21/the-present-phase.html",
"title": "The Present Phase of Stagnation in the Foundations of Physics Is Not Normal",
"content_html": "
\n",
"date_published": "2019-01-21T16:07:25-04:00",
"url": "https://genegualtieri.com/2019/01/21/the-present-phase.html",
"tags": ["Tumblr","IFTTT","Instapaper"]
},
{
"id": "http://genegualtieri.micro.blog/2019/01/21/science-is-getting.html",
"title": "Science Is Getting Less Bang for Its Buck",
"content_html": "\n
Sully, you’re not supposed to name it. Once you name it, you start getting attached to it. Now put that thing back where it came from or so help me! Monsters, Inc. (2001) dir. Pete Docter
\n",
"date_published": "2018-09-17T21:01:00-04:00",
"url": "https://genegualtieri.com/2018/09/17/soundsof-bob-dylan.html",
"tags": ["Image","Tumblr"]
},
{
"id": "http://genegualtieri.micro.blog/2018/09/10/what-workingclass-and.html",
"title": "What Working-class and Poor White People Need to Understand About Rich White People",
"content_html": "
ift.tt/2BJB7F9 September 2, 2018 at 11:18AM \nvia Instapaper
I have known the inexorable sadness of pencils,\nNeat in their boxes, dolor of pad and paper weight,\nAll the misery of manilla folders and mucilage,\nDesolation in immaculate public places,\nLonely reception room, lavatory, switchboard,\nThe unalterable pathos of basin and pitcher,\nRitual of multigraph, paper-clip, comma,\nEndless duplicaton of lives and objects.\nAnd I have seen dust from the walls of institutions,\nFiner than flour, alive, more dangerous than silica,\nSift, almost invisible, through long afternoons of tedium,\nDropping a fine film on nails and delicate eyebrows,\nGlazing the pale hair, the duplicate grey standard faces.
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"date_published": "2018-08-24T10:13:09-04:00",
"url": "https://genegualtieri.com/2018/08/24/dolor-by-theodore.html",
"tags": ["Tumblr"]
},
{
"id": "http://genegualtieri.micro.blog/2018/08/20/facebook-and-nyu.html",
"title": "Facebook and NYU researchers aim to use AI to speed up MRI scans",
"content_html": "
Hanover and Berlin-based art duo Quintessenz recently completed a large-scale installation for the newly funded Paxos Contemporary Art Project, which is currently taking place on the island of Paxos in the Adriatic sea. Although designed to be appreciated and enjoyed in person, the images of their intervention created inside of a 400-year-old ruin are quickly becoming viral due to the work’s strong contrast against the historic setting.\n
Similar to the Paradis Perdus piece, their latest intervention in Greece used the architectural structure to emphasize the effect of their creation. Like digital abstract images somehow transferring into the real world, both these pieces employ color shades and different size layers to create depth and perspective illusion. Appearing bigger and smaller depending on the observer’s movement, they leave room for individual experiences of these interfaces between analog and digital worlds. Although exceptionally photogenic, the artists’ idea is to enjoy these works in person. “We hope that the visitors of our work leave their mobile phone cameras in their pockets for a moment and simply enjoy the light and the translation of the wind in the material,” Quintessenz explains.
“A flaneur is a wanderer through the city. Someone, who…idles through the streets without a purpose…except to idle through the streets. And linger when it, when it…pleases him. He has no work…if he’s the real thing.”
— Ned, in his rare talkative period during the days from which the play takes its title and on the word that foretells his future son’s name and life pattern.
- was an incredible chef and writer beloved by so many
- very open about his struggles with drug use and abuse as well as depression, and in testimonials from fans used to encourage people he met in their struggles to get clean
- an outspoken and passionate advocate for the “me too” movement, to the point where he penned an essay highlighting the horrible treatment of women in the food industry and his own failings and regrets in that regard for not speaking out against it sooner
- frequently challenged western views on the countries and places he visited; one of the clearest examples i can think of was an episode of parts unknown set in iran where the highlight was the normalcy of the lives of people who live there - he went bowling with them, for example, and spent an hour calling out the bizarre westernized views of iran and it’s people as tragic, war-torn and oppressed.
- spent so much time focusing on the people in the places he visited. he ate at their homes, in their backyards, anywhere they would like him to, as much (if not more) as he did at fine dining restaurants. he was generous and kind, and the show was never about “poverty porn” but rather about showing that these are real people, with real lives just like ours, and treated them with respect and graciousness.
- was an outspoken trump-hater particularly when it came to immigration rights, discussing the impact that mexican immigrants had on his love of cooking and his desire to be a chef.
- someone asked what tony would cook for trump & kim jong un if he was asked to cater their meeting and he said “hemlock”.
- a friend of obama’s, having dined with him many times before; when someone asked if he would do the same with trump tony said: “Absolutely f—ing not. I’ve been a New Yorker most of my life… I would give the same answer that I would have given 10 years ago, when he was just as loathsome.”
in short he was a beautiful and inspirational person and i sincerely hope this side of him is remembered just as much as the tragedy of his passing.
“Romper Room’s attractive hostess has a wonderful way of working your selling message into the program’s material–thus insuring full sales impact” (1953)
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"date_published": "2018-06-08T07:18:43-04:00",
"url": "https://genegualtieri.com/2018/06/08/wordfromoursponsor-romper-rooms.html",
"tags": ["Image","Tumblr"]
},
{
"id": "http://genegualtieri.micro.blog/2018/06/06/is-using-honey.html",
"title": "Is using honey bad? It would be hard for me to give that up because I love it so much.",
"content_html": "
16 oz of honey requires 1152 bees to travel 112,000 miles and visit 4.5 million flowers.
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Most of the honey we get at supermarkets and stores don’t come from natural hives.
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Honey is an animal product, produced when bees digest nectar they have collected and then regurgitate it. It is an animal product, just like an egg or milk. Yes, a bee is an insect and not technically considered an animal by many people, but a bee’s body changes the composition of what it ingests, just like other animals.
However, there is another reason vegans won’t eat honey, and that is because it is harmful to another living creature. According to Daniel Hammer, bees do experience pain and suffering while they are being exploited for their products (not just honey but also beeswax, royal jelly, and more). There is simply no way beekeepers, humane or otherwise, can avoid harming or killing bees while they are extracting the bees’ products. Many vegans choose their lifestyle because they wish to avoid harming any other creature, and so they choose not to eat honey.
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Check out this couple of articles that are pretty complete about everything around this topic :)
3 Reasons Not to Eat Honey > This one explain about the environmental damage and how we are killing the bees.
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As a beekeeper, let me say the following.
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As a vegan, you depend upon beekeeping. It doesn’t matter if you never use beeswax or eat honey. You still depend on beekeeping. It is absolutely impossible not to.
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Because here’s the secret; you know all those delicious fruits and vegetables you eat? You wouldn’t have them if it wasn’t for bees, and here’s another secret; those bees were probably either kept by the farmer who grew them for the purpose of pollinating his/her crops, or moved to the farm during pollination season by a beekeeper.
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If you’ve ever eaten a cherry, almond, blueberry, tomato, melon, squash, raspberry, strawberry…hell, most fruits or veggies…you’ve benefited from beekeeping. There is simply no way to avoid it. If you leave it up to whatever pollinators happen to stop in from the surrounding area, your yields will suffer dramatically, which means less produce and less money for the farmer. Therefore, the easy and universally preferred method is to plop a few hives on the property. The girls will make sure that just about every last almond/cherry/blueberry flower is pollinated (They’re VERY good at what they do) and you can happily harvest a bumper crop. This is a universally used practice among food producers.
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And do you know the best way to help make sure the bees survive?
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Keep them. Organically, without using any chemicals. And here’s a secret about beekeeping; you inspect the hives whether or not you take honey, to make sure the bees are healthy and doing well. (There are mites and diseases that can severely harm bees, and even as an organic beekeeper who doesn’t use chemicals on her girls there are methods I use to prevent/treat things like varroa mite infestation that can kill an otherwise healthy hive).
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And yes, when you open a hive to inspect it, you might crush one or two bees. But tell me, honestly, that you’ve never killed an insect. Bees themselves will kill sick/non productive members of the hive to ensure the health of the hive as a whole; I don’t see how my accidentally squishing one to ensure the health of the other 50,000 is any different.
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And this is what all beekeepers do. And if you, as before mentioned, ever eat anything that isn’t grain-based, this is what took place to put that food on your plate.
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I would also like to point out that bees will store as much honey as they possibly can…which usually ends up being waaaaay more than they actually can use. To survive a log Iowa winter, my bees need about 100 lbs of honey per hive. Well, last year one hive had TWICE that. (I took 50 pounds, leaving them MORE than enough to get through the winter. I just checked on them today; they’re alive and healthy).
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You are NOT hurting them by taking a little honey for yourself, no more than you already are by looking in on them every two or three weeks to make sure they’re healthy.
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And again, if you ever eat any fruits or veggies, SOMEONE IS ALREADY KEEPING BEES TO POLLINATE THEM AND INSPECTING THEM TO MAKE SURE THEY’RE HAPPY AND HEALTHY.
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KEEPING BEES IS NOT WHAT IS KILLING BEES IT IS WHAT IS SAVING BEES.
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WITHOUT BEES YOUR VEGAN DIET IS IMPOSSIBLE.
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WITHOUT THAT “EVIL” EXPLOITATION OF BEES YOUR VEGAN DIET IS IMPOSSIBLE.
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AGAIN, BEEKEEPING IS WHAT IS SAVING BEES NOT KILLING THEM.
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SO IF YOU EAT A LITTLE HONEY IT IS HONESTLY NO WORSE THAN EATING SOME ALMONDS AND FRUIT SALAD.
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“Drops mic”
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Why can’t bees be protected without taking the honey they produce? I’m all for their protection and I didn’t born yesterday, I know that without bees we all gonna die, but why is it mandatory to steal their honey?
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Yeah, that made no sense… You can keep bees without stealing from them. You can keep horses without riding them. You can keep dogs without abusing them. Do people really not get this?
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Again, you don’t seem to be getting this.
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Yes. You can keep bees without taking honey from them. But, as I said before, you’re ALREADY in the hive checking for diseases and pests. That, if anything, is what causes bees stress, not you taking a frame or two of honey (each frame of honey can hold 15 pounds!).
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Also, there’s a REASON you take honey from bees, not just because you want to eat it.
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See, like I said before, bees will store as much honey as they can. It’s instinctive. However, there’s only so much room in a hive to put stuff, and honey isn’t the only thing in a hive. They also need room to raise brood, store pollen, ect. Now, if they run out of room, they’ll start feeling overcrowded, which will trigger swarming activity. You can, of course, add more supers (boxes) to the hive, but there’s a limit on how many workers one queen can produce, and you don’t want more supers than they can police, even if all of them are stuffed full of honey. That way lies pests and raiding. So, what we want to do is make sure that they don’t feel overcrowded, while making sure that they don’t have more room than they can take care of.
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When bees feel overcrowded, they swarm. When they swarm, they raise a new queen. The old queen and half the bees will then leave to try and find someplace to start a new hive. 90% of swarms die. As a beekeeper, you don’t want this.
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You can, of course, purposefully let them start raising a new queen and then split a new hive off of the old one if you want to. I’ve done this myself. But this is not always desirable, for many reasons (no more room for more hives, can’t take care of more, don’t have a spare hive body on hand, ect.) There’s also the fact that a recently swarmed hive is susceptible to raiding by wasps/skunks (skunks LOVE to raid hives, the little bastards) or mice, as half the bees that would have defended it before are now gone. You don’t want this either; raiding can kill a hive as quick as disease or pests. (This is why I keep a VERY close eye on any hives that I’ve recently split, and have taken potshots at skunks in the backyard with a slingshot before. Not to kill them, just to scare them off.)
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If you don’t want them to swarm, the easiest way to keep them from feeling cramped and give them a little new breathing room is to pull a few surplus honey frames they’ve filled up and replace them with empty frames. The girls will then happily go back to work filling the new empty frames with honey or brood or whatever they decide needs to go in all that new space. They don’t feel crowded any longer, the hive doesn’t swarm and stays strong, everyone’s happy.
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And what, then, am I supposed to do with these three frames of honey I pulled? Throw them away? Hell no. That’s 30-40 pounds of delicious, right there.
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Humans and bees have what’s called a symbiotic relationship. We both benefit from the arrangement. Don’t diss things if you don’t understand how they work.
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And, one more time…keeping bees is necessary for your vegan diet to remain viable. A beekeeper is going to inspect all of those hives anyway, which is the most stressful part of beekeeping for the bees. You are, with your eating habits, (and by that I mean ‘really just eating’, because there’s NO diet that doesn’t rely on beekeeping) reliant on this practice. Taking a frame or two of honey is the LEAST stressful part of inspecting a hive for the bees.
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Source; have kept bees organically for 10 years, help other hobbyists in the area who want to start keeping bees. Garden organically. Generally Actually Know Where My Food Comes From And What It Takes To Get It On My Plate.
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"date_published": "2018-03-21T21:50:52-04:00",
"url": "https://genegualtieri.com/2018/03/21/gallery-vintagegeekculture-prez.html",
"tags": ["Tumblr","Gallery"]
},
{
"id": "http://genegualtieri.micro.blog/2018/03/18/jack-kirby-the.html",
"title": "Jack Kirby: The comic book artist finally gets the recognition he deserves",
"content_html": "
Jack Kirby: The comic book artist finally gets the recognition he deserves
Jack Kirby: The comic book artist finally gets the recognition he deserves\n",
"date_published": "2018-03-18T17:41:51-04:00",
"url": "https://genegualtieri.com/2018/03/18/jack-kirby-the.html",
"tags": ["Tumblr","Link"]
},
{
"id": "http://genegualtieri.micro.blog/2018/03/10/soundsof-sunset-strip.html",
"content_html": "
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"date_published": "2018-03-07T16:33:40-04:00",
"url": "https://genegualtieri.com/2018/03/07/gallery-stuckinreversemode-breakfast.html",
"tags": ["Tumblr","Gallery"]
},
{
"id": "http://genegualtieri.micro.blog/2018/03/05/founder-of-tower.html",
"title": "Founder of Tower Records dies at 92 while drinking whiskey and watching the Oscars.",
"content_html": "
“Ironically, he was giving his opinion of what someone was wearing that he thought was ugly, then asked (his wife) Patti to to refill his whisky,” Solomon’s son, Michael Solomon, told the newspaper. When his wife returned, the music retail legend had died.” From the Sacramento Bee, March 5
In the scene where Johnny and Baby are practicing dancing, and she keeps laughing when he runs his arm down hers, it was not part of the scene; she was actually laughing and his frustration was genuine.
“I’m reminded also of the three rules we came up with, rules to live by. And I’m just going to tell you what they are because they come in really handy. Because things happen so fast, it’s always good to have a few, like, watchwords to fall back on. And the first one is: One. Don’t be afraid of anyone. Now, can you imagine living your life afraid of no one? Two. Get a really good bullshit detector. And three. Three is be really, really tender. And with those three things, you don’t need anything else.” - \n
Laurie Anderson, with ‘Laurie and Lou Reed’s rules to live by
Today, we honor groundbreaking actress Nichelle Nichols.
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Nichelle Nichols (born Grace Dell Nichols on December 28, 1932 in Robbins, Illinois, near Chicago) made her mark as the first African-American woman to be cast in a major television series. Nichols played Lieutenant Uhura on Star Trek until the series ended in 1969.
Nichols’ Star Trek character, one of the first African American female characters on American television not portrayed as a servant, was groundbreaking in U.S society at the time. Martin Luther King, Jr. personally praised her work on the show and asked her to remain when she was considering leaving the series.
After her run with Star Trek, she was invited to participate in a NASA initiative to recruit women and minorities for their space program. In addition to acting, Nichols had an expansive singing career as well, releasing two albums and singing alongside of Duke Ellington and Lionel Hampton.”
It’s no In a Lonely\nPlace (Humphrey Bogart’s best noir sez me) but this is such a fun film. The dialogue\nis a bit stylized, it can’t help but pay homage to the B-movies of\nthe 40’s and 50’s. And that makes it even more fun. Hurt is not as dim as he\nappears, he’s about half dim but thinks he’s smart. Sorta like some blogger\nwhose name rhymes with Merpentine Melton. Brilliant cameo by Mickey Rourke, you\ncannot take your eyes off him. You’ll enjoy this movie or I will refund you the price of this review.
What were you like at 15? What do you remember? You took a short walk to the commuter rail with your buddy; together you rode the train into town. Then a transfer to the Broad Street Line to the stadiums. Excited. A bit anxious, is this really happening? The train cars are jammed. What is that smell? Oh, yeah. Do you want some…ah no. Thanks. Always polite. Walk a few blocks around barricades and pissed off cops. Philadelphia cops always seemed pissed off at concerts. Hell, they just always seemed pissed off back then.
Into the Spectrum, hazy with smoke. A few hippies tossing frisbees but mostly we all stood around waiting. If there was a support act you can’t recall who they were. Besides, who could open for Zeppelin? Nobody.
And when they hit the stage it was…it was like this recording . How The West Was Won is an extraordinarily faithful representation of the Zep you saw and heard. They were so darn tight and, well, they were magnificent .
And yes, you’re right, Percy does appear to be channeling the song “Bali Ha’i” from South Pacific at the intro to “Immigrant Song”. Yeah, I always thought so, too. So, tell your friend to lighten up, listening to show tunes doesn’t make you uncool.
I do a dozen other things that make me uncool, my show tune knowledge is not among them.
Muhammad Ali celebrating with Malcolm X at the Hampton House in Miami after he won the World Heavyweight Championship against Sonny Liston on February 25, 1964.
21 pound standing ribeye roast from @dibrunobros. Next time I’ll start about 90 minutes earlier, but it came out pretty great. #christmaseve (at Fitler Square, Philadelphia)
This Christmas Eve people all over the world will log on to the official Santa Tracker to follow his progress through U.S. military radar. This all started in 1955, with a misprint in a Colorado Springs newspaper and a call to Col. Harry Shoup’s secret hotline at the Continental Air Defense Command, now known as NORAD.
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Shoup’s children, Terri Van Keuren, 65, Rick Shoup, 59, and Pam Farrell, 70, recently visited StoryCorps to talk about how the tradition began.
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Terri remembers her dad had two phones on his desk, including a red one. “Only a four-star general at the Pentagon and my dad had the number,” she says.
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“This was the ‘50s, this was the Cold War, and he would have been the first one to know if there was an attack on the United States,” Rick says.
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The red phone rang one day in December 1955, and Shoup answered it, Pam says. “And then there was a small voice that just asked, ‘Is this Santa Claus?’ ”
Analemma. The sun’s position in the sky, photographed from the same location at the same time of day throughout a year, forms an analemma. This shows the sun’s apparent swinging from its northernmost position, at the analemma’s uppermost point, at summer solstice, to its southernmost position/lowest point, at winter solstice.
Kate Bush, cowgirl packing heat! Copenhagen, April 26, 1979, by Jorgen Angel. “It was a fantastic show. Half concert, half theatre - great for a photographer. We had no idea it would be her only tour. I am happy to have witnessed it. What a performer!”
“No, seriously, it’s stuck in my hair.” “How can it be—?” “It’s just stuck, okay? I think one of your bananas got hooked. Try wiggling.” “I am, but it’s like it’s glued on or something. What do you have in your hair?” “Aqua Net, alright? If you must know, I used Aqua-Net in my hair this morning.” “Why—?” “Because I was in a hurry and it was all I could find, okay?” “Still stuck. Try pulling harder.” (pause) “I can’t.” “Well, why not?” (pause) “Because this isn’t my real hair.”
God seems to have a kind of laid-back management style I’m not crazy about. I’m pretty much anti-death. God looks by all accounts to be pro-death. I’m not seeing how we can get together on this issue, he and I…
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David Foster Wallace, Infinite Jest (via quotespile)
When you’re sad just remember that David Bowie grooving to Aretha Franklin’s ‘Natural Woman’ in the backseat of a limo cruising around the California desert actually happened. (x)
Xan-dar, Goddess of Burnt Orange, we bring you the sacrifices you requested. A poorly knitted bag made from the feathers of a thousand Crontharrs. The coiled, tumorous gonads of a Granthuum Beast. And a basket of mums. We beseech thee, please. May we wear blue again?
The Who, 1971: Who’s Next cover shoot with Keith Moon, by Ethan Russell. Keith in lingerie was obviously abandoned for the cover, but was featured prominently in advertising.
“Any society that allows people like Lou and me to become rampant is pretty well lost. We’re both pretty mixed-up, paranoid people, absolute walking messes. If we’re the spearhead of anything, we’re not necessarily the spearhead of anything good.” ~ David Bowie to assembled journalists here at London’s Dorchester Hotel, July 16, 1972, by Mick Rock.\n
For those wondering, these drawings are of “pink elephants”, alcohol induced hallucinations (elephants, spiders or other bugs, frogs and snakes were the most stereotypical depictions of the hallucinations). Homemade/bootleg alcohol could be very strong (not to mention unclean - the stills could become tainted by metal and prohibition officers reported finding things like rats floating in them). Because it was made on the sly it wasn’t always easy to tell how strong each batch might be, so alcohol poisoning wasn’t infrequent. Then there was the danger of methanol poisoning. While the “pink elephants” shown here were hallucinations seen while highly intoxicated, they were also (probably more so) associated with delirium tremens, which can come with withdrawal from sustained periods of alcohol abuse.
And when I went to see the players when they toured England, they always looked so cool. It was kind of a scene where you wear suits and ties; they dressed up to go onstage, and it was a serious business. I was very impressionable, they had a big influence on me. Bryan Ferry
It’s a terrible thing, I think, in life to wait until you are ready. I have this feeling that actually no-one is ever ready to do anything. There is almost no such thing as ready. There is only now.
“This is the original Hard Rock Cafe in Downtown, LA. It opened in the 30’s. After the Morrison Hotel album photo shoot, Jim wanted to get a drink, so Henry and The Doors headed for Skid Row where there were plenty of bars, including this one. A picture of this bar was on the back of their album, which led to a phone call from London asking to use the name for a new cafe: ‘The Hard Rock Cafe.’”
You’re not the boss of me, Jack. You’re not the king of Dirk. I’m the boss of me. I’m the king of me. I’m Dirk Diggler. I’m the star. It’s my big dick and I say when we roll.
Lyle Waggoner screen tested for the role of Batman in the sixties TV show. It was down to him and Adam West. He did fine, but I think his instincts were to underplay, let the costume do the work, when he should have “gone big.”
Upside to tearing apart the living room for FIOS install: found prized 1987 RS cover with Bowie that used to live on dorm room door. (at Fitler Square, Philadelphia)
I’m dead at his face in the last one like “Did you even try?”
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And then when he gets pushed he’s like “Wait no let him try!”
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his composure is just everything I aspire to be
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OMG IT’S BACK!
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CHARLES IS THE BEST OMG
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Like how he stands there as if, “Okay, I’ll be perfectly still and we’ll see if you can hit me this time. Come on, it is like I’m giving you a head start.” He’s more annoyed with his cuff link than the wanna be assassin.
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FOREVER REBLOGGING THIS.
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THIS is how you deal with terrorists
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Even if you go down you did it with dignity.
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You all do know who his mother is right? You know the woman who stayed home during the bombing of London and drove Jeeps in WW2. They are trained to be final boss overlord level composed at age 2.
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U don’t fuck with the Queen
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His sister, Princess Anne, was the victim of an attempted kidnapping. The guy pointed a gun at her and told her to get out her car. She replied: “Not bloody likely.” And tried to kick him.
“Now, pay attention, 007; I shan’t have to explain it to you twice. You’ll exit the aircraft at three-thousand feet, using the attached bat-wing cowling and wireframed trousers to float onto the roof of the embassy. The safe is in the study on the third floor. Once you’ve retrieved the plans you simply remove the cowling and stride into the ambassador’s dinner as if you’re queen of the ball.“ “I don’t know…drag isn’t usually my thing…” “How about I throw in a Maribou Shrug?” “Done.”
Kathy Kohner, the girl surfer better known by her nickname, Gidget. Her life inspired several films, but most of them left out that she was tough, liked to smoke cigarettes, and swore every other word.
“In 1971, virtuoso cartoonist Jack Kirby took note of the growing power of fundamentalist religion in the U.S., and satirized it in an issue of ‘Forever People.’ Kirby was one of the 1st to notice elements of fascism in the mega-media religion which emerged in the late 1960’s.”
“The Devil & The Angel (Joan Jett & Deborah Harry)” by Scott Weiner (Philadelphia, 1979). This is a phenomenal new scan from the photographer’s site – be sure to click to enlarge!
This is the very first website created on the internet. It was set up by British physicist Tim Berners-Lee in 1989. Berners-Lee was interested in finding a way for scientists in universities and research institutes to easily share data and ideas. He probably didn’t imagine the internet like it is today.
On this day in 1935 Jesse Owens set 3 World Records and tied another in what is called the Greatest 45 Minutes Ever In Sports.
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It still looks like a misprint.
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Four world records in three-quarters of an hour. Not 45 weeks or 45 days but 45 minutes.
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Eighty years ago on May 25th, at the 1935 Big Ten Track and Field Championships in Ann Arbor, Mich., Jesse Owens didn’t rewrite the record book – he tore it up.
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In less than an hour, the 21-year-old Ohio State sophomore tied the world record in the 100-yard dash and then set the world record in the long jump, the 220-yard dash and the 220 low hurdles.
Before he was Commander Riker (and a pretty decent director) Jonathan Frakes was a guest star on almost every single show of the late 70s and early 80s. The Waltons, Dukes of Hazzard, Charle’s Angels, Falcon Crest, and Matlock.
Rock stars with their parents from Life magazine, 1971. \nFrank Zappa, Grace Slick, Donovan, the Jackson 5, Eric Clapton, David Crosby, Elton John, Ginger Baker and Joe Cocker. Photos by John Olson.
David Bowie & Twiggy, from the cover shoot for Bowie’s Pin Ups, 1973, by Justin de Villeneuve.
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“[Twiggy and I] met Bowie a few times socially, and he mentioned that he wanted to be the first man on the cover of Vogue. I called them to suggest this, with Twiggy, of course, and after a bit of a hoo-ha, they agreed.
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Bowie was working on Pin Ups in Paris, so we flew there to do the shoot. When Twigs and Bowie were together and lit up, I looked through the viewfinder and realised that David was pure white, whereas Twiggy was tanned from a holiday in Bermuda. There was a moment of panic because I knew it would look bizarre; but the makeup artist suggested drawing masks on them, and this worked out even better.
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I remember distinctly that I’d got it with the first shot. It was too good to be true.
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When I showed Bowie the test Polaroids, he asked if he could use it for the Pin Ups record sleeve. I said: ‘I don’t think so, since this is for Vogue. How many albums do you think you will sell?’ ‘A million,’ he replied. ‘This is your next album cover!’ I said. When I got back to London and told Vogue, they never spoke to me again.”
Bob Dylan, outtake from the cover shoot for Bringing It All Back Home, 1965, by Daniel Kramer.
“This is one of the shots I’ve been sitting on for 50 years. It has never been seen before. I wanted the shot to express the fact that Bob Dylan was about to change. He’s not the guy in the leather jacket any more. Now, he’s the guy in the dark sport blazer wearing nice cufflinks. There’s no guitar in the shot because I saw him not as any one kind of performer but as a prince of music. I had been in the sessions for the album, so I knew now who he was musically.
The photo was shot in Albert Grossman’s house. The room was the original kitchen of this house that’s a couple hundred years old. The fireplace is big enough to cook in. The divan, which was multicolored, was a gift from Mary Travers, of Peter Paul and Mary, to Albert and his wife, Sally, for their wedding. Bob contributed to the picture the magazines he was reading and albums he was listening to. Bob wanted Sally to be in the photo because, well, look at her! She chose the red outfit.”
“Silly Love Songs” was written as a rebuttal to music critics, as well as former Beatle and friend, John Lennon, accusing Paul McCartney of writing lightweight love songs.
The two structures back there were the symbol of the fair, the trylon and the periasphere.
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Fifty years after the fair \nThe picture I have is so clear Underneath the clouds in the air Rose the trylon and the perisphere And that for me was the finest of scenes That perfect world across the river in Queens
Since the President is still talking about the size of his electoral college victory, I figure this topic isn’t too stale.
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Among the enraging sentiments I see from Trump supporters on social media is this (paraphrasing): “Complaining about the popular vote margin is like complaining about a baseball game where your team loses even though they got more hits”.
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Let’s leave the sports metaphor aside for a minute. The point of this argument seems to be that the popular vote is irrelevant in light of the electoral college victory. However, every president, Republican and Democrat alike, will try to claim a “mandate” based on the size of their popular vote win. It clearly has weight when a newly elected president argues that the American people are behind his (or her :-( ) agenda. In fact, this matters so much that Trump tried to manufacture a popular vote win out of make-believe fraudulent votes. So, it’s more than a little hypocritical to tell those opposing Trump that the popular vote is irrelevant.
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As far as the sports analogy goes, here’s a news flash: The rules of baseball – like those of our country – are not immutable (see: http://www.baseball-almanac.com/rulechng.shtml). Baseball rules are changed for many reasons, but here the most relevant one is to make the game fairer. And while in baseball “fair” means balanced between offense and defense so that play of the game is more interesting, the analogy works for our country as well, where “fair” means democratic, just, and balanced between the national and regional popular will.
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So, if the outcome of our elections is repeatedly out of balance or unfair, it’s important to make it an issue because it may mean it’s time to change the rules.
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Sorry if these were obvious points. Apparently obvious points (and indisputable facts) bear a lot of repeating these days.
Because of the temporary stay on the federal travel ban,\nthere are currently potential crises at every international airport. Which\nairport is going to “enforce” the stay, i.e. not enforce the\nbrand-new ban? And which airport is going to allow travelers to complete their\nflights? There are real people in life or death situations.
\nAnd CNN goes to several minutes of preroll about Voters Who Support the\nPresident of the United States of America. Instead of filming the scene at\nairports right now, we get pundits on the phone and on the set, talking about\nwhat might theoretically happen over the next few days. Zero sense of what is\nhappening at the airport for people who are currently detained. The O’Reilly\nfill-in guy on Fox is talking about sanctuary cities and asking why “Democrats\nare so intent on protecting criminals?”
There is literally no excuse for the three national cable\nnetworks to not each have a camera crew ready to go at every international\nairport in the country. Our nation is in actual CRISIS mode is the\nbiggest news story in the world, and our media is still feeding us Lockdown reruns\nand documentaries about brass-rock bands of the early 1970s.
\nCan’t the US Media invest in the survival of the US?
When I first saw star wars vii i remember thinking how absurd it was that not even a century after the empire they’d let another fascist regime rise but you know what on second thought art imitates life
On Holocaust Remembrance Day, this twitter account is posting the names and photos (when available) of refugees turned away from America who became victims of Naziism. #NoBanNoWall #RefugeesWelcome
“In recent years, McGovern’s\nresounding defeat by Nixon in the elections has been cited frequently as proof\nthat no one to the left of center has a chance in presidential elections. But\nwhat I observed at the time was his desperate attempts to prove that he was not\nleft of center. Besides his timid refusal to take advantage of the opportunity\npresented him by the Vietnamese to dramatize his unambiguous opposition to the\nwar, here are some other examples that offended me during the convention and\nthat severely disillusioned his former supporters, Hoffman and Rubin. We\ncompared notes and this is how they expressed our combined knowledge in their\nbook Vote:
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Militants were\n“pissed off” that McGovern people deliberately “threw” the\nAlabama Black and South Carolina women’s challenges to aid in winning the\nCalifornia credentials fight.
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Gay people were\ndouble-crossed by the McGovern organization. Privately the gay delegates …\nwere told “we agree with you but …”
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When it came time\nfor the public debate on TV, the speaker against equal rights for homosexuals,\na McGovern spokeswoman, said freedom for gays would encourage “child molesting.”
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Women were again\nfurious that McGovern pressured delegates to vote against abortion reforms on\nthe platform. It was another of those “We agree with you privately, but .\n. .”
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The young\nMcGovern delegates felt manipulated by the organization. Attempts to weld all\nthe youth delegates into a self-conscious “youth caucus” were foiled.\n… “They don’t want the youth to come together as an organized power\nbloc,” complained one McGovern delegate.
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McGovern used his\nfloor whips, delegation leaders and an elaborate communications hookup from an\noutside trailer to the floor to successfully pressure supporters to vote\nagainst the $6,500 guaranteed minimum income proposed by the National Welfare\nRights Organization and originally backed by McGovern.
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After his nomination McGovern\npublished a full-page advertisement in the Wall\nStreet Journal in which he went to great lengths to prove to the financial/\ncorporate power elite that he was not “left of center” but their\nfriend and supporter.
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My opinion is that this turned out not to be a fair test of how far one can\ngo in imperialist wars and advocating basic changes in the society and still have\npopular support. It was more of a revelation of what the heads of the\nDemocratic Party and the corporate funders who have ties to both parties demand\nof the candidates. Knowing McGovern as I did, I don’t think he wanted to betray\nha own principles as much as he did, any more than I think that in that same\nyear Congressman Ron Dellums wanted not to go to Vietnam, when Cora Weiss and I\ninvited him to, to bring home a POW who was one of his own constituents.
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So maybe the cliché that no one left\nof center can win the presidency is right after all. Not because the public is\nnot ready to support such a candidate, if he is well grounded, personable and\nproperly presented to them, but because the Party heads, that financial backers\nand the media won’t allow it.”
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David Dellinger has words that are very relevant to the behavior of the Democratic Party in 2016 & 2017.
Neil Young, backstage at the Electric Factory, Philadelphia, by Joel Bernstein. The uncropped version of this photo was used in the gatefold of After the Gold Rush, the #20 best-selling US album of 1971.
“I call them clobber verses. There are six of them. They’re the verses that get used to hammer gay people. The funny thing is that I never felt pressured by God himself. Only his followers. But I desperately wanted God to change me. I didn’t want to be part of a group with so much shame attached to it. So I started praying in my twenties for God to make me straight. If I could have taken a pill, I would have. I joined the ministry. I got married. I told my wife that I’d had experiences with men, but I convinced both of us that I could choose to be different. I wanted to be normal. I wanted kids. I thought it was just a matter of commitment. I even tried to take reparative therapy classes—just to show her I was serious. They tried to teach me that homosexuality wasn’t real. They said that I’d just had an overbearing mother. But I couldn’t change. I kept slipping up. I couldn’t give my wife what she needed. My marriage ended. I had tried so hard but nothing worked. I got so angry with God for not keeping up his end of the bargain. But after some time, I finally realized why he wouldn’t change me. He never felt like he needed to.”
“Physical Culture” was a 19th Century movement that can best be described as “heavy gymnastics,” as in gymnastics with aspects of what we’d call weight training today.
The creator of the magazine was Bernarr MacFadden, who was a former circus wrestler turned publisher, kind of a nut, and maybe one of the most interesting people of the early 20th Century. Bernarr MacFadden wrote all kinds of works entitled things like Weakness: A Crime, Vitality Supreme, and my personal favorite, Virile Powers of Superb Manhood. Not only was he vegetarian and a compulsive exerciser, he also believed sex and free love was healthy. Lots of orgies were held in his “healthatoriums,” and he even founded a religious cult based on his health theories, “cosmotarianism.” Kind of like how people say Crossfit or veganism are kind of cultish today.
On a scifi pulp note, his publishing empire at one point owned Amazing Stories after 1931.
Macfadden was friends with Mussolini and Franklin Delano Roosevelt. When his daughter died of a heart condition, he said, “it’s better she’s gone; she only would have disgraced me.” On the other hand, he believed doctors were quacks, and though he claimed he would be the first man to live to be 150, he died because he refused antibiotics for a urinary tract infection.
“I grew up in the suburbs. I used to think that I could write a prescription for a poor man: ‘Get a job, save your money, pull yourself up by the bootstraps.’ I don’t believe that anymore. I was ignorant to the experiences of poor people. I’d invite anyone to come and meet the people who live in this neighborhood. Right now we are surrounded by working poor people. These are the people who sell your tools at Sears, and fix your roofs, and take care of your parents, and mow your lawns, and serve your meals. They’re not getting a living wage. There’s no money left to save. There’s nothing left if they get sick. Nothing left if their car breaks down. And God forbid they make a mistake, because there’s nothing left to pay fines or fees. When you’re down here, the system will continue to kick dirt in your face. You can’t pull yourself up when there’s nothing to grab onto. We aren’t paying our brothers and sisters enough to live. We want them to serve us, but we aren’t serving them.”
It’s been an emotional week. I wanted to share this encounter I had with a very hateful man on the Pittsburgh bus because it reminds me that there are brave people in this world. Let’s all do everything we can to stand up for each other.
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"date_published": "2016-11-07T23:40:30-04:00",
"url": "https://genegualtieri.com/2016/11/07/source-seanhowe.html",
"tags": ["Image","Tumblr"]
},
{
"id": "http://genegualtieri.micro.blog/2016/11/06/it-is-extremely.html",
"title": "it is extremely disappointing to see that you support clinton. i'm sorry, but it is. how can you write whole essays and shit about institutional racism and not see how hypocritical you're being by supporting her. you're too smart to pretend people ar",
"content_html": "
and then you said what you said. And inasmuch as a tweet means anything, now I’m saying this:
Hillary is guilty of being,
a white woman who, like all white people, was born blind and raised deaf to her complicity in America’s titanic system of domestic racism;
an ambitious person who, like all ambitious people, is fundamentally indifferent to those who have not chosen to enter the arena of combat with her;
a politician who, like all of them, says whatever is momentarily popular and maintains the most perfect silence on what everyone knows to be true;
and a Clinton who, like all Clintons, believes in nothing and is therefore capable of saying and doing whatever the given moment requires of them.
Now, I would argue this makes her barely more than a human person to begin with but, in addition to these qualities, she is also running for president. And a president is,
a three-dimensional hologram projected by bond traders, the military-industrial complex, the Constitution, the collective fears of white people older than 45, and, to the smallest possible degree, the idealism of the Declaration of Independence;
a golem summoned from the silt of international trade and this trade’s requirement that violence be restricted to economically unimportant branches of the human family;
a ghost who patrols the planet Earth, who maintains its status quo with prophecies of material wealth or else by spooky threats of ejection from the global order & exposure to the wolves that wait beyond its firelight.
This is what anybody who wants to become president is going to be. This fact is the ultimate tragedy of power, ambition, and civic virtue in America. No matter how idealistic you are, and Barack Obama was pretty idealistic as far as politicians go, if you become the President of the United States you’re gonna spend years being crushed in the most exacting mill of souls ever devised.
This is why ambitious people are pathetic and why presidents are pitiable above everyone else. It’s why power is a curse and how those who wield power are punished in exact proportion to their desire for it.
So it oughta be clear that I don’t have any great respect for Hillary in particular or for the presidency in general; but, because I’m a human being who needs the planet Earth in order to live, I have to pay a certain amount of attention to who wants the job.
And I also want revenge.
I want the evil cocklords in the Republican party to pay. I want every last one of them to feel the political norms they’ve betrayed return as glowing brands that burn both cheeks of their ass. I want Mitch McConnell to spend a long and pointless life screaming himself hoarse at a Supreme Court stocked with nine black pussyhaving, pussyloving justices. I want Paul Ryan to realize that Ayn Rand’s ‘philosophy’ was an endless rope of sand, and that his attempt to attain power by climbing it was one big, life-long jerk-off. I want Reince Priebus to feel the hook punch through his cheek and feel its line drag him down to the eternal abyss of shame, disgrace and oblivion as it follows the sinking corpse of Donald Trump. I want Roger Ailes to see a woman in the presidency.
But in the end, I hate Hillary for what she’s going to do as much as I hate myself for knowing she needs to do it. This is because, in the end, the concentration of carbon dioxide as measured in parts per million is more important than whether Hillary is woke, whether she gratifies my desire to punish, or whether she makes your skin crawl when she speaks. She is precisely the person who can successfully perform the revolting calculus of international power politics. And this is what has to be done if we’re going to hold the global temperature anomaly to one and a half degrees Celsius.
And make no mistake: she is going to kill people to do this. Whether this means protecting the Saudis as they wage their criminal war against Yemeni civilians so their insane royal family does not obstruct a post-petroleum world-order. Or whether this means fomenting a bloody coup against Filipino psychopath-in-chief Rodrigo Duterte to prevent him from becoming China’s boy in the South China Sea, hence preventing him from breaking up the precarious balance of peace American hegemony has maintained on the Pacific rim. Or whether it’s any of the hundred thousand other horrible things the United States will have to do to orchestrate a relatively peaceful transition from fossil fuels to whatever follows them. Because, and you should be under no illusions as to this point, global peace is presently maintained by the imminent threat of death from above as delivered by the U.S. Air Force. And preventing the worst excesses of climate change from killing millions of people as it also wipes away much of human civilization will require a certain level of global peace. Because if you think the Syrian refugee crisis was bad remember that it is the result of a single, smallish country disintegrating because agriculture was no longer possible there. Now imagine that everything south of the Himalayas has become unfarmable. Imagine the instability, war and genocide that a billion refugees would trigger.
Humanity will be relying for its survival on the most delicate of all the threads by which global politics is suspended: the absence of war. We have a global order capable of producing this, and Hillary is the person capable of pouring a great deal of innocent blood on the altar of its maintenance. Our existence on this planet is too tenuous, and the requirements for fixing climate change much too stringent to wait around for a global order that better pleases our sensibilities.
Don’t believe everything you read. The exploits you find in my comic are no more probable than snow in Sunnyvale. I’m not as black as you dream.
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But a body has to make a living. And I play the part better than any. I know the dangers of believing every shade of black you see.
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In this issue there’s a Mandingo of a man, dark like olives, voice as deep as a desert valley in the dead of night. He smiles as if he wants to bite your throat, holds back his teeth with those bubblegum lips that he can’t help but lick, leaving the thinnest film of saliva on the surface. He’s slick and he’s bold and he’s everything you imagine he should be.
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Sometimes, you want to be him, want to see yourself in the silver glean of his image and other times you want to be wanted by him. Crave his brand of desire, his form of righteousness, bringing a little black to the world one motherfucker at a time.
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No matter how three-dimensional he seems, know that behind every jive turkey uttered there is not a black mouth, but a white one, one that dictates who he calls Nigger, to temper the perfect tone of black.
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This is the cruelest trick. Even now, I’m defined by the borders of my panels, the hue of sienna ink, an assembly of lines, a rendering of man splayed across your page.
“I’m not Barack Obama. I’m not Bill Clinton. Both of them carry themselves with a naturalness that is very appealing to audiences. But I’m married to one and I’ve worked for the other, so I know how hard they work at being natural. It’s not something they just dial in. They work and they practice what they’re going to say. It’s not that they’re trying to be somebody else. But it’s hard work to present yourself in the best possible way. You have to communicate in a way that people say: ‘OK, I get her.’ And that can be more difficult for a woman. Because who are your models? If you want to run for the Senate, or run for the Presidency, most of your role models are going to be men. And what works for them won’t work for you. Women are seen through a different lens. It’s not bad. It’s just a fact. It’s really quite funny. I’ll go to these events and there will be men speaking before me, and they’ll be pounding the message, and screaming about how we need to win the election. And people will love it. And I want to do the same thing. Because I care about this stuff. But I’ve learned that I can’t be quite so passionate in my presentation. I love to wave my arms, but apparently that’s a little bit scary to people. And I can’t yell too much. It comes across as ‘too loud’ or ‘too shrill’ or ‘too this’ or ‘too that.’ Which is funny, because I’m always convinced that the people in the front row are loving it.”
“I was taking a law school admissions test in a big classroom at Harvard. My friend and I were some of the only women in the room. I was feeling nervous. I was a senior in college. I wasn’t sure how well I’d do. And while we’re waiting for the exam to start, a group of men began to yell things like: ‘You don’t need to be here.’ And ‘There’s plenty else you can do.’ It turned into a real ‘pile on.’ One of them even said: ‘If you take my spot, I’ll get drafted, and I’ll go to Vietnam, and I’ll die.’ And they weren’t kidding around. It was intense. It got very personal. But I couldn’t respond. I couldn’t afford to get distracted because I didn’t want to mess up the test. So I just kept looking down, hoping that the proctor would walk in the room. I know that I can be perceived as aloof or cold or unemotional. But I had to learn as a young woman to control my emotions. And that’s a hard path to walk. Because you need to protect yourself, you need to keep steady, but at the same time you don’t want to seem ‘walled off.’ And sometimes I think I come across more in the ‘walled off’ arena. And if I create that perception, then I take responsibility. I don’t view myself as cold or unemotional. And neither do my friends. And neither does my family. But if that sometimes is the perception I create, then I can’t blame people for thinking that.”
Pukka tends to evoke the height of 18th- and 19th-century British imperialism in India, and, indeed, it was first used in English at the 1775 trial of Maha Rajah Nundocomar, who was accused of forgery and tried by a British court in Bengal. The word is borrowed from Hindi and Urdu “pakkā,” which means “solid.” The English speakers who borrowed it applied the “sound and reliable” sense of “solid” and thus the word came to mean “genuine.” As the British Raj waned, “pukka” was occasionally appended to “sahib” (an Anglo-Indian word for a European of some social or official status). That expression is sometimes used as a compliment for an elegant and refined gentleman, but it can also imply that someone is overbearing and pretentious. These days, “pukka” is also used as a British slang word meaning “excellent” or “cool.”
I read in the paper that my brothers are being thrown from rooftops blindfolded with their hands tied behind their backs for violating sharia law. I heard the crowds stone these fallen men if they move after they hit the ground. I heard it’s in the name of God. I heard my pastor speak for God too, quoting scripture from his book. Words like abomination popped off my skin like hot grease as he went on to describe a lake of fire that God wanted me in. I heard on the news that the aftermath of a hate crime left piles of bodies on a dance floor this month. I heard the gunman feigned dead among all the people he killed. I heard the news say he was one of us. I was six years old when I heard my dad call our transgender waitress a faggot as he dragged me out a neighborhood diner saying we wouldn’t be served because she was dirty. That was the last afternoon I saw my father and the first time I heard that word, I think, although it wouldn’t shock me if it wasn’t. Many hate us and wish we didn’t exist. Many are annoyed by our wanting to be married like everyone else or use the correct restroom like everyone else. Many don’t see anything wrong with passing down the same old values that send thousands of kids into suicidal depression each year. So we say pride and we express love for who and what we are. Because who else will in earnest? I daydream on the idea that maybe all this barbarism and all these transgressions against ourselves is an equal and opposite reaction to something better happening in this world, some great swelling wave of openness and wakefulness out here. Reality by comparison looks grey, as in neither black nor white but also bleak. We are all God’s children, I heard. I left my siblings out of it and spoke with my maker directly and I think he sounds a lot like myself. If I being myself were more awesome at being detached from my own story in a way I being myself never could be. I wanna know what others hear, I’m scared to know but I wanna know what everyone hears when they talk to God. Do the insane hear the voice distorted? Do the indoctrinated hear another voice entirely?
Any Imitation of Underoos and the Distinctive Packages for Underoos, Our Underwear That’s Fun to Wear, Will Be Prosecuted to the Fullest Extent of the Law.
“I’m working on my second doctorate and doing clinical research in HIV. I’ve always wanted to be a tenure track professor, but I’ve been questioning that lately. I imagined that one day I’d get to a place where I can do the research that I want to do. But I’m seeing now that it’s more about doing the research that will get funded. I’m noticing a lot of disenchantment among my senior mentors. They don’t get to be as innovative as they’d like. Their primary task seems to be sustaining the institution. It’s not about doing the research that they think will make the most impact. It’s about going for the most likely money. It’s publish or perish. Fund or get fired. And education suffers as well. I love to teach, and I’ve always thought that teaching would be a big part of the process. But it’s not emphasized. Because teaching is paid for by tuition. It’s ‘money in, money out.’ But research funding comes from outside the school. It’s new money.”
as of the 20th, a youtuber named “I Hate Everything” (otherwise known as alex) has had his youtube account terminated… for no reason. he received an e-mail from youtube that provided no real information, other than simply telling him his channel has been deleted. he has announced this on his second channel, “JAR Media”.
if you do not know who “I Hate Everything” is, he creates comedic rant videos about various topics: “I Hate the News”, “I Hate Hype Culture”, “I Hate Twitter”, “I Hate Dolphins”, etc. despite his name and branding, his videos are intelligently written. alex conveys his thoughts in a clever way and his hilarious dark sense of humor is the icing on the cake. he’s been building his channel for two years and had earned over 300k subscribers… until youtube pulled the plug. currently, alex is quite distressed and has no idea what to do. that’s where we help, and why i’m writing this.
sharing this post and using #FREEIHE is greatly appreciated, even if you don’t know or like alex. this model of guilty-until-proven-innocent that youtube runs off, the same system that has fucked with game critics like jim sterling and totalbiscuit via faux copyright strikes, is disgusting. people who make high-value content on youtube (that is to say, people who aren’t let’s play channels, prank channels or reactors) have so little power on the website and the fact that their channels can disappear at the drop of a hat with no real explanation while garbage content continues to thrive and make huge profit is sickening to anyone with a functioning mind.
I have this issue. If only these guys had been around to explain to me that I was being indoctrinated with the radical idea that it’s bad for kids to have guns.
Tried to find pictures of me copying Bowie’s look from the Serious Moonlight tour. Failed. Found this. Rockin’ the white man’s overbite. #tbt #dagoshit #eighties (at Syracuse, New York)
1. Greil Marcus on Bruce Springsteen’s “Racing in the Street” 2. Frame from Monte Hellman’s Two-Lane Blacktop
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Love this song. Takes me back to hanging out with all the gear heads in high school. Even used to sing it to the boys as a lullaby when they were little.
The growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs.
This 15-year-old trapper boy named Vance worked for several years in a coal mine, where he was paid 75 cents a day for 10 hours work, which consisted solely of opening and shutting this door. Most of the time, he waited idly for cars to come – makes one rethink our relationship with hurrying and waiting, to say nothing of putting in radical perspective our present-day complaints about how hard it is to find fulfilling work and reminding us that notions like “letting your life speak” and “finding your bliss” are a decidedly modern privilege.
I found this 1908 photograph by Lewis Wickes Hine, serendipitously, while trawling the Library of Congress public domain archive for something else. Due to the intense darkness inside the mine, the writing on the door was not visible until Hine developed the plate in his darkroom.
You’re asking me about the relationship between art and life? It’s like the relationship between the eight hundred or so hours that it took to be psychoanalyzed, and the eight or so hours that it would take to read ‘Portnoy’s Complaint’ aloud. Life is long and art is shorter.
Buy a stethoscope and listen carefully to your heartbeat. If you are young, it should sound like this:
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nobody has paid attention to me for 72 seconds \nnobody has paid attention to me for 74 seconds \nnobody has paid attention to me for 76 seconds \nsomeone is paying attention to me \nleave me alone \nleave me alone \nnobody has paid attention to me for 1 second \nnobody has paid attention to me for 3 seconds
Weird Of The Week: This is part of a series of articles that looks at some of the most bizarre and niche business ideas we see here at Springwise.
3D printing has ushered in the era of customized food, and without any doubt, the most satisfying use for this new technology is the creation of edible treats which bear a strong resemblance to the eater. We have already seen 3D printed Gummy Men, and now Kinneir Dufort are using their 3D printer to make the ultimate personalized breakfast — a pancake with the diner’s face on it. READ MORE…
Always falling into a hole, then saying “ok, this is not your grave, get out of this hole,” getting out of the hole which is not the grave, falling into a hole again, saying “ok, this is also not your grave, get out of this hole,” getting out of that hole, falling into another one; sometimes falling into a hole within a hole, or many holes within holes, getting out of them one after the other, then falling again, saying “this is not your grave, get out of the hole”; sometimes being pushed, saying “you can not push me into this hole, it is not my grave,” and getting out defiantly, then falling into a hole again without any pushing; sometimes falling into a set of holes whose structures are predictable, ideological, and long dug, often falling into this set of structural and impersonal holes; sometimes falling into holes with other people, with other people, saying “this is not our mass grave, get out of this hole,” all together getting out of the hole together, hands and legs and arms and human ladders of each other to get out of the hole that is not the mass grave but that will only be gotten out of together; sometimes the willful-falling into a hole which is not the grave because it is easier than not falling into a hole really, but then once in it, realizing it is not the grave, getting out of the hole eventually; sometimes falling into a hole and languishing there for days, weeks, months, years, because while not the grave very difficult, still, to climb out of and you know after this hole there’s just another and another; sometimes surveying the landscape of holes and wishing for a high quality final hole; sometimes thinking of who has fallen into holes which are not graves but might be better if they were; sometimes too ardently contemplating the final hole while trying to avoid the provisional ones; sometimes dutifully falling and getting out, with perfect fortitude, saying “look at the skill and spirit with which I rise from that which resembles the grave but isn’t!”
22 years ago today, the first photo was uploaded to the web – and it was of an all-girl science rock band from CERN, signing about colliders, quarks, and antimatter.
And make sure you put in a little personality. You have one. It’s a major part of you. You might as well own it. Besides, people hire people they like, not resumes they like.
Escaping from the warmth and comfort of the bed is difficult at the best of times, but a lack of motivation can lead to one too many presses of the snooze button. While the Wake N Shake app has previously used challenges and social leaderboards as an incentive for deep sleepers to rise in the morning, the new ALARMclock displays personal metrics — such as time left on Earth — to encourage users to get out of bed and do something about it. READ MORE…
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Can’t get out of bed? How about an alarm clock that displays the number of days you have left on earth?
University of Toronto professor David Gilmour has, not shockingly, stirred up controversy by stating in an interview that he is “not interested in teaching books by women.” And, “I don’t love women writers enough to teach them, if you want women writers go down the hall.” And, just in case that wasn’t clear, “What I teach is guys. Serious heterosexual guys … F. Scott Fitzgerald, Chekhov, Tolstoy. Real guy-guys.”
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There’s something profoundly wrong with academia if it’s willing to model young minds after such chauvinistic pricks.
I was leaving my business manager’s office. The elevator arrived right away and I got on to find there was another passenger. She was black, she had a beautiful smile, her headphones blended with her hair, and she was listening to some pop love song on her Walkman. It was loud, but I couldn’t make it out. Maybe I’d never heard it before, but it was a love song. I smiled, slipped on my super-cool candy-red headphones, and turned the Clash’s London Calling way up.
\n
We had ridden together for several floors when we were joined by one of those bicycle delivery guys. He had a little hat, the tight black bicycle pants with the reinforced crotch; he was Hispanic and had the little tiny headphones that fit right in the ear so you can only see a couple little spots of blue and some wires coming out of the ears. He looked at us, wrote something on a manila envelope, put it in his backpack, and turned up his music. I have no way of knowing what he was listening to, because “Revolution Rock" was filling my head. But whatever it was he was enjoying it. We swayed our heads together in different rhythms.
\n
The three of us rode a few more floors, then were joined by a businesswoman type. She had on one of those female biz suits, and her hair and makeup were soft and natural. I think she ran every morning or at least took a dance class. Through the light tint of her glasses, I saw her look at each one of us and roll her eyes up. Then she started shaking her head like we weren’t going to notice. My fellow passengers didn’t notice, but I slipped my headphones down around my neck and said, “It must sound like Charles Ives out here, huh? Is it too loud for you?“
\n
She gave me this little condescending smile through her tastefully lipsticked mouth and said, “You people just cut yourselves off from everybody, don’t you? I mean, it’s really bad enough that no one even makes eye contact anymore, but you people just walk around in your own little worlds. We’re a culture of very lonely people. It’s sad. It’s really very sad.”
\n
Since the other two people in the elevator were still in their own respective little worlds, I appointed myself spokesperson for us three lonely people. “You were really dying for human contact here, weren’t you? Huh? You walked on this elevator and said to yourself, ‘Oh, Jiminy Cricket! I really wanted to talk to this delivery boy, this receptionist, and this big ugly son of a bitch with a square head. But alas, they’ve cut themselves off from my personal contact. I guess I can’t have any meaningful dialogue with them. Darn.’ You don’t give a yuppie-tweed-fuck about the three of us! You just need something sensitive and humanitarian to talk about over your fuckin’ power lunch…. I’ll make a deal with you - we’ll take our headphones off and we’ll listen to you, but you better have something to say. And when you ask him what kind of bike he has and he tells you, you better really care. And you better keep us entertained… do a little fuckin’ dance if you have to! When each of us walked onto the elevator we smiled at one another and you just rolled your fuckin’ eyes. So, you want personal contact? Shoot!“
\n
So, this was another elevator ride in the big city during which I didn’t fall in love, make a friend, or even set myself up to get laid. But I do enjoy the Clash.
\n
Being Morally Opposed To The Walkman Carries With It Certain Responsibilities by Penn Jilette
\n
From Penn and Teller’s Cruel Tricks For Dear Friends, Page 178
If there ever was tragically visceral evidence of how remix culture fuels creativity and copyright hinders it, it is this: Despite – or perhaps because of – millions of views in less than a week, The David Foster Wallace Literary Trust has filed a copyright claim against the wildly popular YouTube version of the wonderful short film adaptation of Wallace’s timeless 2005 commencement address, This Is Water. (Luckily, you can still watch the film on Vimeo – but that’s beside the point.)
\n
Here is an example of a project made out of love, the existence of which harms the estate in no way, financial or otherwise, but serves the public good by way of cultural preservation and celebration of Wallace’s spirit and legacy, extending his message and allowing it to touch more lives. That the estate finds any of this harmful is gobsmacking, at once an aberration of the law and a complete failure of cultural duty.
Now that the numbers are in on same-sex marriage, many Republicans are falling like dominos all over themselves to express their support for something that only a few months ago they steadfastly claimed to stand against. They’ll probably soon claim that this is how they felt all along, and they were simply too hamstrung by politics to be able to say what they really meant. Well, okay. In the spirit of openheartedness and what life is really all about, I’ll go so far as to say that the fear of others may mask some deep-seated desire to understand, and maybe even to love. Because really, what is there to be afraid of?
The joy of writing never changes, however many books you have published. It is not always a joy. It is only a joy for a fraction of the time, but it is worth it, just for that fraction. And much of that joy comes from being that misfit kid grown up, leading readers and yourself to the wildest parts of your imagination.
But Catfish isn’t a cautionary tale about normal people being victimized by weirdos they meet on the Internet. By lowering the stakes from death or financial ruin to heartbreak, Catfish can blame the victim as well as the perpetrator. The hoaxes are so stupidly obvious from the beginning that it’s impossible to feel empathy for targets like Sunny. Who’s really “worse” in this situation: The lonely woman who pretends, poorly, to be a male model on the Internet, or the one who plows time and energy into such an obvious fraud? Catfish indicts the entire practice of online friendship as a depressing massively multiplayer online game in which the deranged entertain the deluded. Catfish is Jerry Springer for the social media age. Like the sad, bickering subjects of Springer’s show, Sunny and Jamison deserve each other.
Men and women succeed because they take pains to succeed. Industry and patience are almost genius; and successful people are often more distinguished for resolution and perseverance than for unusual gifts. They make determination and unity of purpose supply the place of ability.
Lost luggage can be a nightmare for travelers, and we’ve already seen the hop! suitcase try to tackle the problem by automatically following its owner. Now we’ve come across TrakDot, which is a small signal transmitting device that tracks the location of its user’s luggage. READ MORE…
\n
Nice idea. Now if it could only keep tabs on those overly curious TSA officials… “Hey! You! Hands off my boxers!”
The first prototype of the Infinity Burial Suit is a body suit embroidered with thread infused with mushroom spores. The embroidery pattern resembles the dendritic growth of mushroom mycelium. The Suit is accompanied by an Alternative Embalming Fluid, a liquid spore slurry, and Decompiculture Makeup, a two-part makeup consisting of a mixture of dry mineral makeup and dried mushroom spores and a separate liquid culture medium. Combining the two parts and applying them to the body activates the mushroom spores to develop and grow.
Has Made Too Free With John Barleycorn: also A date with John Barleycorn; Loaded with John Barleycorn: Barleycorn is the long-established personification of beer, whiskey, and other intoxicating drinkds made from Malted barley. Dating to at least 1620, it owes its popularity to Robert Burns, who used the expression freely throughout the body of his poetry. In the poem “John Barleycorn,” Burns uses the processing of the grain to produce whiskey as a symbol of man’s life, death, and rebirth. The personified “john barleycorn” is reaped, ground, roasted, and distilled; his life’s blood is drunk by the men of Scotland bringing them happiness and boldness; finally:\n
\nBut the cheerful spring came kindly on\n And show'rs began to fall;\u2029\n John Barleycorn got up again,\u2029\n And sore surprised them all.\u2029\n
Michael Lewis: Obama’s Way | Vanity Fair\n",
"date_published": "2012-09-22T16:55:10-04:00",
"url": "https://genegualtieri.com/2012/09/22/michael-lewis-obamas.html",
"tags": ["Tumblr","Link"]
},
{
"id": "http://genegualtieri.micro.blog/2012/09/04/unwinona-i-debated.html",
"title": "{UnWinona}: I debated whether or not to share this story.",
"content_html": "
And then I debated whether or not to put it on Tumblr…but I decided it was important. Because in my own way, I can (unfortunately) point out exactly what is wrong with men when they don’t realize how hard it is to be a woman. How we do not have equal opportunities and freedoms in everyday life….
{UnWinona}: I debated whether or not to share this story.\n",
"date_published": "2012-09-04T22:01:09-04:00",
"url": "https://genegualtieri.com/2012/09/04/unwinona-i-debated.html",
"tags": ["Tumblr","Link"]
},
{
"id": "http://genegualtieri.micro.blog/2012/08/31/everything-youve-heard.html",
"title": "Everything You've Heard About Failing Schools Is Wrong",
"content_html": "
Attendance: up. Dropout rates: plummeting. College acceptance: through the roof. My mind-blowing year inside a “low-performing” school.
\n
By Kristina Rizga on Wed. August 22, 2012 3:00 AM PDT
For the first time, a person lying in an fMRI machine has controlled a robot hundreds of kilometers away using thought alone.
\n
“The ultimate goal is to create a surrogate, like in Avatar, although that’s a long way…
Neurotic Thought: Robot avatar body controlled by thought alone\n",
"date_published": "2012-07-09T10:12:25-04:00",
"url": "https://genegualtieri.com/2012/07/09/neurotic-thought-robot.html",
"tags": ["Tumblr","Link"]
},
{
"id": "http://genegualtieri.micro.blog/2012/05/02/fap-from-shakespeares.html",
"content_html": "
Fap: From Shakespeare’s The Merry Wives of Windsor, ‘The gentleman had drunk himself out of his five sentences…And being fap, sir, was as they say, cashiered’ (1598). The term appears in Noah Webster’s 1806 Dictionary but is listed with the notation of obs.
\n
DRUNK: The Definitive Drinker’s Dictionary by Paul Dickson
As you enter the door of the club, some girl, dressed, probably, as Martha Washington, will run up and kiss you. This is not because she thinks you are George Washington; it is because she drank that eighth Bronx cocktail at dinner.
\n
Perfect Behavior, Donald Ogden Stewart, 1922. (h/t @gazregan)
Three sheets to the wind: This nautical expression is not based on sheets meaning sails but rather on the meaning of sheet as a rope attached to the lower corners of a sail that controls the angle at which it is set, according to Brewer’s Dictionary of Phrase and Fable and other sources. The expression famously appears in Charles Dickens’s Dombey and Son: ‘Captain Cuttle looking, candle in hand, at Bunsby more attentively, perceived that he was three sheets in the wind, or, in plain words, drunk.’
\n
DRUNK: The Definitive Drinker’s Dictionary by Paul Dickson
He makes a Virginia fence: Found in Benjamin Franklin’s “The Drinker’s Dictionary” (1737). And explained in “A 19th Century Slang Dictionary” by Craig Hadley as, “A staggering drunk was said to make this (a zigzagging fence) when he walked. Anyone or anything that meanders. Any fence constructed in this manner.”
\n
DRUNK: The Definitive Drinker’s Dictionary by Paul Dickson
My 4-year-old nephew’s take on gender-role stereotyping:
\n
Nephew: “Mom, this episode is about a girl who wears a tiara.” \nMom: “Why do only girls wear tiaras?” \nNephew: “Because girls are pretty and tiaras are pretty.” \nMom: “So what are boys?” \nNephew: “Very handsome.” \nMom: “And what do they wear on their heads?” \nNephew: “I’m afraid nothing.”
Burns with a low blue flame: This almost certainly has some relationship to the ancient assertion that if one drank enough rum or brandy and was bled, the blood would burn blue until totally consumed. As early as 1836 this belief was satirized, which probably helped the idea to remain current. “The doctrine of the spontaneous combustion of drunkards has just been exemplified in New York, in the case of a man who had drunk two gallons of rum in five days; he was afterwards bled, and on the application of a match, the blood took light, and burnt blue until it was consumed. Spirit-drinkers should be warned by this, that they may, by possibility ‘flare up’ without bargaining for such a luxury,” read a dispatch published in The Satirist, and the Censor of the Time, March 6, 1836.
\n
DRUNK: The Definitive Drinker’s Dictionary by Paul Dickson
Circling Over Shannon: In Ireland, ‘Circling Over Shannon’ is a euphemism for being drunk, coined after Boris Yeltsin’s infamous 1994 trip to Ireland where he was reportedly too drunk to get off the plane, so they circled the Shannon airport six times before landing to sober him up.
\n
Drunk: The Definitive Drinker’s Dictionary by Paul Dickson
“His parents had thought ‘zero impact flooring’ related to their global footprint, not that the carpet wouldn’t tolerate their actual feet. Navigating through the rest of the house was equally exhausting.”
Jon Stewart skewers O'Reilly\n",
"date_published": "2011-05-17T12:01:00-04:00",
"url": "https://genegualtieri.com/2011/05/17/jon-stewart-skewers.html",
"tags": ["Tumblr","Link"]
},
{
"id": "http://genegualtieri.micro.blog/2011/05/12/poem-changing-diapers.html",
"content_html": "
Poem: Changing Diapers \nby Gary Snyder from No Nature (Pantheon).
\n
How intelligent he looks!\n on his back\n both feet caught in my one hand\n his glance set sideways,\n on a giant poster of Geronimo\n with a Sharp’s repeating rifle by his knee.
\n
I open, wipe, he doesn’t even notice\n nor do I.
\n
Baby legs and knees\n toes like little peas\n little wrinkles, good-to-eat,\n eyes bright, shiny ears,\n chest swelling drawing air,
\n
No trouble, friend,\n you and me and Geronimo\n are men.
\n",
"date_published": "2011-04-28T00:32:06-04:00",
"url": "https://genegualtieri.com/2011/04/28/hipster-bingo.html",
"tags": ["Tumblr","Link"]
},
{
"id": "http://genegualtieri.micro.blog/2011/04/24/the-new-inquiry.html",
"title": "The New Inquiry: Play Fair, Run Fast, and Smile for the Camera",
"content_html": "
When I was living in Madrid, I read an article in El País one day that spoke of el valorado concepto anglosajón de “fair play” —the valued Anglo-Saxon concept of fair play. It never occurred to me that…
![\"Tumblr](\"https://genegualtieri.com/uploads/2023/tumblr-34d70673cc6e922ec7aadbe105093a14-1d529f31-500.png\" "\\"tumblr_34d70673cc6e922ec7aadbe105093a14_1d529f31_500.png\\"")
\n
![\"Tumblr](\"https://genegualtieri.com/uploads/2023/tumblr-e1887b19e7cdc88a750bc82478f1eeb1-131a4a3e-500.png\" "\\"tumblr_e1887b19e7cdc88a750bc82478f1eeb1_131a4a3e_500.png\\"")
dailyhangover:
![](\"https://genegualtieri.micro.blog/uploads/2023/d671f6b2d0.jpg\")
\n![](\"https://genegualtieri.micro.blog/uploads/2023/ce6c005ddd.jpg\")
\n![](\"https://genegualtieri.micro.blog/uploads/2023/09aba3c7b3.jpg\")
\n![](\"https://genegualtieri.micro.blog/uploads/2023/6276366f43.jpg\")
\n![](\"https://genegualtieri.micro.blog/uploads/2023/72e1c18293.jpg\")
\n
![\"UntitledImage\"](\"http://genegualtieri.files.wordpress.com/2023/07/untitledimage.png\" "\\"UntitledImage.png\\"")
\n",
"date_published": "2021-02-04T08:54:28-04:00",
"url": "https://genegualtieri.com/2021/02/04/ana-de-armas.html",
"tags": ["Tumblr","Photography","Actors","Photo"]
},
{
"id": "http://genegualtieri.micro.blog/2021/02/03/jane-fonda-rome.html",
"title": "Jane Fonda, Rome, Italy. 1967",
"content_html": "
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\n![](\"https://genegualtieri.micro.blog/uploads/2023/a735e08b1d.jpg\")
Dolly would go on to save the world from COVID-19\n![](\"https://genegualtieri.micro.blog/uploads/2023/a5e6fbf30d.jpg\")
\n![](\"https://genegualtieri.micro.blog/uploads/2023/b025c8b9e8.jpg\")
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![](\"https://genegualtieri.micro.blog/uploads/2023/3e6ca00b6e.jpg\")
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![](\"https://genegualtieri.micro.blog/uploads/2023/3936672893.jpg\")
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\n![](\"https://genegualtieri.micro.blog/uploads/2023/9e94faf2b4.jpg\")
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\n![](\"https://genegualtieri.micro.blog/uploads/2023/12c937c2d2.jpg\")
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\n![](\"https://genegualtieri.micro.blog/uploads/2023/f970519a11.jpg\")
![](\"https://genegualtieri.micro.blog/uploads/2023/1468980301.jpg\")
![](\"https://genegualtieri.micro.blog/uploads/2023/3aa1fccacf.jpg\")
![](\"https://genegualtieri.micro.blog/uploads/2023/302b086e20.jpg\")
\n![](\"https://genegualtieri.micro.blog/uploads/2023/177e28d71d.jpg\")
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![](\"https://genegualtieri.micro.blog/uploads/2023/495f98eab1.jpg\")
via Tumblr [ift.tt/32ForuC](https://ift.tt/32ForuC)![](\"https://genegualtieri.micro.blog/uploads/2023/507f5eb945.jpg\")
\n![](\"https://genegualtieri.micro.blog/uploads/2023/ad68ab35f8.jpg\")
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\n![](\"https://genegualtieri.micro.blog/uploads/2023/7277de91ca.jpg\")
\n![](\"https://genegualtieri.micro.blog/uploads/2023/eb03078836.jpg\")
West Philly\n![](\"https://genegualtieri.micro.blog/uploads/2023/e80cc207b5.jpg\")
\n![](\"https://genegualtieri.micro.blog/uploads/2023/c332c87389.jpg\")
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![](\"https://genegualtieri.micro.blog/uploads/2023/23da9bd0b1.jpg\")
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![](\"https://genegualtieri.micro.blog/uploads/2023/1a4d5a5473.jpg\")
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![](\"https://genegualtieri.micro.blog/uploads/2023/86f2daea01.jpg\")
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![](\"https://genegualtieri.micro.blog/uploads/2023/eb93f5e16d.jpg\")
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\n![\"\"](\"https://genegualtieri.micro.blog/uploads/2023/133023cc58.jpg\")
![](\"https://genegualtieri.micro.blog/uploads/2023/41651a1bf3.jpg\")
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\n![](\"https://genegualtieri.micro.blog/uploads/2023/88c343fc84.jpg\")
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\n![](\"https://genegualtieri.micro.blog/uploads/2023/770f5a25d4.jpg\")
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\n![](\"https://genegualtieri.micro.blog/uploads/2023/309f45ddbc.jpg\")
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"url": "https://genegualtieri.com/2017/12/03/102002.html",
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\n",
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\n",
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},
{
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"title": "youtuber “I Hate Everything” has had his channel removed for no reason",
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\n",
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